CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
they are good, no doubt about it. but what comes first of all, before playing in time, is the natural groove of a beat. and you are without a doubt getting really good at this! :)
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
@ Alister: Ha! I have a cuica - and I'm always looking for an excuse to play it - but I usually associate it with Brazilian carnival / samba music. But now that you have mentioned it, I'm going to fire that up in the near future. And thank you, but Pedro & Mauricio are legend, and light years ahead the stuff I produce.
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Axe fx, udu drum and some shakers.
Title is in deference to my sister. This song reminds me of something she might come up with but when it comes to songwriting, I'll always be in her shadow.
Product of noodling around. Lead guitars are a combo of UAD's Nigel plugin and the Fractal Axe Fx. Clean guitars are the Fractal. The outro guitars are my Princeton Recording amp.
I played the piano's through my midi guitar and Axon. You can…
Well, already fave'ed by aliens!
I'm in.
Excellent collaborative effort. Wonderful mix. Love your voice here Reefwalker, even that crunchy part at 2 minutes is cool. More cello!
Yep - you said knee pads.
My first upload.
This is a cover of probably my favourite song of all time, by The Waterboys, who were introduced to me many years ago when the highlight of my week was Thursday night TV, pizza and quaffing Baileys.
Thanks to Sister S for…
Reg had a bit of tiff with the Mrs so he stormed down the cellar to release his anguish with Elvis and turned it into this little beauty .....now he feels a lot better and is making Mrs Reg a nice cup of tea to say sorry....because lets face it…
Excellent work! Welcome back other Reg!
@ Beth: Well, since you had to ask! Yes, the percussion here is very nice: I would classify this not as Bossanova (a Brazilian pattern built upon Samba type rhythms). To my ear, this is afro-cuban and would be in the "Son" (aka Salsa) family, in which the "2" is the primary accent. There are a variety of patterns in this family, differing primarily in tempo:
Bolero; Guajira<104; Danzón = 104-132; Cha-Cha = 108-126; Son = 122-224; Son Montuno = 184-216; Mambo = 224-264.
Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
This tune came about by total chance.
I recorded the Backing track during a spare half an hour one night this week ... Just a Noodle...
Met up with Aaron today by total chance and he was up for recording a vocal on it.
He Free-styled the…
I did this one to Norms track Proof....... it's about a disturbing dream...... i hasten to add it was Reg's dream not mine. So blame him................
I'm shipping my canon off so it can have a new career without me.
Its such a happy yet sad occasion to see your instrument leave the nest..... ;-[
so I had to spend just a little more time with it.
Something the Gritter wrote about the Beatle cover i did rang a bell that turned into an alarm and now it's a song Thanks Sandy The best Cowboys do have Chinese eyes that ain"t no lie.....oh and thank you Pete too.......for actually coming up with it
Clint Eastwood has Chinese eyes. I think you are absolutely correct.
Jose Wells: "Are you a bounty hunter?"
Bounty Hunter: "Yep. A man's got to do something for a living."
Jose Wells: "Dying ain't much of a living, boy."
Samples used in this tune from the NY subway this summer. Inspired by Dave Dunseath
3-12, just uploaded a new version of this with guitar- and some other changes
This song is about all the Austin bands that tried to make a living with their original music in the Austin, TX area in 1991. Lots of Austin bands got their start playing at the Black Cat Club on 6th street in Austin playing for the door. This…
Comments on Norm's stuff
HOLY CRAP MAN!! This really kick ass!! Super FLY!
There's an opening for a pissedcusionist if your interested.
great recording!
congrats for this great piece of work!
that's fly norm!
That makes me a big kid I guess!
yes, sorry don't know why, i couldn't reply under my login, at time..
Thank you, Alister.
they are good, no doubt about it. but what comes first of all, before playing in time, is the natural groove of a beat. and you are without a doubt getting really good at this! :)
It must be so fun, having you round the place I'd get my work done with a grin on my face.
*REPLY* I never thought of it that way!! HA HA!! I love it!!!!
@ Alister: Ha! I have a cuica - and I'm always looking for an excuse to play it - but I usually associate it with Brazilian carnival / samba music. But now that you have mentioned it, I'm going to fire that up in the near future. And thank you, but Pedro & Mauricio are legend, and light years ahead the stuff I produce.
You Sir, are the beat master. Deluxe.
i'm sorry but.. where is the cuica? :p - ok, ok, joke aside, this is as good as some martinez & herrera jam!
I'm flying!!!! Diggin' this groove! As would Greg Brady :)
Excellent groove!
super fly.. great play and very groovy! mi gusto mucho!
Another winner! Norm I re-posted the Border Crossing with just a single lead guitar at the beginning......sounds cleaner!
again well done,,,, there is a magic to this,,,like a moth pulled to the flame,,, i feel drawn in
well played, you have a great thing going,, with all the music you have been posting and collaborating on
Comments made by Norm
Wow, Norda Mullen can really work that flute. What a treat to play with her!
Lovely!
Excellent! Love the Udu.
Tasty piece! Adored by aliens too!
Well, already fave'ed by aliens! I'm in. Excellent collaborative effort. Wonderful mix. Love your voice here Reefwalker, even that crunchy part at 2 minutes is cool. More cello! Yep - you said knee pads.
Great song, which I had not heard before. Well done!
Ha! Reefwalker is right... the sounds of anguish strike a real chord for all of us who have done exactly that!
@RW: Count me in too.
Excellent work! Welcome back other Reg! @ Beth: Well, since you had to ask! Yes, the percussion here is very nice: I would classify this not as Bossanova (a Brazilian pattern built upon Samba type rhythms). To my ear, this is afro-cuban and would be in the "Son" (aka Salsa) family, in which the "2" is the primary accent. There are a variety of patterns in this family, differing primarily in tempo: Bolero; Guajira<104; Danzón = 104-132; Cha-Cha = 108-126; Son = 122-224; Son Montuno = 184-216; Mambo = 224-264.
Gorgeous!
The lower frequency work here is outstanding!
Way hip!
Eegads!
Strong work!
Easy on the catnip, Puss!
Excellent!
Great cover Reg.
Clint Eastwood has Chinese eyes. I think you are absolutely correct. Jose Wells: "Are you a bounty hunter?" Bounty Hunter: "Yep. A man's got to do something for a living." Jose Wells: "Dying ain't much of a living, boy."
That's it. I quit.
Sounds like great fun! Nice hats.