CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
they are good, no doubt about it. but what comes first of all, before playing in time, is the natural groove of a beat. and you are without a doubt getting really good at this! :)
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
@ Alister: Ha! I have a cuica - and I'm always looking for an excuse to play it - but I usually associate it with Brazilian carnival / samba music. But now that you have mentioned it, I'm going to fire that up in the near future. And thank you, but Pedro & Mauricio are legend, and light years ahead the stuff I produce.
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
To the Wind baby!
Thanks for the vocal on this Mark bro!
You inspiered a band name....
(See Youtube Below)
This was Done on Logic.. Hope Y'all like it.
Peace
T
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
3 guitar tracks followed by a track with the trap set. A lot of alt tuning lately posted on AT which I like. This guitar was tuned to an open G. After I did it, I thought the sound was more like a backwoods, hillbilly song.
Unfortunately…
I apologize for not listening much hear to other people's music lately. I do have an excuse because this week we have moved to a new home which has taken up lots of my time - and right now we are in the new location but living with lots of boxes…
this was originally a song about breaking through paradigms but turned into a song about a girl.
Keys and string samples from Korg, MIDI with the old Ensoniq,
one diving board.
Thanks for the listen ,enjoy... RW
a collaboration of Alister Flint - Carlo Serafini - Chris Vaisvil
so, Chris did this. Carlo did that. and i added some. for the technical stuff, see below. :)
This piece uses multiple tunings simultaneously and is the inaugural…
This is a chord progression I found when waiting for Debbie to come home.
Left channel is a piano voice via GR-20, right channel my Mustang's own voice through the DOD FX-7
Any collaboration would be welcome.
Everyone has a first time....
This is an "out-take" from the You EP. Written in 2000 it was not finished as far as it is until 2005. Being lazy I just adapted the original rough take I made so I would not forget the song.
There are a few electric…
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
Trax in Space appeared to be shutting down - so this was a musical interpretation of the pending demise. As it turned out TiS is still struggling to breathe => not too unlike those smokers on oxygen you see in anti-smoking ads.
The Wife is a self confessed “Not a morning personâ€.....
I am a morning person (well... Wake up happy person).... and so is the boy....
This causes some friction sometimes.... LOL!!!!!!!
We went to a church fate today... Was…
Ojalá (If only) it's a cover of Sebastian Santa Maria's original song.
For me it's a great honor recording this cover of this fabulous Chilean artist.
To Sebastian (1959-1996)
Vox, instruments = Me :0)
check this out if you would like to…
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3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
Comments on Norm's stuff
HOLY CRAP MAN!! This really kick ass!! Super FLY!
There's an opening for a pissedcusionist if your interested.
great recording!
congrats for this great piece of work!
that's fly norm!
That makes me a big kid I guess!
yes, sorry don't know why, i couldn't reply under my login, at time..
Thank you, Alister.
they are good, no doubt about it. but what comes first of all, before playing in time, is the natural groove of a beat. and you are without a doubt getting really good at this! :)
It must be so fun, having you round the place I'd get my work done with a grin on my face.
*REPLY* I never thought of it that way!! HA HA!! I love it!!!!
@ Alister: Ha! I have a cuica - and I'm always looking for an excuse to play it - but I usually associate it with Brazilian carnival / samba music. But now that you have mentioned it, I'm going to fire that up in the near future. And thank you, but Pedro & Mauricio are legend, and light years ahead the stuff I produce.
You Sir, are the beat master. Deluxe.
i'm sorry but.. where is the cuica? :p - ok, ok, joke aside, this is as good as some martinez & herrera jam!
I'm flying!!!! Diggin' this groove! As would Greg Brady :)
Excellent groove!
super fly.. great play and very groovy! mi gusto mucho!
Another winner! Norm I re-posted the Border Crossing with just a single lead guitar at the beginning......sounds cleaner!
again well done,,,, there is a magic to this,,,like a moth pulled to the flame,,, i feel drawn in
well played, you have a great thing going,, with all the music you have been posting and collaborating on
Comments made by Norm
This is awesome!
This is destined to be my attorney's favorite song: his name is Bob Lawblahb; yes the founder of Bob Lawblahb Law. Great collab, guys!
Great production and very poetic lyrics. Well done.
Awesome work.
Ha! This is a classic!
Dreamy!
Great track!
Rocks, indeed!
I love the diving board sound!
Clever title. Superb collaboration.
Nice!
Nice work.
I really like your voice work and the lyrics as well. And great one-armed drum work!
Excellent! Nice and smooth.
Lovely!
Excellent!
Totally pro. Well done.
Beautiful, indeed.
Nice ax work!
Nice collaboration! You guys sound great.