This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
The Seventh Rook is a piece composed for solo microtonal piano in the Rook scale commissioned by John O’Sullivan who devised the scale. Rook is a subset of Raven version temperament. More tuning information is at John’s website. The score is here…
I see your phone continues to torture you... and you wonder why I don't call. ;)
Before you completely go off the grid, text me some GPS coordinates and blaze orange a few trail markers for me. I'll be bringing some seeds, powder and percussion instruments.
we all have cover a Pink Floyd song at some point, and the only way to cover a perfect song is to make it completely different. Deep down, I think everyone was hoping the wall was not too high, and the song could end on a happy note of breaking…
Excellent work here covering the Gilmore section of vocals on this song - I always sort of hoped the song could end at this point and Pink could reconnect beyond the wall, but alas, it is not to be so.
I'm with Daisy: I particularly love the vox effects!
(Thanks Norm for a great beat i think i'm even in time here and there…. i tried ….. i've been meaning to do something with this beat ever since i first heard it …so after watching one born every minute on the TV i decided to finally try so here…
first my apologies to J. Pachabell
second, my very best wishes to all my AT friends who make sharing music here so wonderful,, hope your holiday season is most wonderful and filled with love, peace to us all r
Well, its that time of year again and all 4 of the ladies have something to say to you this Christmas. I used Wrinkled Shirt's tune, Skydroll, as a frosty backdrop and brought them all along for the sleigh ride.
In order of their appearance…
Gene has done a superb job with the music and the mix ....i had the easy job of singing it...bought back a lot of memories of youth and Motorbikes hoe you enjoy as much a s we did doing it..........
Well, its that time of year again and all 4 of the ladies have something to say to you this Christmas. I used Wrinkled Shirt's tune, Skydroll, as a frosty backdrop and brought them all along for the sleigh ride.
In order of their appearance…
I sent this over to Norm to get his Funk on now its really funky with additions by Eloise it has a touch of Frank Zappas valley girl..THANK YOU BABY!!! OOOOOH Weeee!! A FUNKY CHRISTMAS IS ON ITS WAY....
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Time "trevel"! I wonder what the world would look like now if Reg & Vaisvil had actually hooked up in 1981...
Did John play this? Excellent work!
I'm with Vaisvil.
I see your phone continues to torture you... and you wonder why I don't call. ;) Before you completely go off the grid, text me some GPS coordinates and blaze orange a few trail markers for me. I'll be bringing some seeds, powder and percussion instruments.
Excellent work here covering the Gilmore section of vocals on this song - I always sort of hoped the song could end at this point and Pink could reconnect beyond the wall, but alas, it is not to be so. I'm with Daisy: I particularly love the vox effects!
Excellent! Thanks for allowing me to be a part of this miraculous event. I love the ending!
Awesome!
Happy Baktun, to you. Happy Baktun, to you. Happy Baktun, dear Chris. Happy Baktun, to you. And many more... (Fabulous graphic)
Perfect for the morning after a projected end. Now what?
What a nice gift for all of us. Thank you Richard.
@Steve: I posted this for your delight. Have your way with it.
Still diggin' this too.
Just what I needed today.
Still loving this!
Bring on the snow! Excellent.
Excellent!!
Excellent! Hearing them all together is making me cry too...
Well done!
Great cover!
I'm doing the crab! I'm doing the crab! It's good to see you still have all of your classic dance moves in working order Reg.