Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
![aphoto](http://i52.photobucket.com/albums/g9/iloveglu/800px-Tundzha.jpg)
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
![aphoto](http://i52.photobucket.com/albums/g9/iloveglu/800px-Tundzha.jpg)
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
I love this track, how simple the rhythm is but how rich it is with the drum and guitar timbres. Build up is awesome, as Sister Savage & kirklynch said. The break to the sustained texture at the end is fantastic.
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
@ ic42.. I think the hopes of change after a revolution fades out.. so in a way it's kind of a poetic ending.. maybe not though.. maybe it needs to go out with an explosion.. will think about it. Thanks for the comments.. and that goes for all of you! Really appreciate it!
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
crunchy steamroller. Delivered with a soft snarl. Great music, especially liked the beauty-break in the middle, falling back into angst for the end. However, there is something ironic about a song entitled coup d'etat, which slowly fades out. :-)
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
this vocal arrangement only made the cutting room floor. full instrumentalized version forthcoming. i just wanted this arrangement its own chance at life!
My evening challenge: compose and record a piece in an evening. Song titles will reflect the time of day when the day's light slips into the darkness of night.
Took sandbags' [Rytme Shifter 1](http://alonetone.com/sandbags/tracks/rytme-shifter-1) and added my special brand of guitar incompetence.
I bought myself an E-Bow this week and this track was just perfect for playing around. After a day of wankery…
Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
I added melodies to the initial track and then Sister Savage
rerecorded the vocals to match the new melody.
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
damn! wow, I either missed this or I am hearing it with new ears. Really class. Going to give this playlist a better listen tomorrow. 'Listened to 1432 times' BAM!
The first version.
This is the first and only song I wrote on [arrsuarez](http://alonetone.com/arrsuarez)'s Christmas gift to me, a mbira that he lovingly crafted by hand.
![mbira](http://img.skitch.com/20090309-qan7jaha9gtbge23e6d3aqh2td…
this song sounds like the soundtrack to either a) the calm before the storm or b) the eye of the hurricane. Either way, it is calm and tranquil but it's only fleeting. There's something really heavy about to hit. In an album, I would put this right before a hard hitting track.
not sure if it will go on the next glubotic revision or if it belongs elsewhere. This question gives rise to my multiple-music personality disorder/syndrome. glu.botnet, happy machines, and a few more might get thrown into the next album revision when I get around to it.
and the BTTC remix? Any progress?
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
30:
Urban dictionary has some funny submissions:
http://www.urbandictionary.com/define.php?term=thirty
#2 A slang term for a hardcore porno movie. Derived from the Roman numeral that stands for the rating (XXX).
#3 A "key word" used by modern males to alert one another of an oncoming attractive female.
Okay so I enjoyed doing Glubotism1 enough that I thought I'd take a second crack at it. Same tools but took a different approach to how I used Stylus RMX and I introduced some of it's built-in effects on some of the parts. Also I bused RMX and…
So one too many coffee's and I have insomnia, I decided to mess about with my prototype sequencer Rytme and one of the Logic piano presets (Piano Motion).
I came up with this piece (in the key of A Major) which is rather repetitive (a quality…
thanks for listening to the glubotic RPM! This morning, I just gave it my first listen since March and I started getting excited about working on an updated version. it's interesting to see who favors which tracks.
Comments on glu's stuff
This song pretty much rocks
I like it
this is great man, the build up is amazingly executed. the wall of distorted sound at the end is equally as mugasmic
Nice one Glu you got some good sounds happening here
you do come up with some cool sounds my man
Hi, 'Guest' -- I'd love a piano but for now I'll have to do with Sudara's 15min recording session.
love the piano in this song!!! Are you getting an upright for the studio!?
I love this track, how simple the rhythm is but how rich it is with the drum and guitar timbres. Build up is awesome, as Sister Savage & kirklynch said. The break to the sustained texture at the end is fantastic.
Classic Glu! That CRUNCH at about 1:40 is awesome!
Lovely.
Way Cool! Enjoyed this one man
Sweet!
Oh. No wonder this song has been "kicking ass" for so long, it kicks ass. I'm going to go punch Jon Kyl in the back of the head.
nice
Love it!
yeah... COOL!!!
@ ic42.. I think the hopes of change after a revolution fades out.. so in a way it's kind of a poetic ending.. maybe not though.. maybe it needs to go out with an explosion.. will think about it. Thanks for the comments.. and that goes for all of you! Really appreciate it!
crunchy steamroller. Delivered with a soft snarl. Great music, especially liked the beauty-break in the middle, falling back into angst for the end. However, there is something ironic about a song entitled coup d'etat, which slowly fades out. :-)
It's dark, It rocks, - I love it! w;-)
Great movie soundtrack!
Comments made by glu
beautiful. more piano tunes please!!!
it's good enough for me too!
nice!
This is really nice!
perfect. love the e-bow action. I want one too! goes perfectly with the gates stuff.
yeah, busy mix ftw! It was so much fun watching this come together. Sister Savage's new vocal take was really inspiring.
el mejor aqui!!! Me encanta la moda.
you are a super class sound designer with these experiments. I'd love to incorporate your work in some future mixes.
Oh yeah! Hot!!!!
damn! wow, I either missed this or I am hearing it with new ears. Really class. Going to give this playlist a better listen tomorrow. 'Listened to 1432 times' BAM!
this song sounds like the soundtrack to either a) the calm before the storm or b) the eye of the hurricane. Either way, it is calm and tranquil but it's only fleeting. There's something really heavy about to hit. In an album, I would put this right before a hard hitting track.
not sure if it will go on the next glubotic revision or if it belongs elsewhere. This question gives rise to my multiple-music personality disorder/syndrome. glu.botnet, happy machines, and a few more might get thrown into the next album revision when I get around to it. and the BTTC remix? Any progress?
oh this is nice! I really like it as it builds from around 01:15....01:45..and then the melody at 02:00 is great
like the melody here, Uncle. The vocal treatment is nice too... the stereo voice effect is great! and the dancing guitar layers... nice stuff
oh yeah! like the beat... Bom chk! Bom chk! --bp bp --bp bp
Nice! Jeffy G is here! woohoo! sounds like one of the piano motifs from "Lost"
I knew none of this prior to titling the song!
30: Urban dictionary has some funny submissions: http://www.urbandictionary.com/define.php?term=thirty #2 A slang term for a hardcore porno movie. Derived from the Roman numeral that stands for the rating (XXX). #3 A "key word" used by modern males to alert one another of an oncoming attractive female.
think I might do another mix of this... keeping the integrity of this track this time.
thanks for listening to the glubotic RPM! This morning, I just gave it my first listen since March and I started getting excited about working on an updated version. it's interesting to see who favors which tracks.