Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
the excessive guitar layering that comes in at the first switch is awesome, and the switch back into the main chord progression sounds great. the percussion going on really helps keep the progression from getting too repetitive...but fade outs aggravate me. :)
Not only about this track,but about the rest too:you're so incredibly creative and courageous to combine styles,sounds,rhythmes,atmospheres.We like very much what you do and thank you for your comments about 3 of our track,we are happy you like tham.
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
now your vocals are sort of reminiscent of dose one in the song 'the crow' from subtle's album 'exitingarm'...i swear i don't try to come up with comparisons, but what better way to express an abstract thought than by referencing something concrete that would make more sense anyway?
this is pretty awesome.
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
your voice is eerily similar to the guy's from fujiya & miyagi..apparently you've been really busy since the last time i was active on alonetone. i think i've said it before, but your production and arrangements sound technically great. the longer i listen to this song, the more i like it.
i was kind of hesitant to start commenting on anybody's music, because the way the site is set up it kind of always feels like back patting in search of back patting, but this is really cool.
antarctica just started playing and i'm already into the bass line.
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
The psyche is a weird place, I'll just talk about it musically.
The piece begins with the sounds of Sudara's autoharp, the weeping woodwind sounds of the clarinetist from Megafauna Lacrymosa , and a low kick-like percussive sound, which is…
close your eyes and imagine a glu concert-- what does it look like? describe this fake show to me... what would you want to see?
Oh, almost forgot. Many sounds, like these pretty cellos were found on freesound. I did manipulate the pitch on…
Field recording from SE Peru. Came across this pissed off spider monkey and decided to record a few minutes of this vocal bout. I'm not sure what elicited such a vocal temperament, and of course, at the time, I was worried it was a large cat…
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I think Tenochtitlan in Mexico City..Templo Mayor.. but I cannot remember if they are sculptures or real skulls.. I'm sure they were real skulls at one time :-)
oh.. Capuchin Crypt is in Italy... no have not been but I'm dying to go there someday. Oh crazy skulls! I've seen a similar stacking of skulls in Mesoamerican ruins
Capuchin Crypt? Haven't heard of it.. is this 'capuchin' as in the genus of monkey? I have some crazy capuchin vocal recordings, three species.. they would sound haunting with a bit of reverb.. hmmm
Sam was a very articulate and kind friend; he spend way too much of his life in a wheel chair and yet demonstrated a lot of grace.
We lost him just over a year ago.
Among many other unexpected, Christ-like kindnesses, he realized at one point…
Three hours.
No plan.
Halloween.
Thirteen tracks.
Dark but not dark.
Toys used:
Synths: FM8, Massive, Absynth
Guitar: GT-10, Timeless 2, Volcano 2, Eos, BigSeq2
This is a remix of my earlier track [Metaphysical Beat 2](http://alonetone.com/sandbags/tracks/metaphysical-beat-2). In fact it's the 4th remix but the first one I'm really happy with. I even found myself trying to dance along to this when I…
Mat and Jodi have been separated by a vast divide in time and space. AND YET! they can still create the distucto! as if by magic.
this track was part made in Brooklyn this morning and afternoon and simultaneously in Berlin this afternoon and…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Yeah boy! This one has the potential to be a real groovin' tune.. even flirts with club (don't throw your shoe at me if it offends you).. I too can here a 4-floor beat jump in around 02:20 or so.. drop off at 03:45 and picks back up right before 04:00..looking forward to wherever you take this-- I'm really liking your rhythmic/atmospheric direction..
Hey! Thanks for the comment! To answer your question, I'm using Ableton Live to roll my own rhythms.. I have a slew of approaches, ... I might draw notes in a piano roll, trigger sounds with a midi controller, or beat box, clap, bang on some dish-ware... whatever gets the job done!
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
Another experiment with the Reaktor ensemble 'Metaphysical Function' only a bit longer this time.
Again Reaktor is the only instrument at work here although it's going through a mastering chain including Space Designer with a very short impulse…
Comments on glu's stuff
nice structure. some cool guitar action in there to Sham
Oh and I just saw your comment on Homeless thanks mate
Oh yes dig it nice distortion this is great mate.
