Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
I love this track, how simple the rhythm is but how rich it is with the drum and guitar timbres. Build up is awesome, as Sister Savage & kirklynch said. The break to the sustained texture at the end is fantastic.
Instrumentation: fretless bass, tabla, acoustic and distorted acoustic guitar, hang drum samples (courtesy of Sudara), soft synth (AAS Ultra Analog), ambient sample of the jungle (pitched down two octaves) a sprinkle of ebow (from my Sudara files).
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
@ ic42.. I think the hopes of change after a revolution fades out.. so in a way it's kind of a poetic ending.. maybe not though.. maybe it needs to go out with an explosion.. will think about it. Thanks for the comments.. and that goes for all of you! Really appreciate it!
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
crunchy steamroller. Delivered with a soft snarl. Great music, especially liked the beauty-break in the middle, falling back into angst for the end. However, there is something ironic about a song entitled coup d'etat, which slowly fades out. :-)
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Doctor P. the The Doctor of Philanthropy. At least in the realignment of belief structure and philosophy. or something like that
[right click on arrow and select 'save link as' to download]
Today I gave a quickie demo of Live to my guitar instructor. I started with an empty set and threw some crap at the wall just to show him one of the work flows.
Later, when I brought the thing home I couldn't leave well enough alone and started…
An experiment that became a meditation.
Two tracks. One guitar, one looper, one e-bow, two tracks and a touch of Live's Overdrive effect on the second e-bow track.
The starting premise was could I get the sound of many guitars by continually…
MODERN MEDICINE DJ-Set
_____________________________________________
INSIDE:
(Emilie Simon, Kronos Quartet, Modern Medicine, NIN, The Columbus Academy Children's Choir, Beth Gibbons, Sneaker Pimps, Blue States, Vetiver etc.)
Disclaimer…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
It starts out with trashcan drumming.. makes me want to move! Then it evolves with all the rhythmic synth layers... I likey.. If you are passively looking for input, I'd recommend thinking about how to utilize more negative space to emphasize that trash can rhythm at parts...I think you do this in a different way.. in sections rather than throughout the track.. and well, my recommendation comes with a big fat disclaimer... I tend to want to hear the wall of sound layers deferring to tribal beats :-) , Maybe gate or cut out parts of those polyrhythms on certain beats. I like the grinding end too.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
Compositionally this song started out with the drum pattern and grew from there. I'm not sure why I chose the title 'Mad Man' but in some ways I thought it was fitting.
Anyway, this song is dedicated to crazy geniuses whose academic work is…
yeah love the percussion and general sentiment about mad men. Thanks for the warm Ohioan welcome... I'm excited to finally live in a state where the leaves change colors every year! What's this thing called seasons?
@ noëlle-- thanks! Glad you are enjoying the tunage! If you are interested in more music made with animal samples, check out the bioelectrophilia playlist, made mostly from samples I recorded in the Peruvian Amazon last year. http://alonetone.com/glu/playlists/bioelectrophilia
Thanks for listening!
This is a track I started on the ferry over to Wales for a little holiday a couple of weeks back.
* Drums are from Ableton Suite's Session Drums
* Bassline is an patch I created in Live's Analog synth
* Guitar is me playing through Guitar…
more tabla/club music. this one needs some melodic work, perhaps some more instrument layering, more chord progressions... anyhow, should be enjoyable enough for now.
hahaha. no can do, Bethan.. it was designed to make it drop! :-) maybe I should write a disclaimer? I heard it also causes listeners to spill their drinks ;-)
Comments on glu's stuff
This song pretty much rocks
I like it
this is great man, the build up is amazingly executed. the wall of distorted sound at the end is equally as mugasmic
Nice one Glu you got some good sounds happening here
you do come up with some cool sounds my man
Hi, 'Guest' -- I'd love a piano but for now I'll have to do with Sudara's 15min recording session.
love the piano in this song!!! Are you getting an upright for the studio!?
I love this track, how simple the rhythm is but how rich it is with the drum and guitar timbres. Build up is awesome, as Sister Savage & kirklynch said. The break to the sustained texture at the end is fantastic.
Classic Glu! That CRUNCH at about 1:40 is awesome!
Lovely.
Way Cool! Enjoyed this one man
Sweet!
Oh. No wonder this song has been "kicking ass" for so long, it kicks ass. I'm going to go punch Jon Kyl in the back of the head.
nice
Love it!
yeah... COOL!!!
@ ic42.. I think the hopes of change after a revolution fades out.. so in a way it's kind of a poetic ending.. maybe not though.. maybe it needs to go out with an explosion.. will think about it. Thanks for the comments.. and that goes for all of you! Really appreciate it!
crunchy steamroller. Delivered with a soft snarl. Great music, especially liked the beauty-break in the middle, falling back into angst for the end. However, there is something ironic about a song entitled coup d'etat, which slowly fades out. :-)
It's dark, It rocks, - I love it! w;-)
Great movie soundtrack!
Comments made by glu
I knew my former self would come back to haunt me. That was intended for George's eyes only haha
reminds me of Common. Nice!
damn, I regret moving from Austin before checking out one of your shows. Playing anytime in December?
wankin' rhythms ye have there matey. There should be more that one Wednesday a week for wanking.
I still get perfectly lost in this one.
LOVE this DJ set. LOVE it.
frustrator! That's a good idea! I should try that out :-)
bravo bravo! awesome version! Uber-impressed.
DAMN. This one is bitchin/glitchin' -- Nailed it.
lovin' that glitch!
It starts out with trashcan drumming.. makes me want to move! Then it evolves with all the rhythmic synth layers... I likey.. If you are passively looking for input, I'd recommend thinking about how to utilize more negative space to emphasize that trash can rhythm at parts...I think you do this in a different way.. in sections rather than throughout the track.. and well, my recommendation comes with a big fat disclaimer... I tend to want to hear the wall of sound layers deferring to tribal beats :-) , Maybe gate or cut out parts of those polyrhythms on certain beats. I like the grinding end too.
Damn.. it makes me want to throw this book across the room and hook up the studio proper.
super lush. It just keeps getting better.
yeah love the percussion and general sentiment about mad men. Thanks for the warm Ohioan welcome... I'm excited to finally live in a state where the leaves change colors every year! What's this thing called seasons?
love the layers in this one... like a soundtrack to some of my more recent dreams.
lovely!!!!
@ noëlle-- thanks! Glad you are enjoying the tunage! If you are interested in more music made with animal samples, check out the bioelectrophilia playlist, made mostly from samples I recorded in the Peruvian Amazon last year. http://alonetone.com/glu/playlists/bioelectrophilia Thanks for listening!
Yeah! This one is great! Might be my fave from your uploads.
hahaha. no can do, Bethan.. it was designed to make it drop! :-) maybe I should write a disclaimer? I heard it also causes listeners to spill their drinks ;-)
wow... captured my mood, exactly.