If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
This is a 3/16 Bembe on tuned congas, played with mallets. I've arranged it (at the very kind suggestion of Vaisvil & ReefWalker) in a verse/chorus/bridge/capo fashion to get away from a straight pattern - I think this sort of arrangement…
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
Ha! Rick is right - you would be a great hypnotherapist.
From a percussion point of view, I like how you rotate the accented pulse throughout the beats of this 3/4 pattern and particularly how you demonstrate the power of the off-beat at 1:36. Very southern hemisphere of you.
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
First song of the year for me...
Recorded on New years day 2011...
-Good Times-
Words and Music By Tharek Mokbul
These Good Times,
In this Old Life
Are Earned...
Not Learned...
I’ve seen old faces,
Fade away,
In my mind…
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled.
http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
Those long drives across the state on I70 always feel a bit disconnected, even slow motion like this, even at 80mph on the way home for the holidays...
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live.
Perhaps I should move to Africa.
(Lyrics posted below) A fun song I wrote with Kenneth from songcrafters.org. Its about having fun making music with friends from all over the world, connected by the internet and these great music sites that we all belong to.
I came in from…
(Lyrics posted below) A fun song I wrote with Kenneth from songcrafters.org. Its about having fun making music with friends from all over the world, connected by the internet and these great music sites that we all belong to.
I came in from…
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
Mancera is an spanish Fortress build about 500 years ago in an island with the same name, in the south of Chile.
Off course it has a lot of history, i used to go there when i was a kid and i have big memories of it, been in the big dungeon, where…
Ok i'm back after a few months off in patagonia, and back to the studio.
This song is the history about a dutchman i meet in amazonas, he was near 2 months on a journey by sea to Galapagos, this is just part of the extended conversation we had…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Percussion by Norm
Lyrics by Rat-Hybrids
It's been tough to keep up lately, hope everyone is well.
Something I was working on as part of a larger project. When it's done I'll link it.
Comments on Norm's stuff
Dude! You own this place!!
Ahhh, I really like this. technically, very well crafted with a subtle, smooth blend.
Awwww now I need a long iced drink with an umbrella innit !! gonna make one too...hot skins Norm,hot skins !
Now that is a Performance..... A lot from a Little.... You rule man!
Listened to Rumba columbia just before this. Leads on soooooo Well!! A Great Listen!
Does what it says on the tin.... And so much more! Really Meditative as well! Love it!
Bubbles along like a beaut!
That's some prime percussion. Real nifty playing.
Excellent job on everyone's part!
where is the cuica? :p
Put up the song. Let me know what you think! I had a blast jammin on it!!
Muy FN Bien!
Just listened to the BrianisedBassed up version of this ,good job by bothyas.....
I like the rhythm!
Beefy beats!
In yo FACE Tracy Partridge!!!
Wow! Very cool rhythms!!
very nice
Thats a groovy sound for sure, I can dig this. Who would have thought the lowly tambourine would hold my attentions for so long.
This is great! It takes a special kind of healthy crazy to let it all out in a tambourine solo!
Comments made by Norm
Ha! Rick is right - you would be a great hypnotherapist. From a percussion point of view, I like how you rotate the accented pulse throughout the beats of this 3/4 pattern and particularly how you demonstrate the power of the off-beat at 1:36. Very southern hemisphere of you.
Very creative.
Excellent!
Great voice, as usual. Happy New Year!
Beautiful recording, Kirk.
@ Kirk& Kamachi: excellent observation, and you are correct. As most of my patterns are built around clave, and as clave is structured upon so many off-beats, to get my metronome to "click" on some key clave beats, I set my metronome at double time- so my bpm notation reflects what my metronome setting was dialed to. Here is a clave link that graphically shows how many times clave percussion scores are transcribed in 2/2 (cut time) to make it easier to read... but if one is counting 8th notes instead of quarter notes, the bpm will be doubled. http://en.m.wikipedia.org/wiki/Clave_(rhythm)?wasRedirected=true
@ Richard: many thanks- recording accoustical percussion is sometimes tricky and I'm still learning the skill sets required for that. I mount my own skins from bulk rawhide (so not actually tanned) but I don't actually make the rawhide from animal skins... that's a lot of work on a non-industrial level and there are some health concerns when it comes to working with (especially imported) fresh animal skins. Many of the (nonterrorist) cases of anthrax reported involve folks making their own drum heads, so I just use commercially cured cow skin from the USA for the latin drums and buy pre-made drum heads for the African drums, which are usually water buffalo, goat or some sort of deer.
Those long drives across the state on I70 always feel a bit disconnected, even slow motion like this, even at 80mph on the way home for the holidays...
@ Dave: thanks for listening! This recording is 8 tracks, consisting of 2 (stereo) bass drum, cowbell, clave, chinese blocks, and 3 tracks of various sized conga drums playing their parts. Traditionally it is performed by a group of percussionists, which I would *love* to assemble- but that rarely is possible for me to do where I live. Perhaps I should move to Africa.
How fun! Now the rest of your cyber friends can sing along- a mixing challenge to be sure.
Ha! Post the lyrics- we all want to sing along with you!
@ Jarvis: Ha! I'm vocally challenged, but to hear the lyrics, go here: http://alonetone.com/vaisvil/tracks/walk-with-sorrow-norm-rick-chris-emily
Very masterfully crafted. Well done!
Very nice. Nice lyrical observation, too.
Outstanding. You guys are really tight, and the vox is fantastic, as usual.
Excellent!
I *love* this one.
Awesome track!
Where's my Launched?? :(
Masterful. You really created some nice space here.