I click on play and nothing happens??
hey kirk... I ran the acoustic through guitar rig.. a few times.
Damn this is heavy! What did you run the acoustic through to get that distortion sound?
the excessive guitar layering that comes in at the first switch is awesome, and the switch back into the main chord progression sounds great. the percussion going on really helps keep the progression from getting too repetitive...but fade outs aggravate me. :)
funky fresh :)
Not only about this track,but about the rest too:you're so incredibly creative and courageous to combine styles,sounds,rhythmes,atmospheres.We like very much what you do and thank you for your comments about 3 of our track,we are happy you like tham.
Oh yes I like this mix mate your tracks are so polished very cool.
now your vocals are sort of reminiscent of dose one in the song 'the crow' from subtle's album 'exitingarm'...i swear i don't try to come up with comparisons, but what better way to express an abstract thought than by referencing something concrete that would make more sense anyway? this is pretty awesome.
your voice is eerily similar to the guy's from fujiya & miyagi..apparently you've been really busy since the last time i was active on alonetone. i think i've said it before, but your production and arrangements sound technically great. the longer i listen to this song, the more i like it. i was kind of hesitant to start commenting on anybody's music, because the way the site is set up it kind of always feels like back patting in search of back patting, but this is really cool. antarctica just started playing and i'm already into the bass line.
I can actually hear a rap....I heard was listening to someone the other night, forget who, but he was pretty good. Want me to dig him up?
ok thanks for narrowing down the search. I do recall you saying that you took piano lessons..but would have preferred to take theory at the time.
glu, please get something from my music and transform it into something cool of your own style.. it would be great to hear what you get
I see a very creative man, glu, you are so very creative... I liked it
hey glu, thanks! :)
Percussion is outstanding. I think all this song needs now is a Moveable Yonder T-Shirt!
Glad to see you uploading the individual tracks from the 24- cool!
Missed this one(easy to do with your catalog) Lovely track!
Comments made by glu
damn, another beauty. really liking your sound
gorgeous!
yeah, this is awesome... I too could listen to this all day
I think Tenochtitlan in Mexico City..Templo Mayor.. but I cannot remember if they are sculptures or real skulls.. I'm sure they were real skulls at one time :-)
oh.. Capuchin Crypt is in Italy... no have not been but I'm dying to go there someday. Oh crazy skulls! I've seen a similar stacking of skulls in Mesoamerican ruins
Capuchin Crypt? Haven't heard of it.. is this 'capuchin' as in the genus of monkey? I have some crazy capuchin vocal recordings, three species.. they would sound haunting with a bit of reverb.. hmmm
wow, really like this tune! lovely vox and melody
VERY VERY cool. 11 minutes of awesomeness deserve more than this trite comment. For now, I'll just say: captivating mood. kudos
yes hardrick, it's my spooky contribution. :-)
arse kickin' mix. love the new sounds
zombie tombstones! they make great samples! I should get out the field recorder and take a walk this evening!
the new additions are great! definitely groovin' there!
haha love cross continental collaborations :-)
YEAH! LOVE LOVE LOVE IT!
Yeah boy! This one has the potential to be a real groovin' tune.. even flirts with club (don't throw your shoe at me if it offends you).. I too can here a 4-floor beat jump in around 02:20 or so.. drop off at 03:45 and picks back up right before 04:00..looking forward to wherever you take this-- I'm really liking your rhythmic/atmospheric direction..
when the world around me turns in slow-motion.. this is what I hear...
Hey! Thanks for the comment! To answer your question, I'm using Ableton Live to roll my own rhythms.. I have a slew of approaches, ... I might draw notes in a piano roll, trigger sounds with a midi controller, or beat box, clap, bang on some dish-ware... whatever gets the job done!
still one of my favorites
Hi, 'Guest' -- I'd love a piano but for now I'll have to do with Sudara's 15min recording session.
sounds like something oozing out of the strata to take over the city