I came back for a second listen on this one to check out the "60s studio tricks" again - but WOW, this song, the song itself, is a grower... 2nd listen, it could well be my favourite... The fade-in flanged part is "shivers down the spine" time... almost a pity it fades so soon after that!
And there's something really uplifting about this one. Each time the chorus comes round... fab.
Cool guitar sounds too - over the whole album - but I love them here.
This song is meant to be the intro, set the stage, and talk about the direction of the album. The riff came to me while I was absent-mindedly noodling on my gtr in front of the idiot box one day. I knew at that point I had an album opener of a…
Don't tell me how it is, I'm good, I got it, I got it. But are we blind, and are there cracks in a facade? The riff was what came first, probably while watching the idiot box one evening. I am pretty sure it came very soon after RPM '15, and I…
Like a fine wine, you've matured well over the years, my friend. Nice, juicy, mellowed out sounds with good intensity, an edge of spicyness and a long aftertaste.
Don't tell me how it is, I'm good, I got it, I got it. But are we blind, and are there cracks in a facade? The riff was what came first, probably while watching the idiot box one evening. I am pretty sure it came very soon after RPM '15, and I…
This is a track of serendipity (is that how you spell that?) I was hours from deadline, lots of mixing left to do, and this track was FAR from done. I love the congas in this one. In general, this is a fun one for me. For once I actually don't…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Turn this one up REALLY FREAKING LOUD!
Written, recorded and polished off in about 45 minutes or so. Clearly my British influence shines forth in this one, right down to the SG through a Vox amp tones and backward riffs here and there. (and…
Don't tell me how it is, I'm good, I got it, I got it. But are we blind, and are there cracks in a facade? The riff was what came first, probably while watching the idiot box one evening. I am pretty sure it came very soon after RPM '15, and I…
Man, we need to find a way to stop time. I suspect a month outside of reality would yield some pretty amazing music if we got all of our musical cronies together in a studio house in the mountains.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
I wrote this one last September.
Allison Jane Sixsmith 1965-2016.
****
**Forever - A A J Russe**
I can see you on your rocking horse now
The one that turned around and kicked you in the teeth
He thought…
Well it's been a long while (as seems to be the pattern lately) and I was inspired by Greg and Ron's new songs.... Then I saw a lovely note from the Proods saying "I must have been writing during this crazy time" - so I had to respond with something…
Two weeks since we went into lock down
We can't play together now so we all played at home and sent the files to eachother.
Hans Nooitgedagt Jr - drums
Bingsolex - lead guitar
Erwin B - bass
KC - guitar, vocals, keys and mix
Times like…
KC - keys, guitar, bass, vocals & mix
It's 5 AM in the morning
I'm burning the midnight oil
There's coffee to stop the yawning
Just don't care about a recoil
I decide to take a walk
A starlit night in the park
I'm in the mood for…
(Remastered 22/10/2021)
I wasn't even sure the recording machine was still going to work after nearly five years... Certainly, bits of me don't work anymore... But, surprisingly, I got this done in 24 hours, start to finish... Strange old world…
Gritty, tight, driving...yeah, in a messed up world, hearing a new Andrew Russe song stands out as a beam of light in an otherwise dark time. This sounds great...
Oh, man...so this is absolutely beautiful, Jarrett. Thank you for taking it to a whole new and amazing place. This song is now as much yours as mine, and I am honored to share it. Also, I loved that little chord you hit coming out of the bridge. Perfect! Much love to you, my RPM brother.
Here's a song that battled me for quite awhile... so I am glad to say I've gotten it recorded. Still rough from my home studio, but trying out a few additional things on my keyboard to round out the sound around the ukulele. Thanks for listening…
Cool track, Colleen. I like the space you left in it, and I really like the way you recorded this so that I could really just soak in the lyrics and melody.
This song was inspired for all of us who've cycled through a relationship or two.... My dear friends Greg Connor and Mark Lofgren of the infamous MN Coffee Table helped bring it to life with Greg on Banjo and Mark on Lead Guitar. Both of them…
MN Homebrew Radio show has a monthly writing contest. This month it was to use the word "wait" or "waiting" in your song. So the hook line of the chorus popped into my head at 5:30 in the morning and the rest of the song came pretty quickly…
Attention all Alonetoners: Give this entire record a spin, many spins actually. I have had the pleasure of hearing Peter's work through the RPM Challenge for well over a decade now. Join me and indulge. It's so worth it.
Comments on Gary Fox's stuff
I came back for a second listen on this one to check out the "60s studio tricks" again - but WOW, this song, the song itself, is a grower... 2nd listen, it could well be my favourite... The fade-in flanged part is "shivers down the spine" time... almost a pity it fades so soon after that!
And there's something really uplifting about this one. Each time the chorus comes round... fab. Cool guitar sounds too - over the whole album - but I love them here.
And this one - I'm always a sucker for descending bass-lines!
On first listen, this was one of the standout tracks for me.
Well that was a very enjoyable 40 minutes - loved it all the way through - nice one, cool album Gary.
A rocking great way to start a Saturday! Great energy in this one!
Man....always SO good!
Like a fine wine, you've matured well over the years, my friend. Nice, juicy, mellowed out sounds with good intensity, an edge of spicyness and a long aftertaste.
Very nice.
Excellent. I like your vocals non double-tracked.
Oh hell yes.
Crazy blend of styles. Instant fave.
...I may need to cover this track someday. So friggin good. Maybe your strongest vocals ever.
Such a gem, this track. Crazy good opening riff. Every time I hear this, I wish I'd written it... And I sure as hell wished I'd sung it.
Where has this been hiding. I may need to go delving into the Fox deep track stacks.
Oh, there's the love.
Oh, hell yes.
Fab!!
This is just crazy good. I wish I'd written it.
Man, we need to find a way to stop time. I suspect a month outside of reality would yield some pretty amazing music if we got all of our musical cronies together in a studio house in the mountains.
Comments made by Gary Fox
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
A few measures in and I am already smiling. I can feel the warmth of this song coming through, and I love how your acoustic sounds. Great cut!
Wow...just wow. Andrew, this sounds great, and I love the song. Beautifully done!
So beautiful in its simplicity, the best songs often need nothing more than a voice and accompaniment. Great song, Colleen!
It sounds like you're all in the same room. Very smooth, great number! Take heart, we'll pull through.
Dude...this is really cool. Love the groove!
Gritty, tight, driving...yeah, in a messed up world, hearing a new Andrew Russe song stands out as a beam of light in an otherwise dark time. This sounds great...
Oh, man...so this is absolutely beautiful, Jarrett. Thank you for taking it to a whole new and amazing place. This song is now as much yours as mine, and I am honored to share it. Also, I loved that little chord you hit coming out of the bridge. Perfect! Much love to you, my RPM brother.
Cool track, Colleen. I like the space you left in it, and I really like the way you recorded this so that I could really just soak in the lyrics and melody.
Great number, there is nothing like a live recording of people who can play and sing well together.
Great tune, Colleen! I really like the earthy feel. Real blues tones here, and I love it.
Attention all Alonetoners: Give this entire record a spin, many spins actually. I have had the pleasure of hearing Peter's work through the RPM Challenge for well over a decade now. Join me and indulge. It's so worth it.
So rich and creamy; that's the best way to describe these fantastic songs...
Beautiful arrangements and scoring. I love the mood of this...
Peter, it's so good to have new music from you again.
Wow, worth the listen all the way through. Killer production.