An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
This is a track I started on the ferry over to Wales for a little holiday a couple of weeks back.
* Drums are from Ableton Suite's Session Drums
* Bassline is an patch I created in Live's Analog synth
* Guitar is me playing through Guitar…
Traditional Irish - Arranged by Doug Sparling
Based on a recording by Na Casaidigh.
Played late at night, as a lullaby of sorts. Now go to sleep, little child...
Guitar players - check out my GuitarNoise.com lesson for this tune: http://www…
A song written for my dear old friend, Kirk Lynch, who I've known for almost 20 years. For those who don't know, Kirk and I live less than an hour apart, but I swear it's been five years since we've seen each other in person, which just ain't…
Guitar loop from 2008. First loop where I bounced between different tracks instead of building part upon part. Flawed, but for better or worse, I rarely record something twice (why I left in the pop in the initial bed loop, I have no idea - well…
We celebrate the passing of a great musical instrument. Hobart M. Cable, the piano lent to us this summer, is going back to his kind owner, Danny. He will be dearly missed.
We hastily wrote this little ditty in his last few hours in our possession…
Similar in feel to the other Fragile Moment track. Mostly acoustic guitars recorded sitting in my shop on the H4N and then finished up in Cubase just this morning. September 9 09. Maybe a nice one for bedtime
Shaken, not stirred please.
Experimenting more with sandbags' Elysium. This time I used it to trigger elephant samples for part of the percussion section.
Just working out some rhythms. Toucans come in at about 1 minute.. wish I could get the sound onto vinyl for some proper scratching. I used Sandbags' awesome generative sequencer Elysium for some of the ambient and lower pitched toucans. The lead…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
Plucking of the "wrong side of the strings" on my jazz guitar. Rhythm made with an espresso machine.
I tried to do 2 main things here:
1) Create harmony with spoken voice, via pitch shifting (Did the first part of the program disturb you…
Just another quick test of the yet unnamed RobRokkenAudio plug in... with a scary clown. Hey kids! Rememeber the 80's? Awwww, that's ok, neither does Uncle Bobo...
Comments on mmi's stuff
love your 24 and the perfect album cover too.
I dig all of these. A fantastic 24 hour effort. And I second what Kirk said, I want to be a fly on the wall in your studio! :)
Retrohappytastic with maybe a little bitterretrosweet also.
Oh my.
Beautiful choice of voices in here - very beautiful in fact. I can feel the sun shining in the garden of my sonic dreams.
Another nice result. I don't think I'd end up with something this enjoyable to listen to if I tried a 24in24!
Nice! Bits of this remind me of some of the more electronic stuff that Anthony Phillips did back 30 years ago
This has a great flow to it that feels very natural, and the choices of sonic elements are fantastic. Nice work!
Really like this one! Lovely track!
Yay! Let's hear it for apps. Like this a lot.
Strange and understated, I really love this.
very cool man. very, very cool!
The recipe obviously worked! Great stuff man. Wish I could be a fly on the wall for a day in your studio
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Whoa horse! Heavy MMI. I like this one man. Real cool sound.
Nice, I enjoyed this. You should paint yourself into corners more often!
Beautiful one man!
this is beautiful... I really love this, thank you.
MMI, there can never be too much figure skating.
very nice album!
Comments made by mmi
Mess?!? I'd say the net result is genius. Super super cool.
Sacrilege? Bah. This is technological art in the finest tradition. Inspired.
Good stuff! Like the contrast between the dark bass and the "happy" guitar.
lmao. When your tourbus makes a stop in Toronto, I want to know.
With a guitar lesson? Too cool! I know what I'll be doing when the snow starts flying.
Inspiring. If you don't finish it, I might :-)
A gem made more precious by the loss.
Yay for single take wonders. A beautiful gift indeed.
Feature indeed.
Brilliant. Wow. And yay for mumsie!
oh yeah... oh yeah... oh yeah... Deeply chilled and sweet.
Makes my eyes moist. Quietly stunning.
Wow. A true artist in our midst.
Dunno why but this one is special.
I think it needs some elephant :-) Awesome nonetheless.
Go away for a little while and look what happens. Well done indeed.
Once again you've done something very special. Props.
Beautiful. And since you mention it, I don't think that there's anything wrong with the recording.
This is very special. I really love the canon/chord you built from the First Part sample.
Holy coulrophobia, Batman!