Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
~Through the night, and darkness, we rush forward to the tops of the universe. What for we're?~
The original version of this song was composed, written and mixed on board of the night train to Berlin, in 2004. Here is an updated version number…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Indecision is not always bad, sometimes it even leads to the determination. Or leads to the solution. Or does not lead anywhere (also a kind of solution).
~For Tessa~
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them).
~and just letting it flow~
~Essence of a musical box with the ballerina spinning around and around~ /as Bethan said/
~
Calm the night, unstirring,
And the air so clear
Pearls of dew uncurling,
Moonlight rays unfurling
’Cross the glassy mere.
Dulcet waves appeasing…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
The circus is leaving, for good. Adults are happy (oh, at last they were gone!). Children are unhappy (there was a lion and clown, acrobats and candy and ... all that!). Ahh...
~You'll not believe, but: nothing lasts forever. Lollipop even~
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful
subtlety to this end. I like that.
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
Blues Guitar for Christmas as a metaphor for saying farewell to the outgoing something (sound cool, eh?). P.S. Nothing to do with my favorite Michael Brook album with the same title - Cobalt Blue.
~bronze bushing~
I see the entry to the exit, to a special place. But why through a window? :-) Ah! This is such an idea, clear. Seriously: to become a complete art piece it should be longer, and should go down into the coda at the end, as I see it. Working on it?
this was an attempt at making a tune where the vocal melody was nonredundant with the chords (or never found in any of the notes of any of the chords).
Almost succeeded - but it was fun trying.
'...whys and wonders -AND wordless prayer for Heather J., Jim L., David Garcia, Jerry W., Dr. Choi, M. Sparks, John Fitch II, and dear Zea, among many others.
after the ocean of possibilities,there is a plateau covered in rain and storms,where curious angels sing,after which,there is a lake,surrounded by weeping willows and eucalyptus trees,across this lake,coracles pass,carrying the sacred flame to…
A second outing for my new Reaktor ensemble codenamed "BD". This time I used only once instance of the ensemble but noodled around through a series of samples allowing the guided-randomators to vary the speed, grain density, and grain length…
New stuff has been slow in coming for me lately, but I found this lurking on my hard drive from a while back. Frankly don't remember how I did it except that it was all live to 2 tracks and at one point one of my synth patches glitched out on…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
Comments on igor's stuff
Like how some the songs have a much springer/bright sound than the others
great composition
Wonderful album of sweet tones - I'll return to this exceptional playlist again and again.
very nice
Good one, wild turnarounds.
Wonderful album Igor. I love nylon string classical guitar ;)
Very lovely.
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
really very nice,, what synth did you use for the horn,, i liked it's tembre very much
I remember watching doves flying around Checkpoint Charlie back in the 70's.
What a gorgeous composition with many faces.
Missed this one. Gorgeous!
Very nice
evocative soundscape and quite beautiful playing
And a lovely moment it is!
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them). ~and just letting it flow~
So nice, quiet and innocent sounds... super nice.
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Lovely piece!
So beautiful, Igor...
Comments made by igor
But it'll come back - we know it ;-)
~the memories of last year's wind that was blowing just yesterday~ engraved in metal~
Yes you, seemingly, the master of a rhythm! I like this.
...it might be nothing at all but nice. i like it. someone does something, other occasionally listens to it. just great...
~good piano tune with blue temperament in mind~
Ya, all acoustic-n-natural. Logic mastering aftereffects, though.
~piano étude, upright~
Thank you Kirk. Merry Christmas!
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.
~it was a long, long road~
Blues Guitar for Christmas as a metaphor for saying farewell to the outgoing something (sound cool, eh?). P.S. Nothing to do with my favorite Michael Brook album with the same title - Cobalt Blue. ~bronze bushing~
I see the entry to the exit, to a special place. But why through a window? :-) Ah! This is such an idea, clear. Seriously: to become a complete art piece it should be longer, and should go down into the coda at the end, as I see it. Working on it?
~a little bossa in the evening~
As soon as the end of the digital models - then and now begins the real hypnotic accompaniment. I guess so, Kevin.
~and we~ ~no longer waiting~ ~but being~ ~on top~ ~of the soul, of the mountain~
"I hope you enjoy this one": ...you ask! Of course! And who doesn't? :-)
From a "Rustles" cycles, mysterious Matt.
~is a really Rock Steady~
~strum on looping dreams~
Not bad for or to fill in the chase scene, for example. To be continued...? Think I will ask you for a samples.