A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Well, Well, Well- There is still unadulterated, unabashed love in the world. Yes, the song is masculine sounding, no shock there, since I am a guy. However, despite a friend’s comments to the contrary, I didn’t intend this song to be about getting…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
There is no reverb on any vox parts in this one. I loved how I was able to get the tone of the voices to have that mid-60s sound. This was aided by the fact I am running through an emulation of the Abbey Road mixing desk. ;)
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
No offense meant to my English friends. ;) I grew up there as a kid, so we have common cause. Anyway, this song is more about the struggle between the material and spiritual, doing the right thing when you are called upon, etc. Hope you enjoy!
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
As you may have picked up on, there's a lot this year about soldiering on when your world has been destroyed. So, this is a song of hope. Have faith, have faith...
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
This one was a hard one to nail. The Wurlitzer riff was something I accidentally played and fell in love with immediately, so I needed to write a song that enhanced the mood that the tone of the Wurly evoked. The sound is so empty and spacious…
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Defiance, self-doubt, hubris, failure, choosing...It's all here to hear.
The title is a nod to my love of a certain guitar player and singer from a late 60's act; who's solo records were even better. The vibrato guitar is inspired by him…
When your world is destroyed as you know it, the ability to overcome and renew yourself is a very steep ascent. It may take years, and this song is about that struggle to 'let it go'
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
This song was written for Tony Sly of No Use For A Name - He passed away July of 2013.
His music helped me through quite a bit as a kid and influenced me as a musician. I never thought I would miss a person I had never met but here I am.
Written and recorded as part of our family RPM project this year. :-D
13 year old Jasmine on vocals and ukulele.
We wrote and recorded 10 songs under the name Cattica. It was just the best month of lockdown imaginable.
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
Comments on Gary Fox's stuff
I was wrong before. THIS is the best of the best.
This might be the best of the best.
Incredible.
Oh I like reverse guitar patch
Pure energy, Drives it home nicely
Wow man On and On! you have a lot of Talent!
Niiiiice! I really dig it man, great guitar work!
Great song... love the live feel. Excellent production too :-)
This is IMMENSE!
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Interesting intro sounds and mono feel. Beatlesy bridge, leading nicely on to the chorus part. Great songwriting!
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
The riff king gets in the groove. Love the mid-8 with the bw-efx and build.
The love child of The Who and AC/DC. Pumping like hot iron.
Amazing, Mr Fox. An album of STANDOUTS.
Comments made by Gary Fox
Wait, wah-wah bass?!? Awesome. This tune just keeps getting better with each passing sound, twist, and part.
So beautiful...
I think I have my new most favorite song ever. This is genius. The delivery is perfect.
I love the feel, the movement, the spice. Bloody great!
Magical. Purely magical.
That riff is tasty; very, very tasty! And I love the vox delivery...great song!
I love every aspect of this song; the mix, the performance, the writing, all of it.
Wow, great song. Great song!
Out of the gate...this one grabs you instantly. It's a great counterpoint to Part 1.
This is an anthem! Great song!
I love how this song almost pulses out of the speakers at me. Great cut!
This whole album is phenomenal. You're the Monet of auditory soundscapes! I loved every track.
Love the guitars!
Nice! This rocks!
This is such a great song, Tim.
I love this.
Such a great number, wilsun!
I really like the melancholy feel of the beginning. The space is nice, and the synth at 2:30 is perfect.
This song and performance are 2 minutes and 28 seconds of perfection.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.