I went over to Reg's place the other day and he sort of scared me. He was out on his deck, pitching butts and spilling gin that he couldn't afford. He was a mess and had a crazed look in his eyes. I could tell he was ruminating again about…
I went over to Reg's place the other day and he sort of scared me. He was out on his deck, pitching butts and spilling gin that he couldn't afford. He was a mess and had a crazed look in his eyes. I could tell he was ruminating again about…
It’s been a while since I heard this one brought a smile to my face this morning 2012 where do those years go I hope it’s a Time Machine he’s building in there
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
All of a sudden, Mercy. Just like that.
Everything: Reefwalker
Percussion: Norm
Sound Bite: A bad-assed sage, who is very special to us.
Etching: Bob Coronato
Sniffing around here a little bit, if I haven't said it before you guys are awesome! Really enjoyed this incredible tune. And three years ago. Inspires me to create... music... Betweeeeen the Saddle!!! Eh maybe next year, but that's tomorrow!!!
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
All of a sudden, Mercy. Just like that.
Everything: Reefwalker
Percussion: Norm
Sound Bite: A bad-assed sage, who is very special to us.
Etching: Bob Coronato
All of a sudden, Mercy. Just like that.
Everything: Reefwalker
Percussion: Norm
Sound Bite: A bad-assed sage, who is very special to us.
Etching: Bob Coronato
All of a sudden, Mercy. Just like that.
Everything: Reefwalker
Percussion: Norm
Sound Bite: A bad-assed sage, who is very special to us.
Etching: Bob Coronato
All of a sudden, Mercy. Just like that.
Everything: Reefwalker
Percussion: Norm
Sound Bite: A bad-assed sage, who is very special to us.
Etching: Bob Coronato
This music makes me so happy! What a privilege it was to see the few hours you spent, prior to sending it to your Mighty Brother, the Reefwalker. Great sound guys!
All of a sudden, Mercy. Just like that.
Everything: Reefwalker
Percussion: Norm
Sound Bite: A bad-assed sage, who is very special to us.
Etching: Bob Coronato
All of a sudden, Mercy. Just like that.
Everything: Reefwalker
Percussion: Norm
Sound Bite: A bad-assed sage, who is very special to us.
Etching: Bob Coronato
Just another obscure saint. Not much known about him. Probably much more important and significant than any of us will ever realize.
Oh, yeah, and then there is Saint Simon. Same thing for him.
RIP Alex.
3 Congas, Vintage Bass Cocktail…
Just another obscure saint. Not much known about him. Probably much more important and significant than any of us will ever realize.
Oh, yeah, and then there is Saint Simon. Same thing for him.
RIP Alex.
3 Congas, Vintage Bass Cocktail…
lyrics:
i got a hot date
and you know i don't wanna be late
i need a ride
to the bowling alley
get ready cuz here i come
put my new skirt on
chewing peppermint gum
did my eyebrows fresh
white musk on my neck
part my hair to the right
cuz its…
Year: 1999
Album:
Alien Air
Artist's description:
Why I write the music I do
Contributors:
Evan, Kristin, Carol, 3 stooges
modplug tracker
home made guitar samples and Casio CZ-101 samples
"real bass" sample
drums from... somewhere
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
I love you. And I'm watching you... :)
All one take into the Boss MicroBR hole and cleaned up a little. I'm the red headed stepchild of recording...
Love You
Some people want to know you
Wanna put their arms around you
Buy you a drink…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
I *think* this is final version of my 4th MOTU demo
- I will see what comments I get, if any.
This is a short, more or less middle eastern-ish piece using the Zurna tuning and Mark of the Unicorn Ethno 2 sample set in Sonar. I performed (and…
Suprise: much shorter than your typical pieces.
Not a suprise: Once again, you stretch out to genres 3 clicks beyond the Bell Curve. Is there anything you can't tackle??
Nice work!
