A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Well, Well, Well- There is still unadulterated, unabashed love in the world. Yes, the song is masculine sounding, no shock there, since I am a guy. However, despite a friend’s comments to the contrary, I didn’t intend this song to be about getting…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
There is no reverb on any vox parts in this one. I loved how I was able to get the tone of the voices to have that mid-60s sound. This was aided by the fact I am running through an emulation of the Abbey Road mixing desk. ;)
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
No offense meant to my English friends. ;) I grew up there as a kid, so we have common cause. Anyway, this song is more about the struggle between the material and spiritual, doing the right thing when you are called upon, etc. Hope you enjoy!
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
As you may have picked up on, there's a lot this year about soldiering on when your world has been destroyed. So, this is a song of hope. Have faith, have faith...
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
This one was a hard one to nail. The Wurlitzer riff was something I accidentally played and fell in love with immediately, so I needed to write a song that enhanced the mood that the tone of the Wurly evoked. The sound is so empty and spacious…
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Defiance, self-doubt, hubris, failure, choosing...It's all here to hear.
The title is a nod to my love of a certain guitar player and singer from a late 60's act; who's solo records were even better. The vibrato guitar is inspired by him…
When your world is destroyed as you know it, the ability to overcome and renew yourself is a very steep ascent. It may take years, and this song is about that struggle to 'let it go'
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
It is easy to mock and ridicule, but much harder to learn and understand. Overcoming our own pig-headedness may be our biggest personal challenge. This song thinks about that. I also was rather happy with how my Telecaster sounds in the rhythm…
The song that led the way. I came up with the guitar sound first, and needed a song that evoked the pure energy that was coming from that guitar sound. It needed to be fast and intense. And it needed harmonies. We're full abandon 'cause it's time…
This one went through many iterations before turning into what you hear. A key breakthrough came when I stumbled upon that keyboard part for the verses. That opened the whole thing up.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
I wrote this one last September.
Allison Jane Sixsmith 1965-2016.
****
**Forever - A A J Russe**
I can see you on your rocking horse now
The one that turned around and kicked you in the teeth
He thought…
Well it's been a long while (as seems to be the pattern lately) and I was inspired by Greg and Ron's new songs.... Then I saw a lovely note from the Proods saying "I must have been writing during this crazy time" - so I had to respond with something…
Two weeks since we went into lock down
We can't play together now so we all played at home and sent the files to eachother.
Hans Nooitgedagt Jr - drums
Bingsolex - lead guitar
Erwin B - bass
KC - guitar, vocals, keys and mix
Times like…
KC - keys, guitar, bass, vocals & mix
It's 5 AM in the morning
I'm burning the midnight oil
There's coffee to stop the yawning
Just don't care about a recoil
I decide to take a walk
A starlit night in the park
I'm in the mood for…
(Remastered 22/10/2021)
I wasn't even sure the recording machine was still going to work after nearly five years... Certainly, bits of me don't work anymore... But, surprisingly, I got this done in 24 hours, start to finish... Strange old world…
Gritty, tight, driving...yeah, in a messed up world, hearing a new Andrew Russe song stands out as a beam of light in an otherwise dark time. This sounds great...
Oh, man...so this is absolutely beautiful, Jarrett. Thank you for taking it to a whole new and amazing place. This song is now as much yours as mine, and I am honored to share it. Also, I loved that little chord you hit coming out of the bridge. Perfect! Much love to you, my RPM brother.
Here's a song that battled me for quite awhile... so I am glad to say I've gotten it recorded. Still rough from my home studio, but trying out a few additional things on my keyboard to round out the sound around the ukulele. Thanks for listening…
Cool track, Colleen. I like the space you left in it, and I really like the way you recorded this so that I could really just soak in the lyrics and melody.
