This is a very lose response interpretation/nod of the hat to a fine piece by composer James Ross, his piece Finding a Diamond on a Muddy Road https://soundcloud.com/jrossmusic/finding-a-diamond that is stellar.
Some interesting sounds, Jim. I like the little slides at the ends of many of the tones. It builds nicely and the return of the single tone idea at the end works well. And thanks for the mention.
Kavin Allenson and I did a NinJam session the other night on a public server. Ninjam is a software which allows real time collaboration over the net. There are some public servers available which you often have 'guests' which you can choose…
Kavin Allenson and I did a NinJam session the other night on a public server. Ninjam is a software which allows real time collaboration over the net. There are some public servers available which you often have 'guests' which you can choose…
Kavin Allenson and I did a NinJam session the other night on a public server. Ninjam is a software which allows real time collaboration over the net. There are some public servers available which you often have 'guests' which you can choose…
First sounds from a deconstructed reconstructed guitar I started about a year ago. It was a Steinberger copy that I wanted to make fretless. That led to decided to strip it of all paint, electronics and rebuild as the parts and it were old…
Initially thinking about sounds I was hearing from David Lindley's amazing slide work that led me to record the cover earlier. Sat down to improvise something very still with some slide though action very low on this guitar so more racket.
Cover of the late great Warren Zevon and his song from Bad Luck Streak in Dancing School Play It All Night Long. I stumbled on to the song on YouTube this evening with a performance by the wonderful Dave Lindley along with GE Smith doing this…
This is a very lose improvisation by me of the classic post Cold War Vietnam era song by David Crosby, Paul Kantner & Stephen Stills, Wooden Ships. It popped in my head this evening on the way home from work. I haven’t done much music in several…
one of a few improvs from the other night following a bike accident. these are all acoustic, no delay, just room recording, in tuning low to high AACEAE.
I took the audio of Fumble by Roger Sundström and Cast by Jim Goodin and noche dia los muertos by Kävin Allenson and not now at all 2 by Bill NewBold and using melodyne changed each into a single line midi file and combined the 4 midi lines…
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
delicate and great control, keep thinking the high glasslike on this is Jame's track mixed in. Lovely textures on all these Roger but particularly this one.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Comments on jimgoodinmusic's stuff
Some interesting sounds, Jim. I like the little slides at the ends of many of the tones. It builds nicely and the return of the single tone idea at the end works well. And thanks for the mention.
Nice one Jim!
Wow - that works. I didn't think it would for me (from reading the about), but I really liked it.
That's cool. Lots of layers. 3D.
Nice edit, Jim!
I like it! Cool vibe! Hypnotic!
Digging the ambience of this one, and its "outside the box" delivery.
I dig the you tune, pick and slide!
I dig that funky picking and low tuning! Really enjoyed what you did here. ROCK ON!
mezmerizin
you can't tun(a)fish..har K
Nice, Jim!
simple and good.....mistakes in.....
I had missed this one until it popped up on the "Hot" list. I like it! Far out AND groovy!
Beautiful start to my morning, thanks Jim.
Lovin your stuff.
This too...
Wow! Just found your stuff - I like this a lot. One guitar and no delays... and I was completely transfixed/mesmerised. Wonderful...
An interesting composition. Digging that loose bass string. Nice scale.
I dig the tuning. The delay has a haunting effect. A very colorful, tasteful, textured, interesting experience. Good stuff!
Comments made by jimgoodinmusic
Very cool and echo's haunts of Michael!
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
nice sense of tonal nostalgia, true electro-acoustic
nice guitar enhanced swells and for some reason I want to say pointalism in the foundation.
definite Fripp infused here. Takes me back to Wind on Water I think.
19 and modern color but 300 years ago in emotion and feeling!
segue to the dreamlike state out of the cool guitar Frippish section nice surprise!
ghost in machine. Nice and short to the point!
Really nice mix of live and environment and production Kav
world calamity!
nice phrasing Jim, sounds electronic but not!
nice curve to this Bill
this is excellent particularly the opening as the guitar vibe is great tone and interspersed nicely Chris. The latter goes to surprising places.
wonderful!
really nice Kavin
echo Bill, lovely melody and sense of explore. Interesting fact re the artificial sweetner.
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
delicate and great control, keep thinking the high glasslike on this is Jame's track mixed in. Lovely textures on all these Roger but particularly this one.
brilliant and perfect!
love the subtly of this and the way you evolve each section.