Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Reg was looking through some old notebooks last night in the cellar and found this one..................Divorce is a terrible thing to experience all the mixed emotions and torment.............
VOICES IN THE NIGHT (Lyrics)
Voices in the…
An experiment in minimalism ala 2004 inspired by the likes of Muslim Gauze. Dumped a Korg ES-1 drum track into Nuendo...cut it up...then added a sample of an ancient Greek song of Mourning...cut that sucker up too...and this is the result. I did…
I decided to take this classic Doors song in a totally different direction to the first one i put up......so here it is hope you enjoy it as much as i did doing it..........
The average person thinks as many as 50,000 thoughts a day. Many of these thoughts are negative and self-destructive. I believe that all of the inner tension in your life is created by your thoughts. Your thoughts make you ill and your thoughts…
Leaves everywhere today. Autumn has come late this year in London it seems.
Reminded me of a song Me Geir and Mark wrote a while back...
Written and recorded in a three hour time period from three places across the world. We just all happened…
Okay...so Godzilla comes to YOUR town and wants to get funky. What does it sound like?
When I first came to Japan, there was a time when I spent three months homeless and living out of a coin-locker at Shibuya station. Eventually, I got out of…
I’ve used Norm’s Groove for all Hallows to create quite a dark track about the Serial Killer Peter William Sutcliffe
(born 2 June 1946) is a British serial killer who was dubbed "The Yorkshire Ripper". In 1981 Sutcliffe was convicted of murdering…
Reg has never really understood Love.......... not in last 20years since first hearing this song .........it's still all a Mystery to him................
I heard shamoozey do this one the other day and enjoyed listening to his version, it got me remembering that I first sang this as a young boy soloist in the Choir for the Christmas carol concert. I recall being scared and thrilled at the same…
Reg has never been to America but he loves the idea of the freedom of such a huge country with so much variation.....so one day he’s going to get himself a ticket and find out for himself.......mean while he’ll have to do with writing songs about…
Bob and Reg got together tonight down the cellar and came up with this one dedicated to Desirea......Reg didn’t realise at the time but Desirea had got her hooks into Bob as well during her time down the cellar....but hey, all's well in love and…
This track was made for collaborative purposes. Looking for a slow build of layers. If you hear anything that you would like to add...feel free to do so, and send it back to me...or post it and let me know that you did. TANKS!
Comments on Norm's stuff
My western ear loves this!!
How can you have any slicy basses if you don't eat your vaisvil?
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
I do like the gutsy bass in there, great percussion keeps us on our toes.
i can dig brother man ∆∆Libra∆∆
This is badass, guys. I have to keep coming back to it!
SUPERB!!!!! w;-)
Very cool groove! Nice work!
Felt real good. Nice job fellas. :) very interesting. Coll bass riffin' too.
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Love the description. Very educational as well as entertaining. :) U2 make a good team.
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
This is great top beat dig it.
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
sublime beats and awesome groove what more can anyone ask for?
Enharmonic what? :) This is where it's at, guys! I'm diggin' it to China. Very cool!
Very nice drum and bass/guitar work. Love the complexity and the groove!
y u m m y ! la llave es la clave, si!
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.
Comments made by Norm
@Bee: *"I would like to hear it sung straight"* Do you think that is a reasonable request to ask of Reg? Personally, I prefer Igor's approach.
Is this stretched? It reminds me of jelly fish too. (You crack me up Bee!)
Awesome drum track! :)
@D: The vision of you dancing with your 4 month old to this delights me!
This is great fun!
Pro track.
This is wonderful.
Excellent work. Go team!
What a story! I agree with Chicken on the excellent base. Ok, uncle. What is the drum track?
Eegads Reg!
Yeah, this is great.
Excellent!
@ Vaisvil: *La clave es la llave, la llave es la clave*.
Ah! Don't look now, but your classical guitar training is showing - this is fantastic!
Dang those Greelies.
Excellent.
Now Reg, there is still a lot of truth in this one. Beautiful job!
America's going to love you Reg. Make sure to swing by the Blue Ridge Mountains when you get here.
Good grief! Reg, stop introducing her to your friends... if Bob gets mixed up with her he will change his tune to "Don't be Happy - Worry!"
I can't wait to hear what becomes of this...