A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
For the record, nothing is out of "format" for alonetone. If it is uploadable, and you made it then it is worth listening to. Bring it on. (I mean it, I really enjoy listening to your stuff)
A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
I am singing/vocalizing audio to accompany short scenes in a film made by an artist friend of mine. She calls it "Pattern Pattern". This segment goes with a snowy scene where shadows move in and out like wolves.
I am singing/vocalizing audio to accompany short scenes in a film made by an artist friend of mine. She calls it "Pattern Pattern". This segment goes with a snowy scene where shadows move in and out like wolves.
I am singing/vocalizing audio to accompany short scenes in a film made by an artist friend of mine. She calls it "Pattern Pattern". This segment goes with a snowy scene where shadows move in and out like wolves.
I am singing/vocalizing audio to accompany short scenes in a film made by an artist friend of mine. She calls it "Pattern Pattern". This segment goes with a snowy scene where shadows move in and out like wolves.
I am singing/vocalizing audio to accompany short scenes in a film made by an artist friend of mine. She calls it "Pattern Pattern". This segment goes with a snowy scene where shadows move in and out like wolves.
I am singing/vocalizing audio to accompany short scenes in a film made by an artist friend of mine. She calls it "Pattern Pattern". This segment goes with a snowy scene where shadows move in and out like wolves.
Thank you. The film is a series of observations of patterns in the world. Foam on the windshield in a carwash, a tarp blowing in the wind, that sort of thing. I am improvising the music as I watch each vignette. A glorious project!
I am singing/vocalizing audio to accompany short scenes in a film made by an artist friend of mine. She calls it "Pattern Pattern". This segment goes with a snowy scene where shadows move in and out like wolves.
This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
Oh wow! Jennifer, I'm very very happy you found alonetone. Seeing all of your wonderful and positive comments has really brought me smiles over the last few days - and this track is just simply great to listen to, a well produced tribute.
This is a segment that's going into my piece "The Interview: When Words Fail". It's created entirely from a one second sample of a nervous swallow followed by a mouth click extracted from an interview. Overtones were manipulated to create the…
This is a segment that's going into my piece "The Interview: When Words Fail". It's created entirely from a one second sample of a nervous swallow followed by a mouth click extracted from an interview. Overtones were manipulated to create the…
Thanks, Invisible. It could use a kick! Since I've dedicated myself to using only sounds extracted from my radio interviews (made by human voices) I am somewhat limited. Clearly, there's a lot I can do (creating bell tones from overtones, pumping up what low end is there) but using these sounds means I end up pointing to or approaching music. That's what's so interesting to me about the project. I think more it more as audio sculpture than music, but there's a fine line!
2005
Deep house ish
This was one of the draughts for a soundcsape for the launch of Estee Lauder's rather 'Beyond paradise' fragrance.
I think it's better than the one we finally used. I thought it was a bit boring at first but quite like…
Yeah I wrote this with a little help form Dmoneye. Here are the lyrics:
2008 presidential (s)election
It’s the 2008 presidential selection, not election
planned to perfection by media's erection
for soundbyte speeches by political leeches
to…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
This piece was written for the Vance Quartet, a student clarinet quartet at Oberlin in 2002. My wife is one of the 2 bass clarinetists heard on this recording-- we'd known each other for a few months at this point. The electronic sound collage…
This song made a little splash in the New Music blogosphere back in July 2008. With possibly the first diss rap directed at modern chamber music groups, Hybrid Groove Project (that's DJ Dubble8 and new music saxophonist Brian Sacawa) brought some…
A piece I produced for Classical Public Radio last fall after interviewing conductor Stefan Sanderling. What he has to say about music and why he does what he does is powerful, especially against the backdrop of music from Shostakovich's Symphony…
Sparse, sensitive, true. Music is a good place to go when it's hard to talk. Love the lyric about which side of the tree the moss grows on. I learned that navigational trick when I was a kid.
