You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Guitar/Vocals: Liam Sanders
Percussion: Norm
A song I wrote about feeling undervalued, with percussion from the wonderful Norm.
Lyrics:
I should be more than a Sunday afternoon watching awful films.
I should be more than the shirt you…
No doubt you have heard parts of this before.
Guys - if I could play like this I would not be making a living as a chemist! This is a midi file I ran through pianoteq - I put this together in an hour this morning and I wanted to share before…
I couldn't talk for a while afterwards and I felt like a moron after listening to my vocals, but it had to be done :) So no laffin'!
Our attempt to be on the roof of Abbey Road Studios if only for a moment!
The Lineup:
Guitars: gtalfsen
Piano…
I had some fun this afternoon with a bluesy tune - and ran out of time for singing and my vocals are not good - wanna try?
I need to remember to tune my guitars down when I want to sing - that would make my life easier.
The guitar, bass and trap-set are working well together on this. I like it! If that's not enough to make her stay, you are better off without her.
Didn't I already add percussion to this? Yep - that's definately my head banging against the wall in the back-ground.
drip by drip..
I did the guitar and bass tracks first, then procured my 10 year olds cello for the main bass line :) I also tried my luck playing cello with a bow on this track- which was a new experience.
The trumpet and violin bits are played…
The emerald green essence turns to the color of a Monarch’s chrysalis and the dripping sugar swirls into a gentle cloud. As your guitar carries me away, I smile and turn to the nonchalant fairy sitting next to me, who hands me a rather large bottle rocket.
Found this track from 1998 - I'm on a Time kick I guess...
Time waits for no one
We are all adrift
Finding ourselves in space
All Lost
Where is my Home?
Where is my Home?
Where is my Home?
Where is my Home?
Time waits for no…
Had these backing tracks laying around on my drive for a while and didn't know what to do with them, so grabbed my Ebow and a fretless electric that I built for myself a couple years ago and had a go. My fretless playing is really in its infancy…
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
@Richard: Guilty as charged. But what happens on AloneTone stays on AloneTone. We're glad you are here!
@Sis: All of my beats are grabbable. That's what they're here for... I'm happy to steal a pumpkin for you any time. My patterns are alot like pumpkins: you don't have to ask - just grab one and run.
I thought you guys may be ready for a straight forward 4/4 pattern to play with instead another of my rhythmically esoteric patterns.
I wonder how many days a month they would let me get away with going in there and jamming for awhile? "Hey! Would you guys mind holding off on the over-head customer service announcements? I'm recording here!!"
Brilliant!
I'm usually asked to leave Sam Ashe after a couple hours of playing on all of their cool percussion toys. Surprisingly, some folks don't have an appreciation for extended drum solos... and some might even be inclined to give you a nasty look if you just laugh when they ask you to stop. Note to self: save the gong trials for the last.
Memphis Soul horn section courtesy of Garritan Jazz & Big Band ver. 3. This software of VSTI samples also includes the Steinway piano and acoustic bass featured here. Drums are EZDrummer "Baiao" beat mixed with rock fills. Hope you like!
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
I like the drum work that you have added to this. "We speak in different time signatures" = brilliant!
I have adored this song since I first heard it over a year ago. It's great to have you on Alonetone, Liam!
Listened to the entire thing this morning. Wonderful! Production comments?
Rocks! I'd love to see you guys live. How do I get tickets?
Your harmonies are always amazing! Thanks!
I still adore this.
The guitar, bass and trap-set are working well together on this. I like it! If that's not enough to make her stay, you are better off without her. Didn't I already add percussion to this? Yep - that's definately my head banging against the wall in the back-ground.
The emerald green essence turns to the color of a Monarch’s chrysalis and the dripping sugar swirls into a gentle cloud. As your guitar carries me away, I smile and turn to the nonchalant fairy sitting next to me, who hands me a rather large bottle rocket.
Thanks for loading my cabinets up with such tasty awesomeness!
Yep, Byrne-ish indeed!
Awesome! Your mom must be proud!
@Richard: Guilty as charged. But what happens on AloneTone stays on AloneTone. We're glad you are here! @Sis: All of my beats are grabbable. That's what they're here for... I'm happy to steal a pumpkin for you any time. My patterns are alot like pumpkins: you don't have to ask - just grab one and run. I thought you guys may be ready for a straight forward 4/4 pattern to play with instead another of my rhythmically esoteric patterns.
Are you playing the dig on this one by any chance?
I wonder how many days a month they would let me get away with going in there and jamming for awhile? "Hey! Would you guys mind holding off on the over-head customer service announcements? I'm recording here!!"
Brilliant! I'm usually asked to leave Sam Ashe after a couple hours of playing on all of their cool percussion toys. Surprisingly, some folks don't have an appreciation for extended drum solos... and some might even be inclined to give you a nasty look if you just laugh when they ask you to stop. Note to self: save the gong trials for the last.
Yes! One of your best yet. Awesome is the correct word.
Ha! This is just what I had in mind for this pattern... and delivered most excellently by a real life surfer: perfect!
Sweeeet!
whoops! Forgot to log in for that last comment...
Hey, isn't that George Burns?