A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Well, Well, Well- There is still unadulterated, unabashed love in the world. Yes, the song is masculine sounding, no shock there, since I am a guy. However, despite a friend’s comments to the contrary, I didn’t intend this song to be about getting…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
There is no reverb on any vox parts in this one. I loved how I was able to get the tone of the voices to have that mid-60s sound. This was aided by the fact I am running through an emulation of the Abbey Road mixing desk. ;)
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
No offense meant to my English friends. ;) I grew up there as a kid, so we have common cause. Anyway, this song is more about the struggle between the material and spiritual, doing the right thing when you are called upon, etc. Hope you enjoy!
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
As you may have picked up on, there's a lot this year about soldiering on when your world has been destroyed. So, this is a song of hope. Have faith, have faith...
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
This one was a hard one to nail. The Wurlitzer riff was something I accidentally played and fell in love with immediately, so I needed to write a song that enhanced the mood that the tone of the Wurly evoked. The sound is so empty and spacious…
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Defiance, self-doubt, hubris, failure, choosing...It's all here to hear.
The title is a nod to my love of a certain guitar player and singer from a late 60's act; who's solo records were even better. The vibrato guitar is inspired by him…
When your world is destroyed as you know it, the ability to overcome and renew yourself is a very steep ascent. It may take years, and this song is about that struggle to 'let it go'
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
3rd one for RPM2011. This is an 'oh you'll never get to heaven' type affair inspired by a beer my mate introduced me too. The song is basically about drinking yourself to death and having one up on the healthy brigade having made a rather spectacular…
This song is sort of about making a clean break, killing off the lead character in your story and burying him along with all his sins before the inevitable happens, and the bad guy gets his. Initially came from a jam with my mate Ben Price who…
One of two pretty little interludes for the album, both of which are based around a guitar part Gary did for me. I've put different synth chords behind each of them to cover the two sides of the lady that inspired the full song, Jekyll & Hyde…
Thank you for being you
No one else would do
Thank you for being you
You're all I ask for
Too many nights alone
tonight I'm coming home
open up the wine cos I'm
gonna be with the one who's shown
Me the ways of old
Women into wives…
A dramatisation of events from school.. hope 'Shaun' never hears this, and if he does, that he likes it in someway, and that things turned out alright in the end..
It was always rainin.
It filled him up
It summed it up
So perfectly
How nothing…
Jekyll and Hyde
are both well and alive
and they're living inside of home
Jekyll is kind to me
Smiles all the time to me
Hyde is a wild arrow from a bow
As much as Jekyll makes you smile
If she drinks herself some wine
You'll be the one that…
I love the summer-ish country feel to this song. The instrumentation really gives a kick to this number. The acoustic instruments sound really pristine. Cool number.
This time paying homage to grandpa. Did I miss any dead folks out this album?
I often stop and think of William
Up on Skinners Ridge
He passed me on his way back down
As I passed from being a kid
A shame you’d say
But aint that the way
Things…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
this is a traditional blues tune originally recorded 77 years ago by the legendary robert johnson . since then everyone from the stones to clapton have had a go at it ,i have tried to bring it back to it's starting point IE: a man , an old cheap…
here's a little slice of mid 90s indie rock . i recorded this w/ my awesome...(and saddly defunct!) pub rock combo "sparetire" in 1995 .It's submitted for your approval. hear more sparetire at: www.myspace.com/sparetireband hopefully we'll get…
My opus. By far the longest song I've ever recorded. I tried to make it shorter, but it just didn't work. Sorry. :)
"The Water-Carver" uses a sample from Stereolab's "Changer." (Gane/Sadier)
My opus. By far the longest song I've ever recorded. I tried to make it shorter, but it just didn't work. Sorry. :)
"The Water-Carver" uses a sample from Stereolab's "Changer." (Gane/Sadier)
Thanks to Mike Brown for lending a hand with the lead parts.. despite trying his damnedest not to! Also thanks for MMI for the advice which in part at least, I took!
I'm gonna call you dirty from now on in x2
I'm gonna call you dirty from…
Based around a fragment I came up with around 10 years ago in University believe it or not, while I was learning to play guitar. As you can see, I was homesick. :) Thanks so much to Gary for adding a bit of spice with the bass, lead guitar and…
Comments on Gary Fox's stuff
I was wrong before. THIS is the best of the best.
This might be the best of the best.
Incredible.
Oh I like reverse guitar patch
Pure energy, Drives it home nicely
Wow man On and On! you have a lot of Talent!
Niiiiice! I really dig it man, great guitar work!
Great song... love the live feel. Excellent production too :-)
This is IMMENSE!
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Interesting intro sounds and mono feel. Beatlesy bridge, leading nicely on to the chorus part. Great songwriting!
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
The riff king gets in the groove. Love the mid-8 with the bw-efx and build.
The love child of The Who and AC/DC. Pumping like hot iron.
Amazing, Mr Fox. An album of STANDOUTS.
Comments made by Gary Fox
This is brilliant.
I really like the turn you took this year Alex. This song has some very cool twists and turns. Really a great listen.
And all of a sudden, I realize there's a theme going on here. Love the brief interlude.
Another great rocker. Sweet.
Two of my favorite musicians in one song. Nice.
This is really inventive and cool song. I had to come back and listen twice, just to get a fix on all of the things going on.
I love the summer-ish country feel to this song. The instrumentation really gives a kick to this number. The acoustic instruments sound really pristine. Cool number.
Kick-arse number, love the guitar. The vocals are primo, great high notes. This would be a great song to hear live in a club.
Great, great song. The slide is perfect. Love the soulful vocal delivery.
I love the lo-fi tone on this. Very cool, and you have a perfect vocal delivery for this.
I like your songwriting style. I like how you use harmonies on this song as punctuation. Very cool.
Great song Chris. I love the solo on the way out. Great tone, very inventive and tasty.
I love this song.
Simply brilliant.
Great tone, love the harmonica in the mid. Really tasty chord change-ups.
Beautiful song...
Great contrast between some of the country-ish elements and the psycheldia effects. Very 1966, and that is intended as a big compliment.
Great song Mr. Pepper Sea. One of my favorites.
Alex Moody, new king of the British Soul Singers...
Great collab here Alex and G Essex. Oooh, cool change up at 1:28.