You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
last eve there was a beautiful moon
dancing in a blue black sky
outside my piano room, it called to me
this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…
Archival stuff from my distant past with former bandmates in Scartaglen. A set of traditional Irish tunes. Rescued from a cassette tape done at a concert back in the early 90's. Myself on Uilleann pipes and whistle. Mike dugger on guitar and fiddle…
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
I'm still getting around to re-upping everything I took down last October.... this is one of them, and if I recall correctly, this is the track that was the impetus for Paul & I to start collaborating. (Something I've been missing a lot…
I had some lyrics describing a late nite cake baking experience kicking around. If I have a lot on my mind, dirtying every dish in the house seems like the right thing to do.
I stole some cool percussion from Norm and went to work. I also…
@Reefwalker: Well well well, a muffin man, eh? A pretty bold statement from a guy that I have seen wolf down a great deal of cake. But, in any case, finally I can answer in the affirmative: Yes, I know the muffin man. Muffin man. Muffin man. (I won't finish the rest as I know you are kind of protective about publishing your address).
I had some lyrics describing a late nite cake baking experience kicking around. If I have a lot on my mind, dirtying every dish in the house seems like the right thing to do.
I stole some cool percussion from Norm and went to work. I also…
"And I feel the pull of the tide... I bet the moon feels it too"; "I didn't have any eggs or any other crap you are supposed to mix with it"; "Mix it in a bowl with love & hate"... where do you get this stuff?? I'm a sucker for it. I hate chocolate cake. I mean, I love it.
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
They recon if you go down any mine in the world you'll find a Cornishman there working.
Colin did the vocals and twelve string
Matthew did Balron, whistle, backing vocals ect.
I did the acoustic and backing vocals.
Just another time traveling love song from your ole Uncle Paul.
Mostly MIDI synths and some analog bass and screaming Ibanez.
Drum loops too. I was going to drum it, but these two loops really kinda drive it along.
Enjoy.....
filled…
After writing this song about our newly adopted dog, I asked Kavin if he like to play some slide guitar, knowing that he would come up with something terrific... I just had no idea how terrific.
Bandit rides in the back of my truck
A big…
I couldn't get anything right today so I just mashed through a guitar track and overlayed vocals. But now I kind of like the song so it will have to be redone.
So sit back and relax, don't shower or shave and have a beer!
Swill A Beer
I sit…
"The sun comes down again
With overbearing certainty"
Now man, **sound of beer can being opened** that's poetry. Pure poetry.
(You know, if you would just take that filthy sheet down off of your window your friends would be much more likely to drop over for a cool one! But on the other hand, they would have to promise not to ponder over any those questions...)
When my daughter and I use to play computer games on the Sinclar Spectrum. ( One Kilobyte). Many years ago we combined our names Samantha And Dad, Hence Samadad.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
This is a new song that started as a guitar pick, then got some words. I finally recorded this. It has 3 parts. Nylon guitar, Electric and voice. This is part of the "human racing" series I am working on.
Matter is surprising
Not what…
I had a bit of a dry spell with writing new music but today I have decided to break it.
This is loosely based on another song of mine, titled Swell.
I hope you enjoy this.
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
Breath-taking!
Really, really fun.
That must have been one hella lathe. Awesome performance.
Ooh, the contrast between a lullaby & a wake-up call is brilliant.
Cuban garage band! Hey Pops - the guys are coming over to jam this afternoon, so I need to pull the '52 DeSoto out of the garage for a bit...
Sweet bassey goodness!
@Reefwalker: Well well well, a muffin man, eh? A pretty bold statement from a guy that I have seen wolf down a great deal of cake. But, in any case, finally I can answer in the affirmative: Yes, I know the muffin man. Muffin man. Muffin man. (I won't finish the rest as I know you are kind of protective about publishing your address).
"And I feel the pull of the tide... I bet the moon feels it too"; "I didn't have any eggs or any other crap you are supposed to mix with it"; "Mix it in a bowl with love & hate"... where do you get this stuff?? I'm a sucker for it. I hate chocolate cake. I mean, I love it.
Way to push the envelope, Chris! Very nice work.
Don't do another thing to this. It's perfect. What a song!
Yes, most excellent!
One of your best vocals yet! And a real high-lonesome sound to your guitar work. Well done!
How can I not fave a song about pick-up trucks, kids climbing on the dog, and leaving Memphis. And with slide guitar to boot.
"The sun comes down again With overbearing certainty" Now man, **sound of beer can being opened** that's poetry. Pure poetry. (You know, if you would just take that filthy sheet down off of your window your friends would be much more likely to drop over for a cool one! But on the other hand, they would have to promise not to ponder over any those questions...)
Brian, I think this is perhaps your loveliest post so far. Nice work, Samadad!
Solid!
Great voice!
@MTC: Please! Feel free to add something to my coffee. That's why I post this stuff.
The opening riff is most awesome!
Good to see that you are back in the saddle! This is very nice. Very nice.