You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Here's the Classic from Boston from that time when my locks were flowing and i was 3stone lighter....with speed Demon Gene doing the music and yours truly trying his best on the vocals...hope you enjoy as much as we did doing it.....
This song written by Mark Imsdahl..I found it over at Greg Connor's ...I liked it so much that I asked Greg and Mark if I could do an electric version of it and they agreed...i want to have Mark blow some harp on it when he gets back from vacation…
I heard Wildgeas track Erase the Breeze on alonetone earlier and this came to me straight away so i had to get both sides of Reg on this one.. and kick it out while i had a little time ….hope you enjoy…Thanks Paul
I need to feel real real Love…
I've been really into soundtracks for the past few days, especially those for action games and the notion of having a static, subtle track run over unpredictable game actions and still making the whole thing work.
So this was made with that…
Hi folks - Uncle Paul is back at it after a 4 month hiatus from music.
Sometimes I just have to walk away from it. I'm sure most of you know what I'm talking about.
I forced myself through the 2012 RPM Challenge
and quit playing right after…
still raining so the £16 special came out.......
Around & Around (Lyrics)
Now you are my lady and i’ll never understand why you had to runaround with that other man
you know you’d send me crazy you know that i’m not sound when you leave me…
NO! NO NO NO!
Reg, in western Kansas, where I was raised, if a coyote killed a calf, we would put cyanide into it's carcass in hopes that the coyote would return to feed again. That's how you could tell a smart coyote from a dumb one. You would never see the smart one again. The dumb ones would be found next to the carcass.
My point is, if you are in anyway contemplating reuniting with Desiree, remember this story.
[This moves nicely! What is that cool noise right at the very beginning?]
The last one for the day....what can i say it had to be done.....
Broken Dreams(Lyrics)
We’ve all had dreams broken
we’ve all wanted the absurd
i dream of being loved again
to hold and not let go
i’ve been waiting for a long time
to try and…
I was listening to Jims beautiful instrumental and it struck a chord ...so here it is Thanks Jim.....
Shadow of a man (Lyrics)
As i look in the water i see a reflection of what i was
i see the strong man who could have done what ever he wants…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
The music is old but the video i just made,,, on a dive trip to Beqa Island Fiji,, music is a previous version of piano moment #5, of late i have been working on diving and putting existing music to the videos,, hope you like r
http://youtu…
Inspired by a line in one of the many books I read while laid up with a recent back injury.
Song of The Raven Queen
--
As The Fool set sail in an old milk pail
To fetch the Moon's reflection
The Mountains stood as of course they should…
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
Totally pro.
Epic!
Oh Snookie Snookie Snookie!
Valerie! Your understanding of the known universe needs to be launched.
Nice work gents!
Great feel to this one.
Stop biting Bee!
Excellent!
Gosh, these are both excellent, but I think I may even like this version better.
Strong work!
"Just when you thought you were out... they pull you back in!" Welcome back. We missed you.
NO! NO NO NO! Reg, in western Kansas, where I was raised, if a coyote killed a calf, we would put cyanide into it's carcass in hopes that the coyote would return to feed again. That's how you could tell a smart coyote from a dumb one. You would never see the smart one again. The dumb ones would be found next to the carcass. My point is, if you are in anyway contemplating reuniting with Desiree, remember this story. [This moves nicely! What is that cool noise right at the very beginning?]
Classic Reg! Fantastic voice; the pain of love.
More bullhorn!
Dynamic collaboration!
Just wait until Pepé Le Pew gets a load of her!!
Excellent job guys! This is great fun!
Beautiful tunes and video! Well done!
I hope your back is back to excellent backness. Strong work!
Love the keys and clouds!