Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Yeah - you can tell there is some microtonal hijinx going on here. It's definitely in something other than the Western 12 note even temperament.
While it sounds a little alien, there is an odd charm to it. My brain on some level acknowledges there are harmonic/melodic relationships going on here.
This is a track from the second Luna Trick CD, Hoar Frost Sheen. For the religious among us, it is not an anti-christian song - it simply rails against church crimes and a history of religion-inspired hatred. Let me know what you think. Thanks…
I like the second layer of almost ethereal vocals that kind of do acoustic acrobatics with the left and right channels. It adds another layer to the folk song.
This is really nice stuff - very atmospheric. It reminds me of Tangerine Dream or Jean-Michel Jarre.
(I remember CoolEdit. Great application - without it, we never would have seen Adobe Audition.)
After defeating the Denebians, humans credit their all-knowning Multivac computer for the victory. But inside the computer, what do the humans tasked with feeding information into it do when given unreliable information? The sound of a flipped…
I'm liking what I've heard of this album so far. It has an early Tangerine Dream sort of vibe to it. You couldn't possibly pick a better subject material to base the songs on.
Believe it or not, I was sitting in a hotel room reading Tolkien when I came up with this. Actually, the amazing thing is that I actually remembered enough of it when I got home a week later. Needless to say, this took a lot of time to record…
I like the little time-signature shifts and genre channel-surfing you do here. It's easy to tell that you really enjoyed making this - it shows in the results.
Wow. This album improves greatly from beginning to end - the last few tracks are fantastic. I like how you veer towards more electronica on some tracks, while other tracks have an almost Evanescence sort of vibe to them.
Product of noodling around. Lead guitars are a combo of UAD's Nigel plugin and the Fractal Axe Fx. Clean guitars are the Fractal. The outro guitars are my Princeton Recording amp.
I played the piano's through my midi guitar and Axon. You can…
Lyrics:
I’ll stand above this cliff
And offer up my soul
Would there be an end to pain
To jump in to this hole
Could this be goodbye
If there’s a light below me
Will it set me free
Could I fly today
Is this my only option
Close…
Comments on AMUC's stuff
I remixed this RPM track - sounds a lot better now..
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
Great music! And I love the oceanic vocals!
Intriguing sounds! Like it!
Nice one mate cool sounds.
I'm a newbie here so hello to you.
Top track mate very cool.
im luvN diz whole album brudda! vry dope
eee!<3
1:45 = <333 :D:D:DD:D:
sick! XD i wuz playn thru ur album n lieks had 2 stop at diz one and play it liek obva n obva XP its rly @_@
Great job mate well done.
Wow, interesting experiment! Your results are cool as hell! Very dark.
The synth turns really funky after 0:15 till 0:25, sounds psycho in a cool way!
so creative dude.
i connect with the music in this piece
rock on!
nice sound!
Yes, a brilliant album close - also a brilliant opener? Or just maybe brilliant.
Yeah!
Comments made by AMUC
Wow. Just wow.
I like the layered streamed&strummed guitars here. The two play well off each other. The stereo effects create a sense of space and depth.
The mix sounds absolutely perfect in every way. I am soooooo jealous.
Yeah - you can tell there is some microtonal hijinx going on here. It's definitely in something other than the Western 12 note even temperament. While it sounds a little alien, there is an odd charm to it. My brain on some level acknowledges there are harmonic/melodic relationships going on here.
I'm really impressed with the mastering on your RPM 2012 album. It sounds very professional. Every instrument sounds crisp and clear.
I like the genre-blending going on here - it creates a very unique end result.
I like the second layer of almost ethereal vocals that kind of do acoustic acrobatics with the left and right channels. It adds another layer to the folk song.
This is really nice stuff - very atmospheric. It reminds me of Tangerine Dream or Jean-Michel Jarre. (I remember CoolEdit. Great application - without it, we never would have seen Adobe Audition.)
[ROFL] The dangers of trying to write music during girl scout cookie season. I'm more of a Tagalong fan myself. =)
I'm in shock that this is your RPM Challenge album. The whole thing sounds very professional - the vocals/songwriting/mastering. It's all good.
I'm liking what I've heard of this album so far. It has an early Tangerine Dream sort of vibe to it. You couldn't possibly pick a better subject material to base the songs on.
I like the little time-signature shifts and genre channel-surfing you do here. It's easy to tell that you really enjoyed making this - it shows in the results.
Love the vocals here -- they have a Celtic-vibe to them.
Nice! I love the synths at the very beginning. I was working on something else on my computer, and they completely grabbed my attention.
Wow. This album improves greatly from beginning to end - the last few tracks are fantastic. I like how you veer towards more electronica on some tracks, while other tracks have an almost Evanescence sort of vibe to them.
I'm digging the high sustained notes in the chorus. (Wow.)
I like how you juxtapose the electronic and more loud rock elements here.
Wow - nice guitaring on this one. (Yes spellcheck - guitaring is a word..)
[Dances about happily] I would love to hear this machine duet with my dishwasher.
This is beautiful. It reminds me of After Forever at their most mellow.