Backwards acoustic! In synch with the beat! How did he do that?
I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…
One of the songfight inspired titles for RPM 2007. This was also picked out of a hat. This one is the mother of all semitone slide bass/root note chord smashers. It's everywhere. The lyrics are some of my favorite, though most people have no idea…
Another of the three songfight inspired titles. Painted Tense (the title) actually came from a band name generator website. I thought it might make a good song title so I submitted it to the RPM HQ person doing the name-from-a-hat picking. I would…
This is a track of serendipity (is that how you spell that?) I was hours from deadline, lots of mixing left to do, and this track was FAR from done. I love the congas in this one. In general, this is a fun one for me. For once I actually don't…
Backwards acoustic! In synch with the beat! How did he do that?
I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…
The horn line came first, I started humming it in the garage one very cold morning in Feb. I was stuck for a title, until a friend used Kismet in a sentence. It's a fun bouncy number, though the mix is kind of bad.
Backwards acoustic! In synch with the beat! How did he do that?
I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…
Backwards acoustic! In synch with the beat! How did he do that?
I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…
Another of the three songfight inspired titles. Painted Tense (the title) actually came from a band name generator website. I thought it might make a good song title so I submitted it to the RPM HQ person doing the name-from-a-hat picking. I would…
Nothing like the sound of a strat through that classic "brown" sound. Gritty, driving, crunchy, lovely tones...This is my welcome back, did you miss me, RPM 2008 opening track.
Nothing like the sound of a strat through that classic "brown" sound. Gritty, driving, crunchy, lovely tones...This is my welcome back, did you miss me, RPM 2008 opening track.
This is a track of serendipity (is that how you spell that?) I was hours from deadline, lots of mixing left to do, and this track was FAR from done. I love the congas in this one. In general, this is a fun one for me. For once I actually don't…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
This song was written for Tony Sly of No Use For A Name - He passed away July of 2013.
His music helped me through quite a bit as a kid and influenced me as a musician. I never thought I would miss a person I had never met but here I am.
Written and recorded as part of our family RPM project this year. :-D
13 year old Jasmine on vocals and ukulele.
We wrote and recorded 10 songs under the name Cattica. It was just the best month of lockdown imaginable.
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
Comments on Gary Fox's stuff
nice! Like this one. harmonies are really good. sweet vox.
you should publish your lyrics under the about tab
dark years...........
I think this track is excellent and deserves a lot of attention.
OMG, Gary - AWESOME!
Oh Yeah, Gary, Oh Yeah...you got your groove on!
Great stuff man!! Love that backwards guitar
innovative, soul-seeper, aces.
instant beatle vibe..great stuff man.
Very Drivig. Love the layers. I had the experience of listening to the song and thinking I heard someone from the other room call me....great!
Great tune!
This song has it all. Great performance too.
Great job and great sound. I like the Live sound you get on the softer parts.
Fun-key!! It suddenly becomes The Who!! Wicked!
I'm loving this song. The strings make it.
Great mix of rock, vox and strings!
I have always liked this song. Good work, amigo. ER
Foxy Beatles!
like the chelo. and interesting melody. cool break. what do you as software? tim
Ah Gary...a man after my heart - strings, string, I love strings! OUTSTANDING!
Comments made by Gary Fox
Wait, wah-wah bass?!? Awesome. This tune just keeps getting better with each passing sound, twist, and part.
So beautiful...
I think I have my new most favorite song ever. This is genius. The delivery is perfect.
I love the feel, the movement, the spice. Bloody great!
Magical. Purely magical.
That riff is tasty; very, very tasty! And I love the vox delivery...great song!
I love every aspect of this song; the mix, the performance, the writing, all of it.
Wow, great song. Great song!
Out of the gate...this one grabs you instantly. It's a great counterpoint to Part 1.
This is an anthem! Great song!
I love how this song almost pulses out of the speakers at me. Great cut!
This whole album is phenomenal. You're the Monet of auditory soundscapes! I loved every track.
Love the guitars!
Nice! This rocks!
This is such a great song, Tim.
I love this.
Such a great number, wilsun!
I really like the melancholy feel of the beginning. The space is nice, and the synth at 2:30 is perfect.
This song and performance are 2 minutes and 28 seconds of perfection.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.