Tim - guitars, voices, and other noises
Marz - vocals and lead guitar
Megan Kleven - backing vocals
Marz and I have know one another for over ten years now, but we've never actually recorded anything where we sang together until now. We…
Tim played and sang everything
Another cover for the May 30 Day Songs project (https://30daysongs.com).
This has always been one of my favorite songs and I saw that Ben Kweller's album
"Sha Sha" is turning 20 this year. I needed a b…
Tim played and sang everything
Another cover for the May 30 Day Songs project (https://30daysongs.com).
This has always been one of my favorite songs and I saw that Ben Kweller's album
"Sha Sha" is turning 20 this year. I needed a b…
Tim - guitars, voices, and other noises
Marz - vocals and lead guitar
Megan Kleven - backing vocals
Marz and I have know one another for over ten years now, but we've never actually recorded anything where we sang together until now. We…
Sounds awesome! Clean, forward, and intimate. Love the acoustic arrangement and all the little touches (tambourine, shaker, fingersnaps). Love the layered vocals too from the three singers.
I decided to cover one of Jarrett's songs. Word to the wise - it's harder than you think. Dude uses a lot of inversions and weird chords. So, being me, I kinda-sorta figured out the chords, but not quite, then took to creating my own song that…
This... sounds... awesome! It's like modern retro. The synths, the thin sounding guitars, the dry snare, the flanging, it all sounds great. Fab vocals too.
Yacht rock.
Every time I see your smile
I feel like I’ve come home
And every time you stay a while
Is the best day that I’ve known
You’re the one that lights my way
Brings brightness to my day
And I just have to say
Don’t want it…
Everyone loves a tribute to The Cure
I’m sitting here in the dark , Thinking how we fell apart
I can’t shake the feeling of your touch
Remembering the way you smiled, And how you said you’d stay a while
But now you’re gone and I’m here all…
Your backing vocals on this album remind me of something that I cannot quite put my finger on. I like them a lot. I think you have actually done more with less this year in the BGV department. That solo was borderline Just like Heaven... but then again, you said you were doing the Cure and the Cure you did.
I don't even know you anymore.
You open your mouth, the words slip out
I’m shocked by what I hear
The differences couldn’t be more clear
Same scene, different views
With our eyes and on the news
And I’m not sure what to do
I don’t…
Over the course of the album, you seem to have some pent up aggression toward some one... Ooh chimes! sorry ADD... The addition of the left guitar in the second chorus is killer! All of the layers in the end are wonderful!
Sometimes you listen to a Peter Murphy song and then ask ChatGPT to help you write a song. Sometimes you end up with this. You wouldn't believe the lyrics I left out.
Goths on the beach, all dressed in black,
Heading for the waves, and…
Super interesting concept going into this one. I basically have no other words.
Its good? Its weird? Its perfectly constructed?
I think the only thing it is missing is a 12 string and maybe it is already on in there...You really let loose in those last choruses and it is awesome... more of that please.
I asked to robots to help me write a song in the style of Tom Waits.
Riding on a train to the edge of town
Where the night has just begun
People on the street with nowhere to go
Living hard and having fun
Everywhere I go there’s a song…
Love the electric piano you got going on. One of my favourite tones is a Mark IV through a fender amp with a bit of grit mixed with an organ. Those lead guitar tones are perfect for this feel. Very laid back. If anything on the second solo there are a bit too many notes. Just take some out and it will be perfect... just none of the ones after 2:57; those ones are spot the F* on.
I tried to write a song that sounded sort of like Peter Gabriel. I'm not sure how close I got, but Megan and Jarrett absolutely killed it on this tune.
I can see you in my mind
Like a dream I can’t forget
I’m reaching out to touch you
But…
There is a stringedesqued instrument doing a boldly subtle bit that sounds like a departure from L17 that I like.
Background layered vocal on that third chorus with horns was a nice touch for an outro!
Were you guys aware that I'm a Beatles fan? Because, well.... I am.
I don't want you to come too close
I don’t need you to break the rules
Don't try to play my game
It’s not what you should do
I don’t think we can be friends
I don…
What ever you did with those back ground vocals are simply fantastic! I love the way the line "You won’t find a way back to my heart, I know it’s hard to see" flows, that was easily my favourite part!
Don't let it be said that I've forgotten my love of R.E.M.
Dream of a life that’s never been seen
A world of possibilities, a place in between
A place of shadows, a place of light
A place of secrets, hiding in the night
Oblique, oblique…
Toe tapping catchiness, classic REM sound. I love the repeated guitar riffing throughout the song, and you kept that little pause at 3:24! I think it add a little bit of dynamic and tension at the end of the song.
Yacht rock.
Every time I see your smile
I feel like I’ve come home
And every time you stay a while
Is the best day that I’ve known
You’re the one that lights my way
Brings brightness to my day
And I just have to say
Don’t want it…
This one also has a lilting, melancholy feel to it. Groovy bass! Awesome outro; I love how all the instruments fade out except the cello and flute sounds.