This song was inspired for all of us who've cycled through a relationship or two.... My dear friends Greg Connor and Mark Lofgren of the infamous MN Coffee Table helped bring it to life with Greg on Banjo and Mark on Lead Guitar. Both of them…
MN Homebrew Radio show has a monthly writing contest. This month it was to use the word "wait" or "waiting" in your song. So the hook line of the chorus popped into my head at 5:30 in the morning and the rest of the song came pretty quickly…
Attention all Alonetoners: Give this entire record a spin, many spins actually. I have had the pleasure of hearing Peter's work through the RPM Challenge for well over a decade now. Join me and indulge. It's so worth it.
Comments on Gary Fox's stuff
I was wrong before. THIS is the best of the best.
This might be the best of the best.
Incredible.
Oh I like reverse guitar patch
Pure energy, Drives it home nicely
Wow man On and On! you have a lot of Talent!
Niiiiice! I really dig it man, great guitar work!
Great song... love the live feel. Excellent production too :-)
This is IMMENSE!
Oh, FUNKY!! And a clavinet to boot! Would really play along with the earlier disco tune as a B-side to the single, to be played in the small hours when the DJ:s brought out their secret personal favorites....
Fun and playful intro followed by an axcellent melody in harmony - it can't be anything but a winner! :) Already on the second verse I'm loving it. And you're putting this one second to last? This is instantly catchy and you probably should feature it more prominently.
Good use of compressor to make the acoustic compete on equal terms with the electric. A bit weird vocal ambience but I'm guessing it's beyond my competence because it actually doesn't sound out of place. As a song it's a hit in my book. Rather sad though that my book isn't the trend setter.
Would have wished the guitars at the start, nice and juicy though they sound, to rest on the groove a bit more. It's a fab melody and song. Flangy bit at the end is a nice addition.
Intro is like The Band on a stoned groove jam just before a Dylan concert. Great singing effort and structuring of the song. The signature riff is genius.
BIG Rhodes sound, interesting and tense start to the song. Develops nicely, although I'd have liked the Edge-guitar maybe to have debuted earlier. Very emotional.
Interesting intro sounds and mono feel. Beatlesy bridge, leading nicely on to the chorus part. Great songwriting!
Here we go again with the driving tom groove. This would go down well at any disco about 50 yrs ago... ;) Funky horn riffs, I need to hire you for some songs!
The riff king gets in the groove. Love the mid-8 with the bw-efx and build.
The love child of The Who and AC/DC. Pumping like hot iron.
Amazing, Mr Fox. An album of STANDOUTS.
Comments made by Gary Fox
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
A few measures in and I am already smiling. I can feel the warmth of this song coming through, and I love how your acoustic sounds. Great cut!
Wow...just wow. Andrew, this sounds great, and I love the song. Beautifully done!
So beautiful in its simplicity, the best songs often need nothing more than a voice and accompaniment. Great song, Colleen!
It sounds like you're all in the same room. Very smooth, great number! Take heart, we'll pull through.
Dude...this is really cool. Love the groove!
Gritty, tight, driving...yeah, in a messed up world, hearing a new Andrew Russe song stands out as a beam of light in an otherwise dark time. This sounds great...
Oh, man...so this is absolutely beautiful, Jarrett. Thank you for taking it to a whole new and amazing place. This song is now as much yours as mine, and I am honored to share it. Also, I loved that little chord you hit coming out of the bridge. Perfect! Much love to you, my RPM brother.
Cool track, Colleen. I like the space you left in it, and I really like the way you recorded this so that I could really just soak in the lyrics and melody.
Great number, there is nothing like a live recording of people who can play and sing well together.
Great tune, Colleen! I really like the earthy feel. Real blues tones here, and I love it.
Attention all Alonetoners: Give this entire record a spin, many spins actually. I have had the pleasure of hearing Peter's work through the RPM Challenge for well over a decade now. Join me and indulge. It's so worth it.
So rich and creamy; that's the best way to describe these fantastic songs...
Beautiful arrangements and scoring. I love the mood of this...
Peter, it's so good to have new music from you again.
Wow, worth the listen all the way through. Killer production.