Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
I like here how certain elements of the track seem to weave in and out of sync with the main tempo of the song. It gives the track this precarious balance, like somebody standing still while riding on a unicycle.
Another track from Deranged Lunaticks - this one actually ended up getting recorded first back in the early "oughts" It's been dusted off and spruced-up.
You get good separation on the drums here, frequency-wise. Everything stands out individually, and I find with this sort of music, it's very easy for it all to blend together into a big mess.
Who is that singing at the very end? It was kind of a surprise - I wasn't expecting it.
Comments on AMUC's stuff
I remixed this RPM track - sounds a lot better now..
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
Great music! And I love the oceanic vocals!
Intriguing sounds! Like it!
Nice one mate cool sounds.
I'm a newbie here so hello to you.
Top track mate very cool.
im luvN diz whole album brudda! vry dope
eee!<3
1:45 = <333 :D:D:DD:D:
sick! XD i wuz playn thru ur album n lieks had 2 stop at diz one and play it liek obva n obva XP its rly @_@
Great job mate well done.
Wow, interesting experiment! Your results are cool as hell! Very dark.
The synth turns really funky after 0:15 till 0:25, sounds psycho in a cool way!
so creative dude.
i connect with the music in this piece
rock on!
nice sound!
Yes, a brilliant album close - also a brilliant opener? Or just maybe brilliant.
Yeah!
Comments made by AMUC
I'm liking this - the synthesizers drew me in. The vocals remind me a little bit of Roine Stolt from the Flower Kings.
This one just brings a smile to my face, which isn't an easy accomplishment. I love the lyrics.
The production is off the charts. It's like needle pin drop clear. I'm impressed you were able to do this in a single month.
I like here how certain elements of the track seem to weave in and out of sync with the main tempo of the song. It gives the track this precarious balance, like somebody standing still while riding on a unicycle.
I like the melodic progressions of this. The colorful 'Arpy' synthesizers have an Ed Van Fleet feel to them.
This is beautiful. The production is absolutely flawless. It kind of has a David Arkenstone sort of vibe to it.
I like this. Very 80s. I'm hearing Wall of Voodoo and the Cars influences.
Top-notch playing. I'm impressed. (I wish I could play half as good as that.)
Intriguing voice -- kind of sounds like if Prince was jamming with the Black Crowes.
Nice!! I remember finishing this game when I had the Chicken Pox and was out of school for a full week. It has a great soundtrack.
I love that playful synthesizer you use on this (the lower one). This track has a nice groove to it.
I like the quirkiness of this one -- it reminds me a little bit of Dead Or Alive from the 80s.
I like the overall groove of this song -- I like how it builds up out of the minimalist vocals on the previous track. You have a pretty good voice.
Wow - very tight mix.
Fantastic sound production. I like how you can clearly hear the bass in the mix.
This has all the makings of a SyFi Channel holiday special. "Attack Of The Snow-Zombies" [Attack Of The Snowbies? Znowbies?]
This is serious nightmare fuel right here. I could envision it being used as a background soundscape for a horror movie. I mean that in a good way. =)
I like this one - it's catchy. Just pure lyrics being driven along by an acoustic accompaniment.
Creepy barotone. I like how it interacts with the stereo soundscape in the background.
You get good separation on the drums here, frequency-wise. Everything stands out individually, and I find with this sort of music, it's very easy for it all to blend together into a big mess. Who is that singing at the very end? It was kind of a surprise - I wasn't expecting it.