I tried to write a song that sounded sort of like Peter Gabriel. I'm not sure how close I got, but Megan and Jarrett absolutely killed it on this tune.
I can see you in my mind
Like a dream I can’t forget
I’m reaching out to touch you
But…
Were you guys aware that I'm a Beatles fan? Because, well.... I am.
I don't want you to come too close
I don’t need you to break the rules
Don't try to play my game
It’s not what you should do
I don’t think we can be friends
I don…
A large portion of this record was written with my friend Wilsun in mind. If anything, this is an album to amuse him. To ensure I achieved that goal, I tried to write a song that reminded me of "Life In A Northern Town", although it actually…
Sometimes you listen to a Peter Murphy song and then ask ChatGPT to help you write a song. Sometimes you end up with this. You wouldn't believe the lyrics I left out.
Goths on the beach, all dressed in black,
Heading for the waves, and…
A large portion of this record was written with my friend Wilsun in mind. If anything, this is an album to amuse him. To ensure I achieved that goal, I tried to write a song that reminded me of "Life In A Northern Town", although it actually…
Don't let it be said that I've forgotten my love of R.E.M.
Dream of a life that’s never been seen
A world of possibilities, a place in between
A place of shadows, a place of light
A place of secrets, hiding in the night
Oblique, oblique…
“Pronounce the Crown” rerecorded and remixed for July’s 30 Day Songs challenge (30daysongs.com); original demo recorded in October 2018 for xChange 2k18.
“Pronounce the Crown” is also being submitted to July’s REM Challenge (via RPM Challenge…
July 2023 B-side. It was laundry day and I was bored.
I want to go out
I want to roam
It's laundry day and
I must stay home
This is so boring
My brain is foam
It's laundry day and
I must stay home
What else can I do today
Tonight…
July 2023 A-side. I was thinking about Black Flag and Sex Pistols for this one.
No more kings or monarchies
We will bring them to their knees
Crowns get tossed into the sea
No rules only anarchy
You might have your throne today
But we…
“Force of Nature” written, recorded, and mixed from 6/26/23 to 6/28/23, for June’s 30 Day Songs challenge (30daysongs.com).
“Force of Nature” was also submitted to June’s REM Challenge (via RPM Challenge).
“Force of Nature” written by W…
Recorded and mixed (very quickly and sloppily) on the evening of 4/28/2023 for the “30 Day Songs” project. Everything was recorded on one take. The guitar is out of time at some places, vocals are pitchy and terrible. I wanted so much for this…
from the forthcoming Anton Samford & Nately Vee LP "Illusions Of Commerciality"
Lyrics by Nately & Tommy Davidson
Music by Anton & Nately
AS: Lead Vocal, Lead Guitar, Bass, Piano
NV: Backing Vocals, Rhythm Guitar
N. Meister…
When I was a boy, I would ring my nan on the telephone
Numbers in the holes
Spin it round then let it go
Nowadays..
I carry a phone in my pocket
Oh stop it!
Oh where will it end?
When I was a lad
Used a notepad when I wrote thank you…
Hello.
Well Hello!
Hello Pillow,
How do you do?
I'm doing mighty fine thank you,
How about you?
Fancy a snooze?
Let's go to sleep right now x 3
Right now. Night now.
Hello.
Hello Pillow,
And what a shitter of a day.
Never…
One of the first songs I wrote for the album. The lyrics are stream of conscience that I don't think mean anything at all. I don't know, maybe they do.
It ends the album purely because the lyrics say "It's over..."
* Disclaimer: I understand…
Still meta... but with the realization that I can do RPM no matter what my hinderance is. I did this whole album with an Ipad, my acoustic, a cheap microphone and a pair of headphones. All the songs were written hastily in minutes with no real…
I feel the keys and pop feel of this one screams of Tim's influences.
Like if we both listened to the same song, this would be my take away vs his.
Lyric content? You guessed it... Meta.
* Disclaimer: I understand that most of the…
Damn you. You out Letter Seventeened me. And you're spot on. If we were given lyrics and chords and told to go write a song this is your version versus mine, but they'd be damn close. I mean, mine would have 30 backing vocals....
Bonus points for the very gratuitous hand claps.
This Wretched Vessel has a lot of post hardcore, Pop punk, punk, and leaning toward metal guitar riffs... but they have a shoegaze side. The only reason I even own a pedalboard is because of their guitarist.
The lyric content is more meta…
This is a lovely piece of emotion. I don't know what you're saying and I don't care. It's a feeling and it comes through.
Seriously? An iPad and a $5 mic? Wow.
The song titles have nothing to do with the lyrics. They were just cool placeholders...then they ended up staying the titles.
* Disclaimer: I understand that most of the songs on this album are pitchy and hard to listen to. I recorded all…
"Hold Me Close" written, recorded, and mixed (very quickly) in three hours on September 13, 2022.
