*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Love it ....way too short .....but I suppose .....thats Original pieces for you....you just get into them and there gone and your left wondering so you play it again ......it's double player for sure but I still ....stand by ....love it and way too short.....
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
There are 3 styles of the Rumba Guáguánco pattern: this one originates from the Cuban province of Matanzas (to the east of Havana).
“Rumba” is a Spanish term for a gathering of musicians, singers & dancers (what West Africans refer to…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
well, I've given you guys a couple years to answer this.What is the time signature on this piece? Can you snap your fingers to it?
Didn't think so.
Chris, this is a master piece. I just love it still.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Shirt: *Pilón* is not only the name of this pattern, but also the name of a town on the southern coast of Cuba. Perhaps both Pilón coffee and the pattern are connected to that town in some way.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Reg has re-leaved his inner thespian tonight in another reading........... this time........... The Rime of the Ancient Mariner by Samuel Taylor Coleridge...Done in one take mistakes and all ......he hadn't come across this one since his school…
jqscutt posted the acoustic guitar track looking for ideas, not sure if it turned into the genre he was looking for :)
The auuuggga horn sound was another classic unplanned phone interruption during the vocal recording but it seems to fit in…
Oh well, nothing like going to a middle school music function to break writers block, all those posters and flare about achievement...
Special thanks to my sons middle school band, The Preston Pumas playing at the end !
The energy levels were at an all time high this weekend when Bon and jimi turned up down the Cellar for a session. Here's a little something from the session........... Reg'n'Roll...other Reg really blisters the guitar on this one
OH WHAT A…
I heard M.T.C's Session 1 today and thought wow!!! so asked if it was ok if i could jump on for the ride..Jim said Ok! .......so here goes.........a song about loves dream being broken.........thanks again Jim...................based around these…
Reg, while I appreciate that you are obtaining musical inspiration reading bed-time stories to your children, do *not* use this interpretation of Edward Lear's poem to tuck them in - and this song is way to rockin' to put anyone to sleep.
Okay...it's still a sloppy mess...but that's what you get when you have earthquakes, a new-born baby, a nuclear disaster, broken bones in your hand and a whole-lotta "uuuuuuuuuuurgh!" to get out of your system. Somedays, you just gotta play in…
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
11. Mermaid
My Casio-tune (for the Casio Challenge) Recorded through a microphone so you can hear me tapping away at the crappy little keys of the SA-3. Since it started to sound very sinister and reminded me also of the sea I wanted to add lyrics…
key of C - no capo
We listen for years for words to explain ourselves. "I'm good but not THAT good," was such a moment for me. Good enough to stay in the game but never good enough to win.
Last night I kissed somebody
I kissed somebody…
Too Many Years
It's been too many years since I've seen you
But sometimes that face appears before me
I still don't understand what went on
I refuse to believe that you could possibly really hate me
And of the people that I have known
You remain…
apologies to the fab four
scored for orchestral percussion, harp, harpsichord, dbl bass, string ensemble, men's choir and flute.
Interesting aside...
This is the only Beatles song covered by The Residents - because it is the only Beatles song…
This time of year I start to think of stealing pumpkins again... I think I'll have this one playing on my piepod, underneath the black knit dock hat and face paint.
@ Shirt: Thanks! Those sounds are from a matched set of "vibratones". The first sound is from an "ocean drum" (with reverb) and the final drone is from a "spring drum". The click sounds in the groove are a Japanese "Kokiriko" and a steel "Merengue guiro".
My cyber friend Tony Jones , added some keys , percussion and lead , transforming my song into something i couldn't have dreamed of
To the Welsh Wizard , many thanks
Comments on Norm's stuff
With a ooooh Yeahh!!!
Loving this - wish it was muuuuuch longer! Had to share it on FB.
I just stumbled across this today! E X C E L E N T
Love it ....way too short .....but I suppose .....thats Original pieces for you....you just get into them and there gone and your left wondering so you play it again ......it's double player for sure but I still ....stand by ....love it and way too short.....
Kickin beats. Totally diggin this!
Very cool! Missed this one
well, I've given you guys a couple years to answer this.What is the time signature on this piece? Can you snap your fingers to it? Didn't think so. Chris, this is a master piece. I just love it still.
Love the flange and the triangle (Or whatever steel you used) Goodness all over!!
@Shirt: *Pilón* is not only the name of this pattern, but also the name of a town on the southern coast of Cuba. Perhaps both Pilón coffee and the pattern are connected to that town in some way.
I drink that every morning..Delicious Espresso.
ok, ok. So its chicken on 3? Love the suga cane beets bro! Congrats 2R's!
Cool!
really cool and a mighty fine production !!
I mean percussionists...yeah that's it. Percussionists!
Big boys tend to be drummers...
Super swish beats!
Super nice groove man!
Norm, just how many chickens have you raised? ;-)
Aaw, now I want chicken. With Bee.
A great tribute to the new little man. Amazing track, really diggin this groove. :)
Comments made by Norm
Fantastic ranting!
Master Thespian! http://vimeo.com/15476780
Love the cello. Love the harmonies. Love the backing guitar work. Hate the phone. Your phone is the devil.
You are definately not living in middle C. Let me know when you hear that knocking at the door, so we can both charge through it...
Now this rocks!
Reg, while I appreciate that you are obtaining musical inspiration reading bed-time stories to your children, do *not* use this interpretation of Edward Lear's poem to tuck them in - and this song is way to rockin' to put anyone to sleep.
Yeah... that's a lot to go through in one year. I hope all is well with you and yours. the keys are key in this.
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
Excellent!
A classis indeed.
I like the tapping... great percussive feel.
Excellent. Very clever.
Optimist!
Very nice!
Nice! Drumming sounds great and the guitar work is excellent.
I didn't realize that this is the only song all 4 created together... one of their best IMHO. Wild video!
This time of year I start to think of stealing pumpkins again... I think I'll have this one playing on my piepod, underneath the black knit dock hat and face paint.
@RW: Ooooh, nice to see that you are in touch with the church calendar. I put it out a day early...
@ Shirt: Thanks! Those sounds are from a matched set of "vibratones". The first sound is from an "ocean drum" (with reverb) and the final drone is from a "spring drum". The click sounds in the groove are a Japanese "Kokiriko" and a steel "Merengue guiro".
Great collab!