The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
"blah blah blah"
Proof that some of the things that the composer finds mundane, fascinates the rest of us.
Where's my "how to glu" distance learning course?
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The text along with the visual along with the sounds...just beautiful, truly a multi media experience...but the song is so beautifully simple...elegant the way it moves right along with the river. captured magic.
Lovely.
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Sudara recorded some hang drum and glu chopped it up. This is from this morning's remix in underwear session. Cello notes are from the free philharmonic orchestra pack online.
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
this vocal arrangement only made the cutting room floor. full instrumentalized version forthcoming. i just wanted this arrangement its own chance at life!
My evening challenge: compose and record a piece in an evening. Song titles will reflect the time of day when the day's light slips into the darkness of night.
Took sandbags' [Rytme Shifter 1](http://alonetone.com/sandbags/tracks/rytme-shifter-1) and added my special brand of guitar incompetence.
I bought myself an E-Bow this week and this track was just perfect for playing around. After a day of wankery…
Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
I added melodies to the initial track and then Sister Savage
rerecorded the vocals to match the new melody.
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
damn! wow, I either missed this or I am hearing it with new ears. Really class. Going to give this playlist a better listen tomorrow. 'Listened to 1432 times' BAM!
The first version.
This is the first and only song I wrote on [arrsuarez](http://alonetone.com/arrsuarez)'s Christmas gift to me, a mbira that he lovingly crafted by hand.
 the calm before the storm or b) the eye of the hurricane. Either way, it is calm and tranquil but it's only fleeting. There's something really heavy about to hit. In an album, I would put this right before a hard hitting track.
not sure if it will go on the next glubotic revision or if it belongs elsewhere. This question gives rise to my multiple-music personality disorder/syndrome. glu.botnet, happy machines, and a few more might get thrown into the next album revision when I get around to it.
and the BTTC remix? Any progress?
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
30:
Urban dictionary has some funny submissions:
http://www.urbandictionary.com/define.php?term=thirty
#2 A slang term for a hardcore porno movie. Derived from the Roman numeral that stands for the rating (XXX).
#3 A "key word" used by modern males to alert one another of an oncoming attractive female.
Okay so I enjoyed doing Glubotism1 enough that I thought I'd take a second crack at it. Same tools but took a different approach to how I used Stylus RMX and I introduced some of it's built-in effects on some of the parts. Also I bused RMX and…
So one too many coffee's and I have insomnia, I decided to mess about with my prototype sequencer Rytme and one of the Logic piano presets (Piano Motion).
I came up with this piece (in the key of A Major) which is rather repetitive (a quality…
thanks for listening to the glubotic RPM! This morning, I just gave it my first listen since March and I started getting excited about working on an updated version. it's interesting to see who favors which tracks.
Comments on glu's stuff
Your creativity is overwhelming. I need more birds.
Very effective use of the reverb...very interesting work overall.
"blah blah blah" Proof that some of the things that the composer finds mundane, fascinates the rest of us. Where's my "how to glu" distance learning course?
You amaze me once again with your creativity !!
Once again you've done something very special. Props.
The text along with the visual along with the sounds...just beautiful, truly a multi media experience...but the song is so beautifully simple...elegant the way it moves right along with the river. captured magic. Lovely.
love the use of the field recording with the floating instrumental parts.
Yeah this great for sure nice one
This is great. Love the info and picture. This song is a whole package; the real deal.
nice.
great song
no pianos were harmed during the production of this music. awesome Glu.
This is great nice one
I am going to say something nice about this track
I like this
First theme after pickup is awesome!
Brilliant. Just brilliant.
nice pianos!
Now including incriminating pictorial evidence in track description!
Who knew that destroying a piano could be so beautiful. Hang on - How'd you manage to pull that one off? :)
Comments made by glu
beautiful. more piano tunes please!!!
it's good enough for me too!
nice!
This is really nice!
perfect. love the e-bow action. I want one too! goes perfectly with the gates stuff.
yeah, busy mix ftw! It was so much fun watching this come together. Sister Savage's new vocal take was really inspiring.
el mejor aqui!!! Me encanta la moda.
you are a super class sound designer with these experiments. I'd love to incorporate your work in some future mixes.
Oh yeah! Hot!!!!
damn! wow, I either missed this or I am hearing it with new ears. Really class. Going to give this playlist a better listen tomorrow. 'Listened to 1432 times' BAM!
this song sounds like the soundtrack to either a) the calm before the storm or b) the eye of the hurricane. Either way, it is calm and tranquil but it's only fleeting. There's something really heavy about to hit. In an album, I would put this right before a hard hitting track.
not sure if it will go on the next glubotic revision or if it belongs elsewhere. This question gives rise to my multiple-music personality disorder/syndrome. glu.botnet, happy machines, and a few more might get thrown into the next album revision when I get around to it. and the BTTC remix? Any progress?
oh this is nice! I really like it as it builds from around 01:15....01:45..and then the melody at 02:00 is great
like the melody here, Uncle. The vocal treatment is nice too... the stereo voice effect is great! and the dancing guitar layers... nice stuff
oh yeah! like the beat... Bom chk! Bom chk! --bp bp --bp bp
Nice! Jeffy G is here! woohoo! sounds like one of the piano motifs from "Lost"
I knew none of this prior to titling the song!
30: Urban dictionary has some funny submissions: http://www.urbandictionary.com/define.php?term=thirty #2 A slang term for a hardcore porno movie. Derived from the Roman numeral that stands for the rating (XXX). #3 A "key word" used by modern males to alert one another of an oncoming attractive female.
think I might do another mix of this... keeping the integrity of this track this time.
thanks for listening to the glubotic RPM! This morning, I just gave it my first listen since March and I started getting excited about working on an updated version. it's interesting to see who favors which tracks.