Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Shout out to Tom Waits, one of my favs. Rumor has it, he has had a similar problem with his piano.
I didnt think I would make it signing this way to the end of the song, lol.
Throat lozenge anyone??
Last of the archives for now. A set of reels from the Last Nights Fun album. I did pipes, whistle and guitar on the last tune in the set. There's a live version of this up here too. This is the studio cut
This is a recording of Norm and me playing together a few months ago. I didnt have any percussion instruments so Norm was on a Roland electric trap set and I had a cello. I looped some of the stuff we did that night, and retrofitted the rest…
Norm played the percussion first, which is a Bembe pattern; I couldnt help playing a melody and creating lyrics for this perc track. Thanks for the listen, Enjoy!
this was originally a song about breaking through paradigms but turned into a song about a girl.
Keys and string samples from Korg, MIDI with the old Ensoniq,
one diving board.
Thanks for the listen ,enjoy... RW
A collab with Tod Wolfe and Ken Davidsen - Awesome dudes!
Tod - Drums
Ken - Crunchy guitar, effects and solos
Me - Vocals, plunky/strummy uke parts and bass
Gene sent me over this beaut of a funky backer of the song by Tower of Power a real tounge tister i'm guilty of the vocals Gene did the good bit Thanks Gene
Gene sent me over this beaut of a funky backer of the song by Tower of Power a real tounge tister i'm guilty of the vocals Gene did the good bit Thanks Gene
When we were kids, my brother used to wake me up before dawn and we would schlep across this field and wait for the unobstructed sunrise. At that time, it seemed like the coolest thing ever!
I have officially stopped with CD 's and now have decided to mail zip drives. I tried mailing these in a regular envelope. (FAIL lol)
One guy got postage due of $2.51 and the other, the envelope was destroyed with no zip at all. For my brother…
Another recent song somehow not posted to AT (?) cleaning house this weekend.
Had the privilege of playing around with a cello in the house.
Dont know how to play the damn thing but too fun not adding it in the mix
Comments on Norm's stuff
My western ear loves this!!
How can you have any slicy basses if you don't eat your vaisvil?
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
I do like the gutsy bass in there, great percussion keeps us on our toes.
i can dig brother man ∆∆Libra∆∆
This is badass, guys. I have to keep coming back to it!
SUPERB!!!!! w;-)
Very cool groove! Nice work!
Felt real good. Nice job fellas. :) very interesting. Coll bass riffin' too.
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Love the description. Very educational as well as entertaining. :) U2 make a good team.
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
This is great top beat dig it.
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
sublime beats and awesome groove what more can anyone ask for?
Enharmonic what? :) This is where it's at, guys! I'm diggin' it to China. Very cool!
Very nice drum and bass/guitar work. Love the complexity and the groove!
y u m m y ! la llave es la clave, si!
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.
Comments made by Norm
Great! I wish that it went on much longer. I thought that you were lulling me into a perfect wave and were then going to hit me with a Tsunami.
I hate it. Wait! No, I love it.
HOLY SHIT!!! Maybe you and I should have a small fight out on the lawn...
I hope you get fat.
Oh Tess...
Hmmm, Walker. Who on Earth would ever put such dangerous music into the hands of such an impressionable youg man?
Too much fun!
Long live the trilogy!!
Worked!
Ha! I haven't had to listen to this one in over 2 years. Progress! An epic recording. Very important to me.
So GREAT to hear from you again.
Great lullaby. Please play me just one more. Whaaa? Where did Launched come from? I had given up hope!
BUMP CITY!
One of the coolest songs ever.
I am grateful for those memories...
ZZLOVEIT!
One of the best technical songs ever. Now, regarding the Hurdy Gurdy... Well done my bold brother. And Merry Christmas.
Typical USPS. Congrats on the new throne! I can't wait to steal it.
Damn that Desirea. She does that to everyone...
Didn't you have a graphic of the original lyrics for this? :) Great remix.