This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
from "the Hardest Blow" featuring vocals from Tess Savigear and solo guitar from Kavin Allenson
It’s name is sadly the same as me, without me
It cannot follow through doorways, the same way
Just saw the rainbow fall over
It’s game remembers…
from the album "the Hardest Blow" featuring vocals from Dana Detrick-Clark
I can't see your sorrow, innocent and blind
Better luck tomorrow, leave this all behind
I think I'm feeling something, but I'm not sure what it is
Maybe you could…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
This is for today's Improvfriday. Being all a first pass improvisation against a drum beat - there are mistakes. I did go back and spiced up the drums just a bit. everything but the drums is my Roland GR-20
this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.
Long drum solos aren't for everyone - I get it. Just do what many at Grateful Dead concerts did and look at it as an opportunity to go get another beer. On the other hand, if you are the sort of person who cheers at the fireworks show, I hope…
@Sis: LOL!
Sir Bedevere: There are ways of telling whether she is a witch.
---Are there? Oh well, tell us.
Sir Bedevere: Tell me. What do you do with witches?
--Burn them.
Sir Bedevere: And what do you burn, apart from witches?
--More witches.
--Wood.
Sir Bedevere: Good. Now, why do witches burn?
--...because they're made of... wood?
Sir Bedevere: Good. So how do you tell whether she is made of wood?
--Build a bridge out of her.
Sir Bedevere: But can you not also build bridges out of stone?
--Oh yeah.
Sir Bedevere: Does wood sink in water?
--No, no, it floats!... It floats! Throw her into the pond!
Sir Bedevere: No, no. What else floats in water?
--Bread.
--Apples.
--Very small rocks.
--Cider.
--Gravy.
--Cherries.
--Mud.
--Churches.
--Lead! Lead!
--A Duck.
Sir Bedevere: ...Exactly. So, logically...
--If she weighed the same as a duck... she's made of wood.
Sir Bedevere: And therefore...
...A witch!
Black Cat
Words and Music by Tharek Mokbul ( OsCKilO )
My heart will miss a beat
Each time
I see your pain
I know this is the end
But I
Will fight this tide
The battle is complete
Both sides
Have won this time
I will remember you
So proud…
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Nice work guys! I love it.
Very strong.
Ecumenically enchanting.
Thanks Sis. Although I'm not suprised, I didn't realize that - I have now updated the credits.
Nice keys!
Brilliant!
Excellent! I don't believe that I have ever been mashed before! Many thanks!
Smooth. Love the bass.
Good one! Very nice improv.
tastey riff...
Awesome!
@Sis: LOL! Sir Bedevere: There are ways of telling whether she is a witch. ---Are there? Oh well, tell us. Sir Bedevere: Tell me. What do you do with witches? --Burn them. Sir Bedevere: And what do you burn, apart from witches? --More witches. --Wood. Sir Bedevere: Good. Now, why do witches burn? --...because they're made of... wood? Sir Bedevere: Good. So how do you tell whether she is made of wood? --Build a bridge out of her. Sir Bedevere: But can you not also build bridges out of stone? --Oh yeah. Sir Bedevere: Does wood sink in water? --No, no, it floats!... It floats! Throw her into the pond! Sir Bedevere: No, no. What else floats in water? --Bread. --Apples. --Very small rocks. --Cider. --Gravy. --Cherries. --Mud. --Churches. --Lead! Lead! --A Duck. Sir Bedevere: ...Exactly. So, logically... --If she weighed the same as a duck... she's made of wood. Sir Bedevere: And therefore... ...A witch!
Clever. Great cover.
Tight!
Love it!
Excellent.
Simply awesome.
Sweet!
Excellent! Now I don't need to run out and buy one of those Halloween CDs to play for my trick-or-treaters.
Beautiful. And appropriately titled: "Breath of Air" for a breath of fresh air...