Comments on jimgoodinmusic's stuff

jimgoodinmusic's avatar
From a series of continuous improvs night before last on new explorations with the mountain dulcimer.
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vaisvil's avatar
vaisvil said

My first experience with a mountain dulcimer was one that was refretted with glued on bits of wire to make each step 65 cents instead of the usual 100 cents. I like your calming playing. It is like a conversation with friends by a fire under the starry sky.

jimgoodinmusic's avatar
another from new exploring with the mountain dulcimer. This one tuned DAC. Digging it. Created for the Sound-in Event.
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Breaking Light's avatar
Breaking Light said

This has a distant, lonesome, Ry Cooder-like feel. Like driving through the desert.

jimgoodinmusic's avatar
Fretless guitar, tape and Pure Data process.
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trawnajim's avatar
trawnajim said

Sounds like something I might've done with my fretless, back in the old tape days. Lovely!!

jimgoodinmusic's avatar
Different endless tape loop recordings of snippets of fretless guitar improvised then assembled and remixed in Pure Data Vanilla. For the Sound-In Event of Aug 1 2020
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Newbold's avatar
Newbold said

just excellent --- this is art for me-- I love this. --- :)

jimgoodinmusic's avatar
created with fretless guitar and 5 tape loops, processed in Pure Data. Created for Sound-In event What's Normal?.
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Colleen Dillon's avatar
Colleen Dillon said

Crazy cool

jimgoodinmusic's avatar
Similar in creation to Endless fusing analog cassette tape loop with Pure Data patch. This one I'm playing real time violin and manipulating in Pure Data. Like to thank Amulets (https://www.amuletsmusic.com) for some recent inspiration. This…
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Newbold's avatar
Newbold said

wow-- just intense this is--

jimgoodinmusic's avatar
Of late I've been going through a fascination with cassette tape. Really it started in 2019 when I released a Bandcamp release of mine on a physical cassette tape which is available at the link below. That said I've been inspired by Randall…
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Newbold's avatar
Newbold said

this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--

jimgoodinmusic's avatar
Short violin phrases played then manipulated in process in conjunction with a filtered noise floor, variable oscillator and a voice sample, all mixed live in my Pure Data patch, this one inspired by tape looping. Created for Phase 2 of Sound…
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Andrew Russe's avatar
Andrew Russe said

I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!

jimgoodinmusic's avatar
4 7 second guitar captures live and manipulated in Pure Data. For Sound-In Phase 2 event, Jun 24, 2020
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thewizardsofvomit's avatar
thewizardsofvomit said

Not sure what is going on, but your tracks definitely sound interesting

jimgoodinmusic's avatar
Repetitive ukulele and voice sample. Created and mixed in Pure Data. For Sound-In Phase 2 Event.
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Newbold's avatar
Newbold said

great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.

jimgoodinmusic's avatar
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/ Created under Creative Commons for Sound-In…
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Andrew Russe's avatar
Andrew Russe said

I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...

jimgoodinmusic's avatar
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/ Created under Creative Commons for Sound-In…
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Andrew Russe's avatar
Andrew Russe said

I read the description and thought "ummmm, ok"... and, indeed, it did start like that for me. But then it was strangely compelling.

jimgoodinmusic's avatar
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/ Created under Creative Commons for Sound-In…
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Colleen Dillon's avatar
Colleen Dillon said

Somehow this is a perfect representation of how "noisy" our daily lives are, and how the cacophony seems almost normal.... Cool stuff here

jimgoodinmusic's avatar
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
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Newbold's avatar
Newbold said

I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..

jimgoodinmusic's avatar
3 short violin phrases processed in Pure Data using a tape patch with low oscillators at 8 sec intervals. For Sound-In Phase 1
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Newbold's avatar
Newbold said

subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.

jimgoodinmusic's avatar
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
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Newbold's avatar
Newbold said

nice stuff. here.

jimgoodinmusic's avatar
Alas, a Pure Data piece in memory
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Colleen Dillon's avatar
Colleen Dillon said

Eeriest of eeriest!

jimgoodinmusic's avatar
First experiments in Sonic Pi
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Newbold's avatar
Newbold said

yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--

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First experiments in Sonic Pi
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Andrew Russe's avatar
Andrew Russe said

Very interesting... just searched Sonic Pi... VERY interesting.

jimgoodinmusic's avatar
First experiments in Sonic Pi
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The Proods's avatar
The Proods said

Always pleasantly surprised by the imagery your music creates for me. love this.

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