Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
My mind was read!! I was getting ready to suggest to someone that all those parts should be combined - Great job with this, Mr. Flint!!
Dynomiiiiiite!!!!
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
lyrics:
i got a hot date
and you know i don't wanna be late
i need a ride
to the bowling alley
get ready cuz here i come
put my new skirt on
chewing peppermint gum
did my eyebrows fresh
white musk on my neck
part my hair to the right
cuz its…
Year: 1999
Album:
Alien Air
Artist's description:
Why I write the music I do
Contributors:
Evan, Kristin, Carol, 3 stooges
modplug tracker
home made guitar samples and Casio CZ-101 samples
"real bass" sample
drums from... somewhere
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
I love you. And I'm watching you... :)
All one take into the Boss MicroBR hole and cleaned up a little. I'm the red headed stepchild of recording...
Love You
Some people want to know you
Wanna put their arms around you
Buy you a drink…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
I *think* this is final version of my 4th MOTU demo
- I will see what comments I get, if any.
This is a short, more or less middle eastern-ish piece using the Zurna tuning and Mark of the Unicorn Ethno 2 sample set in Sonar. I performed (and…
Suprise: much shorter than your typical pieces.
Not a suprise: Once again, you stretch out to genres 3 clicks beyond the Bell Curve. Is there anything you can't tackle??
Nice work!
Last Christmas my collaborator and fuzzy inspiration Charlie passed over the rainbow bridge - he was very old for a ferret 9 or 10 years old. He was adopted from a shelter and remained a touch-me-not independent ferret all his life with us…
First done by Dock Boggs back in the 20s, it's a great piece of melancholy parafunalia. Eerie to think it's a suicide note and reassuring to know he was still a tough old bird 40 years later.
Great song. The tune reminds me a bit of "House of the Rising Sun", which can be traced back to the Appalachian area in the early 1900's (Alan Price of the Animals has claimed that the song was originally a sixteenth-century English folk song about a Soho brothel, and that English emigrants took the song to America where it was adapted to its later New Orleans setting.) Cool piece and well done!
Another wacky production from the stretchy, bouncy, and elastic world of Rubber. Special thanks to Mark (Launched) for writing this one for us.
We had a whole bunch of fun with this song and you will too.
Enjoy!
Flies in my lunchbox
(Help…
My mom is 91 and still holding on.
The people that help her make it thru
each day have learned that there is no
sense in arguing with her about who they
are or when it is...thus the song.
MAMA HAS A TIME MACHINE key - Em
Mama has a…
Comments on Norm's stuff
@MTC: Please! Feel free to add something to my coffee. That's why I post this stuff.
Great job to all!! Killer mix Alister...nice and clear. Loved every last bit of it.
This one's pretty sweet! Would it be alright to try a few things with it?
Now all we need is a name. How about Captain GeNorm and the hound of the Bazevils
now *that* was satisfying!
My mind was read!! I was getting ready to suggest to someone that all those parts should be combined - Great job with this, Mr. Flint!! Dynomiiiiiite!!!!
Agreed on all three points. A cool jam!
How Cool! Love how you can hear a melody in the drums
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
Daddy got offspring.
Wow, you the daddy!
played your congas like a bass, eh! i think it works pretty well, and a sweet java flavor to it (not the indonesian folk)..
I like the Fx's with the percs. hahah, I really like the hidden Easter egg at the end too
Awesome Norm!
Love it! It's a song within itself. Great job, guys!
Holy Sh*t! That is really something bro! Amazing that it is all Drums! Has a Great Melody! Faved!
great work my friend!!
this is a wonderful jam keep postin man
I think you've started an epidemic. Break out the scratch relief cream.
sounds extra mystical now!
Comments made by Norm
Oh so funky. Great work!
Huge. Just fantastic.
Very nice!
This is just perfect. I can't stop listening to it. "I need a riiiiide" is just brilliant!
Great guitar work here! (And your typical great vocals/harmony)
Fantastic!
Fantastic harmonies on all of your stuff!
Hilarious! Cool that you used home made guitar samples...
Now that's cool... love the hang drums!
"If only for a day..." - did that line actually work? Nice one!
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Totally pro, as is typical for you!
Suprise: much shorter than your typical pieces. Not a suprise: Once again, you stretch out to genres 3 clicks beyond the Bell Curve. Is there anything you can't tackle?? Nice work!
Big. Very big. Great work!
Good 'ol Charlie. A fitting tribute.
Ooo-la-la! Fantastique! Me rend souhaitez aller danser avec ma femme!
Great song. The tune reminds me a bit of "House of the Rising Sun", which can be traced back to the Appalachian area in the early 1900's (Alan Price of the Animals has claimed that the song was originally a sixteenth-century English folk song about a Soho brothel, and that English emigrants took the song to America where it was adapted to its later New Orleans setting.) Cool piece and well done!
How can you have your pork chops if you won't eat your little cup of swill? Well done, lads!
Groovy. Thanks, I enjoyed it!
Very clever! Great work with the chorus, too!