The text on this track comes off a B-side from one of [Putnam Aldrich's](http://fr.wikipedia.org/wiki/Putnam_Aldrich) (my great-grandfather) records. He was a harpsichordist, a professor at Stanford, a chain smoker, and apparently had a sense…
I like this so much I have to comment again. It hits me head on. What great work from start to finish. Not a fleck of sound in the wrong place. The idea delivered within? You hit a homerun.
The text on this track comes off a B-side from one of [Putnam Aldrich's](http://fr.wikipedia.org/wiki/Putnam_Aldrich) (my great-grandfather) records. He was a harpsichordist, a professor at Stanford, a chain smoker, and apparently had a sense…
Comments on jennifer's stuff
Excellent! I love it
For the record, nothing is out of "format" for alonetone. If it is uploadable, and you made it then it is worth listening to. Bring it on. (I mean it, I really enjoy listening to your stuff)
Thanks, Sudara. I know radio pieces are a little out of "format" for the site, but they're the audio I'm making, so I figure it's fair to share.
Inspiring, Jennifer. Keep posting these productions, I really enjoy listening to them, for both the music and the words. Shosti is a favorite of mine.
Thank you! More clips on the way. The film is months from being ready, but we'll find a way to share!
Beautiful!
Wow! I love this.
To Mr. E: Sure, feel free to use the track! Thanks for giving a hoot. I've got a few more tracks in the works I'll upload later.
i loved it.very cool and different.can i use it?
Thank you. The film is a series of observations of patterns in the world. Foam on the windshield in a carwash, a tarp blowing in the wind, that sort of thing. I am improvising the music as I watch each vignette. A glorious project!
Haunting and beautiful. I'd love to see the film.
An excellent montage - filled with excellent quotes... sums the subject up nicely!
Thank you. I'm glad I'm here, too! What a feast. Free audio buffet!
so glad you're on here.
Thank you Jennifer, a great encouragement to all music makers, found and unfound.
Thanks for being so encouraging....your comments really lift my spirit. Thank-you. Have a wonderful evening!
Thanks for listening. Peace and Blessings... E n V o L
Oh wow! Jennifer, I'm very very happy you found alonetone. Seeing all of your wonderful and positive comments has really brought me smiles over the last few days - and this track is just simply great to listen to, a well produced tribute.
Comments made by jennifer
Thanks, Johnny & Invisible!
This made me smile. "I'on't need no hook!" You tell 'em!
Thanks, Invisible. It could use a kick! Since I've dedicated myself to using only sounds extracted from my radio interviews (made by human voices) I am somewhat limited. Clearly, there's a lot I can do (creating bell tones from overtones, pumping up what low end is there) but using these sounds means I end up pointing to or approaching music. That's what's so interesting to me about the project. I think more it more as audio sculpture than music, but there's a fine line!
Totally dig this.
Wish you were back in the (other) jungle?
Big Iron and Wine fan. Nice work Su! Sweet corners in your voice.
Glu, you never let me down.
DJ, you are an inspiration. There's so much here. It shines.
This is a gas. And necessary. Go Dubble8. Go get 'em.
Thanks, Sudara. I know radio pieces are a little out of "format" for the site, but they're the audio I'm making, so I figure it's fair to share.
Sparse, sensitive, true. Music is a good place to go when it's hard to talk. Love the lyric about which side of the tree the moss grows on. I learned that navigational trick when I was a kid.
Your project deserves wider attention. Keep me and my public radio peeps in mind, you hear?
Magnificent, you. What a wonderful sound. Chirp and hum. You certainly made the most of it!
Your mom wrote it? Recorded with friends? That's the good stuff. Life as it should be. Thanks for uploading!
High quality ambient journey.
Gorgeous.
I like this so much I have to comment again. It hits me head on. What great work from start to finish. Not a fleck of sound in the wrong place. The idea delivered within? You hit a homerun.
This is so frickin' cool.
Athony, your music is so, so beautiful.
Lovely work. Vocals are spot on--excellent presence and depth.