"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb?
Nice one, really warm malaria-like sound
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled.
http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live.
Perhaps I should move to Africa.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
Reg has re-leaved his inner thespian tonight in another reading........... this time........... The Rime of the Ancient Mariner by Samuel Taylor Coleridge...Done in one take mistakes and all ......he hadn't come across this one since his school…
jqscutt posted the acoustic guitar track looking for ideas, not sure if it turned into the genre he was looking for :)
The auuuggga horn sound was another classic unplanned phone interruption during the vocal recording but it seems to fit in…
Oh well, nothing like going to a middle school music function to break writers block, all those posters and flare about achievement...
Special thanks to my sons middle school band, The Preston Pumas playing at the end !
The energy levels were at an all time high this weekend when Bon and jimi turned up down the Cellar for a session. Here's a little something from the session........... Reg'n'Roll...other Reg really blisters the guitar on this one
OH WHAT A…
I heard M.T.C's Session 1 today and thought wow!!! so asked if it was ok if i could jump on for the ride..Jim said Ok! .......so here goes.........a song about loves dream being broken.........thanks again Jim...................based around these…
Reg, while I appreciate that you are obtaining musical inspiration reading bed-time stories to your children, do *not* use this interpretation of Edward Lear's poem to tuck them in - and this song is way to rockin' to put anyone to sleep.
Okay...it's still a sloppy mess...but that's what you get when you have earthquakes, a new-born baby, a nuclear disaster, broken bones in your hand and a whole-lotta "uuuuuuuuuuurgh!" to get out of your system. Somedays, you just gotta play in…
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
11. Mermaid
My Casio-tune (for the Casio Challenge) Recorded through a microphone so you can hear me tapping away at the crappy little keys of the SA-3. Since it started to sound very sinister and reminded me also of the sea I wanted to add lyrics…
key of C - no capo
We listen for years for words to explain ourselves. "I'm good but not THAT good," was such a moment for me. Good enough to stay in the game but never good enough to win.
Last night I kissed somebody
I kissed somebody…
Too Many Years
It's been too many years since I've seen you
But sometimes that face appears before me
I still don't understand what went on
I refuse to believe that you could possibly really hate me
And of the people that I have known
You remain…
apologies to the fab four
scored for orchestral percussion, harp, harpsichord, dbl bass, string ensemble, men's choir and flute.
Interesting aside...
This is the only Beatles song covered by The Residents - because it is the only Beatles song…
This time of year I start to think of stealing pumpkins again... I think I'll have this one playing on my piepod, underneath the black knit dock hat and face paint.
@ Shirt: Thanks! Those sounds are from a matched set of "vibratones". The first sound is from an "ocean drum" (with reverb) and the final drone is from a "spring drum". The click sounds in the groove are a Japanese "Kokiriko" and a steel "Merengue guiro".
My cyber friend Tony Jones , added some keys , percussion and lead , transforming my song into something i couldn't have dreamed of
To the Welsh Wizard , many thanks
Comments on Norm's stuff
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb? Nice one, really warm malaria-like sound
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled. http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
Excellent playing. But +1 here for the 110 BPM perception :-)
Excellent! I find it interesting that in almost every one of these that you list the BPM I feel them in half time, so I would think of this as 110 BPM
glad to be back. good stuff here.
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
I heard the style somewhere but you perfected it. Thanks for uploading.
Phenomenal - almost, pheromonal!!
i played this in college. fun.
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live. Perhaps I should move to Africa.
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
Absolutely brilliant.
Great brilliant top job mate.
@ Jarvis: Ha! I'm vocally challenged, but to hear the lyrics, go here: http://alonetone.com/vaisvil/tracks/walk-with-sorrow-norm-rick-chris-emily
Cool job ...but hey lyrics and no vox ?
Yet another good one. I love how you always post the style and a bit of history with each track. It always helps me understand the song better.
excellent! I like the way the congas answer each other.
Great stuff Norm! I must make some time to jam with some of your tracks
Beatiful!
Comments made by Norm
Fantastic ranting!
Master Thespian! http://vimeo.com/15476780
Love the cello. Love the harmonies. Love the backing guitar work. Hate the phone. Your phone is the devil.
You are definately not living in middle C. Let me know when you hear that knocking at the door, so we can both charge through it...
Now this rocks!
Reg, while I appreciate that you are obtaining musical inspiration reading bed-time stories to your children, do *not* use this interpretation of Edward Lear's poem to tuck them in - and this song is way to rockin' to put anyone to sleep.
Yeah... that's a lot to go through in one year. I hope all is well with you and yours. the keys are key in this.
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
Excellent!
A classis indeed.
I like the tapping... great percussive feel.
Excellent. Very clever.
Optimist!
Very nice!
Nice! Drumming sounds great and the guitar work is excellent.
I didn't realize that this is the only song all 4 created together... one of their best IMHO. Wild video!
This time of year I start to think of stealing pumpkins again... I think I'll have this one playing on my piepod, underneath the black knit dock hat and face paint.
@RW: Ooooh, nice to see that you are in touch with the church calendar. I put it out a day early...
@ Shirt: Thanks! Those sounds are from a matched set of "vibratones". The first sound is from an "ocean drum" (with reverb) and the final drone is from a "spring drum". The click sounds in the groove are a Japanese "Kokiriko" and a steel "Merengue guiro".
Great collab!