great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
The Quarantine Kiss
Ever since all this shit began
Ive been socially distant
As safe as I can
Aloof and alone
But I’m not lonely
When I stay at home
I’ve got you to hold me
But there’s something missing
Are we being too careful…
The Quarantine Kiss
Ever since all this shit began
Ive been socially distant
As safe as I can
Aloof and alone
But I’m not lonely
When I stay at home
I’ve got you to hold me
But there’s something missing
Are we being too careful…
The Quarantine Kiss
Ever since all this shit began
Ive been socially distant
As safe as I can
Aloof and alone
But I’m not lonely
When I stay at home
I’ve got you to hold me
But there’s something missing
Are we being too careful…
As a teen Ringo had wanted to emigrate to Texas to meet Lightnin' Hopkins.. what if?
Liverpool to Houston
Liverpool is far from Houston
1960 to present day too
What if fab was just fine
And Ringo had gone to Texas to hear Sam sing the…
That works. Nice one. I like the sounds on Casting Ballots (might not have commented?) the lap steel adds a really effective contrast... the two together - very nice
One of my first experiments with DADGAD tuning. I was hoping to get a dark,droning sound. I lived in Missouri for a lot of years and this sounds like what it feels like to be out in the sticks there.
Done by the Blind Boys of Alabama and Johnny Cash but NEVER like this. The base for this song was constructed from home made samples, including the sound of a 9mm Sig Sauer being fired. Bass was my first attempt at using a synth (Massive).
Recorded in 1990, this music brings together the alto sax of Carlos Ward, the late Tim Green on tenor, Louis Moholo on drums, and Paul Rogers on bass, along with Dallas trumpeter Dennis Gonzalez.
A tribute to my good friends Saturn's Return from Southport, ME. A great hard punk/metal band. The first three parts were instrumental songs, so I felt I could offer my playing this way. Check em out on Facebook!
More from the archives. This was the opening cut on Scartaglen's 1986 album "The Middle Path". A double jig, a slip jig, and 2 reels. I played bouzouki and Uilleann pipes on this cut
Comments on kavin.'s stuff
really beautiful! I wish I could play so well.... A melody I could have in my ear all day indeed...
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
sweet slides and bendings of the improv here---
Oosh! :-)
Thanks Colleen! Just replaced with an improved remastered version!
Totally instant fav!!! Elvis has nothing on you sir! Thanks for giving out some smiles with this great song!!!!
beautiful!
very nice...
My sentiments exactly!
The best!
Love it
Brilliant!
My my this is stinking good, More of this please
sounds very timely of his time - talkbox sounds and feeling vivid!
great work!
awesome, sweet melody
Very vibrant, great performance.
That works. Nice one. I like the sounds on Casting Ballots (might not have commented?) the lap steel adds a really effective contrast... the two together - very nice
Excellent addition!
nice ===
Comments made by kavin.
I like this, whoever it is.
a lovely, tranquil guitar piece
Nice textures!
Nice shredding!
Smooth moody piece, much like.
nice
Really good.
Nicely done!
So good. Need more jazz around here.
dig dat fuzz
hellz yuh
Love those pipes.
Sweeet
sweet jam.
Youre really on to something here.
Sorry for your loss. What a great tribute.
Real nice!
New remix has storm sfx at end. thanks yawl.
Wow. Great stuff. Playing, arrangements, everything. Just wow.
sweeet soundz