Last Christmas my collaborator and fuzzy inspiration Charlie passed over the rainbow bridge - he was very old for a ferret 9 or 10 years old. He was adopted from a shelter and remained a touch-me-not independent ferret all his life with us…
First done by Dock Boggs back in the 20s, it's a great piece of melancholy parafunalia. Eerie to think it's a suicide note and reassuring to know he was still a tough old bird 40 years later.
Great song. The tune reminds me a bit of "House of the Rising Sun", which can be traced back to the Appalachian area in the early 1900's (Alan Price of the Animals has claimed that the song was originally a sixteenth-century English folk song about a Soho brothel, and that English emigrants took the song to America where it was adapted to its later New Orleans setting.) Cool piece and well done!
Another wacky production from the stretchy, bouncy, and elastic world of Rubber. Special thanks to Mark (Launched) for writing this one for us.
We had a whole bunch of fun with this song and you will too.
Enjoy!
Flies in my lunchbox
(Help…
My mom is 91 and still holding on.
The people that help her make it thru
each day have learned that there is no
sense in arguing with her about who they
are or when it is...thus the song.
MAMA HAS A TIME MACHINE key - Em
Mama has a…
Comments on Norm's stuff
We have a right to know!
It’s been a while since I heard this one brought a smile to my face this morning 2012 where do those years go I hope it’s a Time Machine he’s building in there
I'm back as DdogsDad
still infectious
Sniffing around here a little bit, if I haven't said it before you guys are awesome! Really enjoyed this incredible tune. And three years ago. Inspires me to create... music... Betweeeeen the Saddle!!! Eh maybe next year, but that's tomorrow!!!
Wait. Interweb. How long should I wait for your collective response? 10 years now. Still nothing?
You is phat.
have you ever played the pipes? You'd make a good paed piper.
Loving it .....
He’s not so good today he was sick at school but it’s not all bad now he’s got 48hrs home with dad .....
I'm getting on bare back yeeh haar !!
Joyful everything.
Tell me, exactly who could actually stay on that horse? Then I will tell you. The bad-assed sage would have worn that pony out.
This music makes me so happy! What a privilege it was to see the few hours you spent, prior to sending it to your Mighty Brother, the Reefwalker. Great sound guys!
really cool song.... love the vibe! The etching is outstanding! Congrats on this collab
Glad to get back in the saddle with a Norm collab! Fun making this one, thanks Norm!
I'm surfing the net and i'm naked YAAAaaahh! Happy new year!!!!
Merry Christmas to you and yours as well!
Cool, love the guitar and drums
What a great groove!
Comments made by Norm
Oh so funky. Great work!
Huge. Just fantastic.
Very nice!
This is just perfect. I can't stop listening to it. "I need a riiiiide" is just brilliant!
Great guitar work here! (And your typical great vocals/harmony)
Fantastic!
Fantastic harmonies on all of your stuff!
Hilarious! Cool that you used home made guitar samples...
Now that's cool... love the hang drums!
"If only for a day..." - did that line actually work? Nice one!
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Totally pro, as is typical for you!
Suprise: much shorter than your typical pieces. Not a suprise: Once again, you stretch out to genres 3 clicks beyond the Bell Curve. Is there anything you can't tackle?? Nice work!
Big. Very big. Great work!
Good 'ol Charlie. A fitting tribute.
Ooo-la-la! Fantastique! Me rend souhaitez aller danser avec ma femme!
Great song. The tune reminds me a bit of "House of the Rising Sun", which can be traced back to the Appalachian area in the early 1900's (Alan Price of the Animals has claimed that the song was originally a sixteenth-century English folk song about a Soho brothel, and that English emigrants took the song to America where it was adapted to its later New Orleans setting.) Cool piece and well done!
How can you have your pork chops if you won't eat your little cup of swill? Well done, lads!
Groovy. Thanks, I enjoyed it!
Very clever! Great work with the chorus, too!