The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
"blah blah blah"
Proof that some of the things that the composer finds mundane, fascinates the rest of us.
Where's my "how to glu" distance learning course?
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The text along with the visual along with the sounds...just beautiful, truly a multi media experience...but the song is so beautifully simple...elegant the way it moves right along with the river. captured magic.
Lovely.
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Sudara recorded some hang drum and glu chopped it up. This is from this morning's remix in underwear session. Cello notes are from the free philharmonic orchestra pack online.
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Doctor P. the The Doctor of Philanthropy. At least in the realignment of belief structure and philosophy. or something like that
[right click on arrow and select 'save link as' to download]
Today I gave a quickie demo of Live to my guitar instructor. I started with an empty set and threw some crap at the wall just to show him one of the work flows.
Later, when I brought the thing home I couldn't leave well enough alone and started…
An experiment that became a meditation.
Two tracks. One guitar, one looper, one e-bow, two tracks and a touch of Live's Overdrive effect on the second e-bow track.
The starting premise was could I get the sound of many guitars by continually…
MODERN MEDICINE DJ-Set
_____________________________________________
INSIDE:
(Emilie Simon, Kronos Quartet, Modern Medicine, NIN, The Columbus Academy Children's Choir, Beth Gibbons, Sneaker Pimps, Blue States, Vetiver etc.)
Disclaimer…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
It starts out with trashcan drumming.. makes me want to move! Then it evolves with all the rhythmic synth layers... I likey.. If you are passively looking for input, I'd recommend thinking about how to utilize more negative space to emphasize that trash can rhythm at parts...I think you do this in a different way.. in sections rather than throughout the track.. and well, my recommendation comes with a big fat disclaimer... I tend to want to hear the wall of sound layers deferring to tribal beats :-) , Maybe gate or cut out parts of those polyrhythms on certain beats. I like the grinding end too.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
Compositionally this song started out with the drum pattern and grew from there. I'm not sure why I chose the title 'Mad Man' but in some ways I thought it was fitting.
Anyway, this song is dedicated to crazy geniuses whose academic work is…
yeah love the percussion and general sentiment about mad men. Thanks for the warm Ohioan welcome... I'm excited to finally live in a state where the leaves change colors every year! What's this thing called seasons?
@ noëlle-- thanks! Glad you are enjoying the tunage! If you are interested in more music made with animal samples, check out the bioelectrophilia playlist, made mostly from samples I recorded in the Peruvian Amazon last year. http://alonetone.com/glu/playlists/bioelectrophilia
Thanks for listening!
This is a track I started on the ferry over to Wales for a little holiday a couple of weeks back.
* Drums are from Ableton Suite's Session Drums
* Bassline is an patch I created in Live's Analog synth
* Guitar is me playing through Guitar…
more tabla/club music. this one needs some melodic work, perhaps some more instrument layering, more chord progressions... anyhow, should be enjoyable enough for now.
hahaha. no can do, Bethan.. it was designed to make it drop! :-) maybe I should write a disclaimer? I heard it also causes listeners to spill their drinks ;-)
Comments on glu's stuff
Your creativity is overwhelming. I need more birds.
Very effective use of the reverb...very interesting work overall.
"blah blah blah" Proof that some of the things that the composer finds mundane, fascinates the rest of us. Where's my "how to glu" distance learning course?
You amaze me once again with your creativity !!
Once again you've done something very special. Props.
The text along with the visual along with the sounds...just beautiful, truly a multi media experience...but the song is so beautifully simple...elegant the way it moves right along with the river. captured magic. Lovely.
love the use of the field recording with the floating instrumental parts.
Yeah this great for sure nice one
This is great. Love the info and picture. This song is a whole package; the real deal.
nice.
great song
no pianos were harmed during the production of this music. awesome Glu.
This is great nice one
I am going to say something nice about this track
I like this
First theme after pickup is awesome!
Brilliant. Just brilliant.
nice pianos!
Now including incriminating pictorial evidence in track description!
Who knew that destroying a piano could be so beautiful. Hang on - How'd you manage to pull that one off? :)
Comments made by glu
I knew my former self would come back to haunt me. That was intended for George's eyes only haha
reminds me of Common. Nice!
damn, I regret moving from Austin before checking out one of your shows. Playing anytime in December?
wankin' rhythms ye have there matey. There should be more that one Wednesday a week for wanking.
I still get perfectly lost in this one.
LOVE this DJ set. LOVE it.
frustrator! That's a good idea! I should try that out :-)
bravo bravo! awesome version! Uber-impressed.
DAMN. This one is bitchin/glitchin' -- Nailed it.
lovin' that glitch!
It starts out with trashcan drumming.. makes me want to move! Then it evolves with all the rhythmic synth layers... I likey.. If you are passively looking for input, I'd recommend thinking about how to utilize more negative space to emphasize that trash can rhythm at parts...I think you do this in a different way.. in sections rather than throughout the track.. and well, my recommendation comes with a big fat disclaimer... I tend to want to hear the wall of sound layers deferring to tribal beats :-) , Maybe gate or cut out parts of those polyrhythms on certain beats. I like the grinding end too.
Damn.. it makes me want to throw this book across the room and hook up the studio proper.
super lush. It just keeps getting better.
yeah love the percussion and general sentiment about mad men. Thanks for the warm Ohioan welcome... I'm excited to finally live in a state where the leaves change colors every year! What's this thing called seasons?
love the layers in this one... like a soundtrack to some of my more recent dreams.
lovely!!!!
@ noëlle-- thanks! Glad you are enjoying the tunage! If you are interested in more music made with animal samples, check out the bioelectrophilia playlist, made mostly from samples I recorded in the Peruvian Amazon last year. http://alonetone.com/glu/playlists/bioelectrophilia Thanks for listening!
Yeah! This one is great! Might be my fave from your uploads.
hahaha. no can do, Bethan.. it was designed to make it drop! :-) maybe I should write a disclaimer? I heard it also causes listeners to spill their drinks ;-)
wow... captured my mood, exactly.