The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
"blah blah blah"
Proof that some of the things that the composer finds mundane, fascinates the rest of us.
Where's my "how to glu" distance learning course?
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The text along with the visual along with the sounds...just beautiful, truly a multi media experience...but the song is so beautifully simple...elegant the way it moves right along with the river. captured magic.
Lovely.
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Sudara recorded some hang drum and glu chopped it up. This is from this morning's remix in underwear session. Cello notes are from the free philharmonic orchestra pack online.
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Here's a partially-orchestrated preview of a song we're currently writing. Another big toe-tapper, this one, a lovely 6/4 piece, an ode to half-diminished sevenths, and minor ninths, wherever they may fall.
The title comes from a quote from…
Shaken, not stirred please.
Experimenting more with sandbags' Elysium. This time I used it to trigger elephant samples for part of the percussion section.
@ Licoresse.. yes most of what you think is gating exactly that. Some other chopping involved, but yeah, I experimented with gating for the first time! :-)
Lyrics:
Caged as a bird
free will is such a bitch
it's your responsibility to stay alive
pay the bills etc, etc
but how you enslave yourself
whether or not you enslave yourself
it's up to you
NOT FINISHED. another draft. just putting it up here so that i kick myself in the pants to flesh it out and write verses and whatnot and redo everything. great! this draft is continuously replaced with newer versions. check back, please! (oh yeah…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This one's for that little black and tan, Nahannah.
Lyrics:
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
first thing this…
It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
Another one from back when I was tracking to actual tape. Was going to do a new version at some point, but decided I had lost interest. Sometimes there's no sense in recreating the past! Recorded probably the beginning of 2007
This is day 24 of my 24 day project. So that means it's over.
And if you're reading this on alonetone, this is lucky track number 100.
24 "songs" in 24 days. Really, the only requirement was to produce a minute of music each day.
I wish…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Wrangled in the string band to a play a pleasant little toe-tapper.
Instrumentation
Resonator Guitar
Resonator Bass
Banjo
Guitar Case
Clapping
Serrated Knife
Voice
Comments on glu's stuff
Your creativity is overwhelming. I need more birds.
Very effective use of the reverb...very interesting work overall.
"blah blah blah" Proof that some of the things that the composer finds mundane, fascinates the rest of us. Where's my "how to glu" distance learning course?
You amaze me once again with your creativity !!
Once again you've done something very special. Props.
The text along with the visual along with the sounds...just beautiful, truly a multi media experience...but the song is so beautifully simple...elegant the way it moves right along with the river. captured magic. Lovely.
love the use of the field recording with the floating instrumental parts.
Yeah this great for sure nice one
This is great. Love the info and picture. This song is a whole package; the real deal.
nice.
great song
no pianos were harmed during the production of this music. awesome Glu.
This is great nice one
I am going to say something nice about this track
I like this
First theme after pickup is awesome!
Brilliant. Just brilliant.
nice pianos!
Now including incriminating pictorial evidence in track description!
Who knew that destroying a piano could be so beautiful. Hang on - How'd you manage to pull that one off? :)
Comments made by glu
Love it!!! Kirk is right, you filled an awesome alonetone niche! w00t!
@ Licoresse.. yes most of what you think is gating exactly that. Some other chopping involved, but yeah, I experimented with gating for the first time! :-)
need to here these lyrics right about now. thanks!
yeah, composed in an intergalactic prison system!
YES!
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
yes, where is Michael, my talking car?
Brando, you are my hero. Amazing work. Love each tune. Congrats on yet another 24h!
*sitting* lovely little ditty, Gumbo!
cathartic! sooooo nice to see a new one from you two!
now this is a novel idea!!!!
Le beauté! sounds great!
yeah, this is awesome. great beats! Really digging your stuff.
Love the rhythms!
yeah, that upright bass is great! Love the glitchy rhythms and that haunting sound that comes in right before 01:30.
haha awesome! looking forward to hearing more!
lovely swingin tune there, guv. Completely envious of your awesome guitar work! It dances!
agree with the sista! go all the way! 365!! :-)
Now including incriminating pictorial evidence in track description!
woah hermano y amigos! This one is great! love that twangy banjo/guitar and the vocal harmonies!