A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
Long drum solos aren't for everyone - I get it. Just do what many at Grateful Dead concerts did and look at it as an opportunity to go get another beer. On the other hand, if you are the sort of person who cheers at the fireworks show, I hope…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
Thanks man, I am learning from the best ;) when I was playing around with the percussion samples last night I kept thinking it needed something, and I listened to your drums a few times and went......COWBELL!!!!
As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed.
And what an interesting poem. I read up on it. Some highlights:
With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure.
It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing."
"The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event
I used my M-Audio 88es to drive:
Korg MS2000
ARP 2600 V soft synth
Absynth 5 soft synth
Session 3 drummer soft synth
Pianoteq…
Carlsbad is a great cave... perhaps a bit commercialized: it actually has a US Post office in it's depths - 750ft below the ground.
But the reverb in this piece is excellent: fitting of the 7th largest cave chamber in the world. Well done. (It would have been a long process getting that large of a choir up out of the cave on it's small elevator.)
Norm Harris provides percussion and percussion "toys". I programmed my Korg MS2000 to a 12 note subset of 17 equal and added some Kontakt choir, absynth (both in 17 edo) and some field recordings from this week. I seem to be drifting into these…
I like your nurse, but whatever she gave me is freaking me out a bit. Who brought the chipmunks to church?
Menacing work, V. Menacing. Sounds like a rough week.
"Fordham & Walton" is a slinky, earthy groove with concise and funky guitar work, dynamic pocket drums, head-nodding bassline, authentic percussion and raw, soulful vocals.
From Soulganic's debut album "All Directions Forward".
J.V. Andres - guitar, vocals
Veejay Andres - piano, vocals
Played as the final song and recessional during a church Advent service. A Sufjan arrangement using traditional lyrics by Reginald Heber.
For everyone who lives in a bright sunny place. Got lots of snow in the mountains today.
On days like these, there are only 4 things to do:
1)start fire
2)shovel snow
3)Make music (inside, not on deck)
4)access EWABS (emergency wine and beer…
Fire? Check.
Snow shovel? Well, check (if I must - but I get to punt on one too, right?)
Make music? Check. Congas tuned and awaiting their beating.
EWABS? Check. Ready for a blizzard.
Thanks for the 4 suggestions... although Monk has a nice addition. We are booked to get mucho snow tomorrow so I'll hopefully have an excuse to stay home and get something really important accomplished for a change, ELM or not.
Comments on Norm's stuff
I almost missed this one ! cool perc track from start to finish
Totally hot and inspirational! Fabulous beats bringing a sweet melody of their own.
Bethan thinks you should lay down some percussion to add to my Christmas Jam...I don't disagree!
Excellent Norm top rhythm brilliant.
Killer, very nice!
dig it, snr :)
Oh great stuff Norm. What a lovely rhythm. Most enjoyable track.
I agree with Dave very infectious, i've caught it ........oooooooh Yeh........
Your sense of timing is unbelievable man. This is very infectious and cool grooving song. Drums as melodic structure, its very inspired.
Most excellent!
I *love* this - its excellent!!!
I can dig it!!!!!!!!!!!!!!!!!!!
Wow!
Cool title and the percussion is spot on as hell...lots of talent Norm.
Great collab very cool dudes.
This one got the head nodding and the foot a tapping.
Yeeahhh!!!!
Thanks man, I am learning from the best ;) when I was playing around with the percussion samples last night I kept thinking it needed something, and I listened to your drums a few times and went......COWBELL!!!!
Even with your troubles I still dig this one man.
This is one of my favorites!! Matt Fulton
Comments made by Norm
Great vox! I like the horns as well as the unsympathetic left channel choristers, observing the narrator walks alone. Well done.
Beautiful job, Emily! I love it!
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
This is excellent! Great percussion and bass groove. Well done!
Here's to the ingenuity to customizing the tool to work for you, rather than the other way around. Sounds really great!
Cool story about Majnun. Very pro sounding production. Horns sound great to me.
I always love your piano work. Now this really works. I had to look up "Euler's Constant" but it's still Greek to me. Quite a mysterious number.
Carlsbad is a great cave... perhaps a bit commercialized: it actually has a US Post office in it's depths - 750ft below the ground. But the reverb in this piece is excellent: fitting of the 7th largest cave chamber in the world. Well done. (It would have been a long process getting that large of a choir up out of the cave on it's small elevator.)
I like your nurse, but whatever she gave me is freaking me out a bit. Who brought the chipmunks to church? Menacing work, V. Menacing. Sounds like a rough week.
Glad I listened up. Great voice.
What a voice! Great, funky, funky funk.
Oh so funky. Most excellent!
Ahh. You saved the best for last on your album. Excellent, all.
Very nice. I'm loving all the Christmas songs on AT today... well done VJ & JV.
Excellent. The percussion work is delightful.
I hope that you've found them by now! Great fun!
Excellent!
This is excellent!
Excellent!
Fire? Check. Snow shovel? Well, check (if I must - but I get to punt on one too, right?) Make music? Check. Congas tuned and awaiting their beating. EWABS? Check. Ready for a blizzard. Thanks for the 4 suggestions... although Monk has a nice addition. We are booked to get mucho snow tomorrow so I'll hopefully have an excuse to stay home and get something really important accomplished for a change, ELM or not.