Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
My mind was read!! I was getting ready to suggest to someone that all those parts should be combined - Great job with this, Mr. Flint!!
Dynomiiiiiite!!!!
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
sculpture and image by Timothy Schmalz - used with permission. Lyrics and quite a story if you follow the links http://chrisvaisvil.com/i-have-seen-him-orchestrated-version/
As you know, I love this piece. It is so rich and complicated, that it is mind-blowing. And while I am not certain this is the final mix for this (it really should all be acoustic, shouldn't it?)it is so delicate and intricate from a metric point of view that we (by "we" I mean all of us who hope to be involved in the final version of this)will need to spend some time together in advance to decide exactly how to tap our feet to this.
Love it.
this was originally a song about breaking through paradigms but turned into a song about a girl.
Keys and string samples from Korg, MIDI with the old Ensoniq,
one diving board.
Thanks for the listen ,enjoy... RW
Norm played the percussion first, which is a Bembe pattern; I couldnt help playing a melody and creating lyrics for this perc track. Thanks for the listen, Enjoy!
Recording some match lighting samples recently and felt compelled to put some music to it.
I put the mic up to some raw acoustic guitar. Bass and lead added with FX. Norm added percussion, making it sound waaaay better.
Contributors:
lyrics…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
2010 24 hour challenge. Record a 24 minute song in less then 24 hours.
Work has been so crazy music has been taking a back seat. I might have to try this concept again to get anything done on the creative side of things. :)
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
A collaboration with buddies of mine from songcrafters.org Just dug it out again today and thought I'd share it.
Gnasty - Guitars, T-Jam
Ratatat-tat Drums
Me - Bass, Vox
Comments on Norm's stuff
@MTC: Please! Feel free to add something to my coffee. That's why I post this stuff.
Great job to all!! Killer mix Alister...nice and clear. Loved every last bit of it.
This one's pretty sweet! Would it be alright to try a few things with it?
Now all we need is a name. How about Captain GeNorm and the hound of the Bazevils
now *that* was satisfying!
My mind was read!! I was getting ready to suggest to someone that all those parts should be combined - Great job with this, Mr. Flint!! Dynomiiiiiite!!!!
Agreed on all three points. A cool jam!
How Cool! Love how you can hear a melody in the drums
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
Daddy got offspring.
Wow, you the daddy!
played your congas like a bass, eh! i think it works pretty well, and a sweet java flavor to it (not the indonesian folk)..
I like the Fx's with the percs. hahah, I really like the hidden Easter egg at the end too
Awesome Norm!
Love it! It's a song within itself. Great job, guys!
Holy Sh*t! That is really something bro! Amazing that it is all Drums! Has a Great Melody! Faved!
great work my friend!!
this is a wonderful jam keep postin man
I think you've started an epidemic. Break out the scratch relief cream.
sounds extra mystical now!
Comments made by Norm
As you know, I love this piece. It is so rich and complicated, that it is mind-blowing. And while I am not certain this is the final mix for this (it really should all be acoustic, shouldn't it?)it is so delicate and intricate from a metric point of view that we (by "we" I mean all of us who hope to be involved in the final version of this)will need to spend some time together in advance to decide exactly how to tap our feet to this. Love it.
Still digging this one!
Many thanks Chris!
...
...
There be me too. "Hey, a coin of all things!"
Ahhhh. Cool breeze tonight. Still loving this.
Still laughing at this one...
Sneaky little bastards! This still sounds great.
Epic, indeed!
Now I have delicious dusty, orange cheese powder all over my fingers! Excellent bi-product!
Light fuse, get away!
An awesome chemtrail followed by a loud report.
Bad ass!
More banjo! Much easier to hop a train with a banjo on your knee than with my congas - next stop Roanoke!
A two-door subcompact car won't eat much... but this kicks!
Interesting, absorbing; cool; refreshing... ah, and interesante.
Shit the bed.
Ah. That's what I'm talking about. I've been curled up in the corner of the house, twitching for a Launched fix. I'm much better now.
Excellent!