Cover art by Dan Upton.
and on this fateful day i'll be
forced apart away from you
my destination i can't see
and i don't know where…
In the greater scheme of this vast universe, we're just invisible specks. Something to remember as we trip through this bizarre human life of ours. Recorded for the August 2022, RPM Record Every Month Challenge.
This one is short and to the point. Dedicated to those with with guts to fly in the face of conformity and live their best life. I try but it's hard to detox after all these years. Recorded as part of the August 2022 RPM - Record Every Month challenge…
sometimes a man needs finger snaps.
Letter Seventeen's original is here.
https://alonetone.com/letterseventeen/playlists/half-time-show-(rpm-2022)/lightning-rods
Comments on Letter Seventeen's stuff
Wow! This is brilliant! ….and hey! Long time …
This sounds absolutely phenomenal!
Like "Hey Julie," sounds great with the straightforward, laid back, acoustic arrangements.
Sounds awesome! Clean, forward, and intimate. Love the acoustic arrangement and all the little touches (tambourine, shaker, fingersnaps). Love the layered vocals too from the three singers.
This... sounds... awesome! It's like modern retro. The synths, the thin sounding guitars, the dry snare, the flanging, it all sounds great. Fab vocals too.
Nice and gentle way to end the album. Well done as usually good sir.
Your backing vocals on this album remind me of something that I cannot quite put my finger on. I like them a lot. I think you have actually done more with less this year in the BGV department. That solo was borderline Just like Heaven... but then again, you said you were doing the Cure and the Cure you did.
Over the course of the album, you seem to have some pent up aggression toward some one... Ooh chimes! sorry ADD... The addition of the left guitar in the second chorus is killer! All of the layers in the end are wonderful!
Super interesting concept going into this one. I basically have no other words. Its good? Its weird? Its perfectly constructed? I think the only thing it is missing is a 12 string and maybe it is already on in there...You really let loose in those last choruses and it is awesome... more of that please.
Love the electric piano you got going on. One of my favourite tones is a Mark IV through a fender amp with a bit of grit mixed with an organ. Those lead guitar tones are perfect for this feel. Very laid back. If anything on the second solo there are a bit too many notes. Just take some out and it will be perfect... just none of the ones after 2:57; those ones are spot the F* on.
There is a stringedesqued instrument doing a boldly subtle bit that sounds like a departure from L17 that I like. Background layered vocal on that third chorus with horns was a nice touch for an outro!
What ever you did with those back ground vocals are simply fantastic! I love the way the line "You won’t find a way back to my heart, I know it’s hard to see" flows, that was easily my favourite part!
Toe tapping catchiness, classic REM sound. I love the repeated guitar riffing throughout the song, and you kept that little pause at 3:24! I think it add a little bit of dynamic and tension at the end of the song.
This one also has a lilting, melancholy feel to it. Groovy bass! Awesome outro; I love how all the instruments fade out except the cello and flute sounds.
So melancholy! I love that repeating high guitar(?) motif throughout the song. Such a great outro!
another awesome track... It's time for some good dancing to your tunes
Love this!!! Going to be my ear worm for today I'm sure.
Another amazing track… this is my favorite so far…
This is amazing…
Dude, OUTSTANDING production. This might be my favorite track of the album.
Comments made by Letter Seventeen
Oh man. I love this voice out of you. MORE OF THIS!!!!!
I love the ascending line in the bridge.
OH YEAH! And you met the July bonus challenge for 30DaySongs by including a section in 7/4. Oh so awesome.
Nice work here. You should write "dumb three minute pop songs" more often.
Just lovely. Well done, Mark.
Something made me go listen to this song again... this is just brilliant, Ed. Lovely doesn't begin to describe it.
Wow. this is really quite good, Wilsun. You don't give yourself enough credit.
Is this Anton or is it Ween? Listen for yourself and decide.
The middle eight here is brilliant.
I'm beginning to suspect that Alex is secretly Jim Noire in disguise.
This sounds like a Pixies b-side. That's a compliment.
This is a great to finish out the album.
This almost reminds me an odd cover of The Beautiful South.
Damn you. You out Letter Seventeened me. And you're spot on. If we were given lyrics and chords and told to go write a song this is your version versus mine, but they'd be damn close. I mean, mine would have 30 backing vocals.... Bonus points for the very gratuitous hand claps.
This is a lovely piece of emotion. I don't know what you're saying and I don't care. It's a feeling and it comes through. Seriously? An iPad and a $5 mic? Wow.
I love the "losing s-s-sync" bit.
Good Lord… this is spectacular. Wilsun is a modern combination of The Cure and The Smiths and no one knows it.
Don't look now, there's a Brian on the dance floor. :) This reminds me of the Stones in their disco phase. Very cool stuff.
It starts off as a lost Cars track and then turns into a really cool indie rocker. Awesome!
You turned my song on it’s head in the most delightful way! I think I like your version better than my own.