"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb?
Nice one, really warm malaria-like sound
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled.
http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live.
Perhaps I should move to Africa.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
"Afoxe" is a rhythm played by carnival groups from Bahia in Northeastern Brazil. It is named after an instrument that is traditionally used to play this pattern: an afoxe is a beaded gourd; aka "shekere". In this rendition, I replaced the shaker…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
Sueños con Guitarra (dreams on guitar)
is the first track i upload from a future playlist of 9 tracks that i'm still working on.
Music : Diego Cardenas (Somno Project)
featuring: Sebastian Del Campo on Gaita Colombiana.
ficha: just…
Came up with this Before bed last night.
Had to record it this morning so I wouldn't forget the Sound of it...
Live recording
I'll do a better version when I have more time...
Well.... Off to work for me...
This is…
For those I call my friends....
Where ever in the world you are...
My Son Opens up this tune with a sound check... :)
-Lyrics-
As I stand, and I survey,
All the places that I stayed.
Days of old and nights that Slip into the…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
Drive cleaning time!!
Found this arrangement left over from RPM. The drum track was already mixed from my old kit. I cut it and mashed it up trying to fix it when I mix it.
Then I added some vintage synth sounds, some guitars, and some reptilian…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country…
Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.
all cops go away allcops go away all cops go away allcops go awayall cops go away allcops go away all cops go away alall cops go away allcops go away all cops go away allcops go awaylcops go awayall cops go away allcops go away all cops go away…
We went to visit my dad at his assisted living facility and they have a Yamaha Clavinova on which I improvised for a half hour to provide some entertainment. This is a ~ 3 minute excerpt from about half way through. This was recorded on my Zoom…
You've got the buttons
that are made out of my bones
You've got the ghost of me
that still can stitch them on
And ev'ry time you close your vest
you will hold me near
But that's as close as I'll ever get
to you my dear, I fear
Up in…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
Since Norm found himself in an acoustically great room, full of unfinished cabinets I couldn't help but add some acoustic guitar, crank it up and hope you like it Norm!
The most excellent thing about this, besides your trade-mark sweet stringing, is how you phrased this so very differently than I had ever heard it. That's one of the charms of rhythm - how you hear it depends upon where you are starting from. I think I much prefer your ear to mine with this one. Many thanks.
Comments on Norm's stuff
the recording on this one is exceptionally good. I think you may have perfected the perc mic up over this last year. is there a hint of reverb? Nice one, really warm malaria-like sound
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled. http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
Excellent playing. But +1 here for the 110 BPM perception :-)
Excellent! I find it interesting that in almost every one of these that you list the BPM I feel them in half time, so I would think of this as 110 BPM
glad to be back. good stuff here.
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
the sound quality is great,,, i can almost see/feel the bending/vibrating of the skin,, do you make,, tan etc your own skins?,,, this has a wonderful warm quality,, great piece
I heard the style somewhere but you perfected it. Thanks for uploading.
Phenomenal - almost, pheromonal!!
i played this in college. fun.
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live. Perhaps I should move to Africa.
Thanks Norm, I posted the lyrics. Now then on to this great groove, Yeah baby thats really moving isn't it. Is this one track or a few tracks overdubbed together? I am moving every part of my body to this groove.
Absolutely brilliant.
Great brilliant top job mate.
@ Jarvis: Ha! I'm vocally challenged, but to hear the lyrics, go here: http://alonetone.com/vaisvil/tracks/walk-with-sorrow-norm-rick-chris-emily
Cool job ...but hey lyrics and no vox ?
Yet another good one. I love how you always post the style and a bit of history with each track. It always helps me understand the song better.
excellent! I like the way the congas answer each other.
Great stuff Norm! I must make some time to jam with some of your tracks
Beatiful!
Comments made by Norm
I dig that ebowed electric mandolin! Thanks for carrying me, Chris!
Ha! I have an ear for vintage Vaisvil!
Great guitars. I was suprised that this was a 2010 piece... reminds me of some of your vintage stuff.
Excellent!
Yes, beautiful.
Very strong. Love the sound check!
Excellent. I like the drum work too. The guitar bridge rules.
How fun. Barkeep - another round for the band!
Nice one! Drum track sounds very nice - you should get your kit back out!
Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country… Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.
Excellent. Nice work!
Cool production. Work on the title.
If I lived closer to you, I would drag a couple conga drums along and join you at the retirement facility! Very honorable!
What a nice thing for you to do. Well done!
Beautiful.
Still excellent.
Yes, yes, YES!
@ Chris: Excellent! Good ear - yes, it's a 4vs.6 cross-over.
The most excellent thing about this, besides your trade-mark sweet stringing, is how you phrased this so very differently than I had ever heard it. That's one of the charms of rhythm - how you hear it depends upon where you are starting from. I think I much prefer your ear to mine with this one. Many thanks.
Yes, this is very beautiful. Well done!