A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A 7/8 improvisation on a set of 3 Bata drums, accented with afucha, tube shekere and cowbell.
The number 7 is a symbol for perfection or completeness: 7 colors in a rainbow, 7 musical notes in a scale, 7 days = a week, etc.
In Cuba, the…
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
Man that's awesome norm!!! Only just getting round to hearing it but love what you did here. Cant stop physically moving me 'ed to it (which is a shame in a way cos i have a hang over!). Its a great sound.. honoured!
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
This is really nice work - laid back and exotic. Very nice balance between the music and the percussion - tastefully done. Since I'm listening before the description went up I'm very curious who you collaborated with - they did a nice job on the music.
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
lyrics:
i got a hot date
and you know i don't wanna be late
i need a ride
to the bowling alley
get ready cuz here i come
put my new skirt on
chewing peppermint gum
did my eyebrows fresh
white musk on my neck
part my hair to the right
cuz its…
Year: 1999
Album:
Alien Air
Artist's description:
Why I write the music I do
Contributors:
Evan, Kristin, Carol, 3 stooges
modplug tracker
home made guitar samples and Casio CZ-101 samples
"real bass" sample
drums from... somewhere
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
I love you. And I'm watching you... :)
All one take into the Boss MicroBR hole and cleaned up a little. I'm the red headed stepchild of recording...
Love You
Some people want to know you
Wanna put their arms around you
Buy you a drink…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
I *think* this is final version of my 4th MOTU demo
- I will see what comments I get, if any.
This is a short, more or less middle eastern-ish piece using the Zurna tuning and Mark of the Unicorn Ethno 2 sample set in Sonar. I performed (and…
Suprise: much shorter than your typical pieces.
Not a suprise: Once again, you stretch out to genres 3 clicks beyond the Bell Curve. Is there anything you can't tackle??
Nice work!
Last Christmas my collaborator and fuzzy inspiration Charlie passed over the rainbow bridge - he was very old for a ferret 9 or 10 years old. He was adopted from a shelter and remained a touch-me-not independent ferret all his life with us…
First done by Dock Boggs back in the 20s, it's a great piece of melancholy parafunalia. Eerie to think it's a suicide note and reassuring to know he was still a tough old bird 40 years later.
Great song. The tune reminds me a bit of "House of the Rising Sun", which can be traced back to the Appalachian area in the early 1900's (Alan Price of the Animals has claimed that the song was originally a sixteenth-century English folk song about a Soho brothel, and that English emigrants took the song to America where it was adapted to its later New Orleans setting.) Cool piece and well done!
Another wacky production from the stretchy, bouncy, and elastic world of Rubber. Special thanks to Mark (Launched) for writing this one for us.
We had a whole bunch of fun with this song and you will too.
Enjoy!
Flies in my lunchbox
(Help…
My mom is 91 and still holding on.
The people that help her make it thru
each day have learned that there is no
sense in arguing with her about who they
are or when it is...thus the song.
MAMA HAS A TIME MACHINE key - Em
Mama has a…
Comments on Norm's stuff
Stunning.
I absolutely adore melodic drums...and while delicate...this is one HEAVY and head-bobbin' groove. Nice one...very nice one.
I think we all have our different way's to bring life deeply back in our soul's again.. Well done..
yes ! sendin' me
cool collabatone and good balance.
That is some sweet music going on there fellas. Damn good.
Wow! I loved this track before, but you just made it HOT.
Man that's awesome norm!!! Only just getting round to hearing it but love what you did here. Cant stop physically moving me 'ed to it (which is a shame in a way cos i have a hang over!). Its a great sound.. honoured!
fantastic great collab
Nice groove there. Shades of Santana without the guitar of course.
@Chris: Man you are fast! I didn't realize the song would post before the description...
This is really nice work - laid back and exotic. Very nice balance between the music and the percussion - tastefully done. Since I'm listening before the description went up I'm very curious who you collaborated with - they did a nice job on the music.
Wonderful little tune!
What a warm tone, nice job.
I love it. And the back story rocks. :)
What a beaut!!! I love those Y-Class's, I have an HO model of one.... Work that thang, of yeah! LG
awesome!
awesome!
Great sound Norm the only shame is that Dave got the polishing the bell joke in before me...............
excellent field work my brother, I know you have other samples from this gem, send me a wav.
Comments made by Norm
Oh so funky. Great work!
Huge. Just fantastic.
Very nice!
This is just perfect. I can't stop listening to it. "I need a riiiiide" is just brilliant!
Great guitar work here! (And your typical great vocals/harmony)
Fantastic!
Fantastic harmonies on all of your stuff!
Hilarious! Cool that you used home made guitar samples...
Now that's cool... love the hang drums!
"If only for a day..." - did that line actually work? Nice one!
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Totally pro, as is typical for you!
Suprise: much shorter than your typical pieces. Not a suprise: Once again, you stretch out to genres 3 clicks beyond the Bell Curve. Is there anything you can't tackle?? Nice work!
Big. Very big. Great work!
Good 'ol Charlie. A fitting tribute.
Ooo-la-la! Fantastique! Me rend souhaitez aller danser avec ma femme!
Great song. The tune reminds me a bit of "House of the Rising Sun", which can be traced back to the Appalachian area in the early 1900's (Alan Price of the Animals has claimed that the song was originally a sixteenth-century English folk song about a Soho brothel, and that English emigrants took the song to America where it was adapted to its later New Orleans setting.) Cool piece and well done!
How can you have your pork chops if you won't eat your little cup of swill? Well done, lads!
Groovy. Thanks, I enjoyed it!
Very clever! Great work with the chorus, too!