As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
@Jarvis:
I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
in a cool darkened lounge
floors above the cityscape
quiet laughter, clink of ice in glass
D min looks into the eyes of G min
a quiet romance begins
sometimes the best things in life are quite simple
(lots of rough sound on this,, not sure…
A song about meeting up with each other this year for some music and booze next week.
Lyrics-
i need some space
i need some time
just to rehearse
for the viking dance
what should i wear
what should i bring
what will we sing…
Full picture of the guitarron body - it sounded great - nicely deep.
The guitarron is fretless with a very short neck which reminds me of a giant Oud - the wikipedia article will give you an idea of just how huge this thing really is…
Rock from Atacama desert!
Music & lyrics: Diego Cardenas (Somno Project)
Diego Cardenas: Vocals, Keyboards, Guitars
Pedro Guzman: Vocals
Carmen Paz Nuñez: Bass
John Wooten: Drums
I love this tune, it's a little bitter but still love it :)
i wrote it a couple of years ago, gladly it's here now, i really hope you like it.
Instrumental
Music: Diego Cardenas (somno project)
Diego Cardenas: Guitars, Keyboards
Steffen Offermann…
El vuelo del condor, (the flight of the condor) It's a song i wrote when i was living at Patagonia, i could pass hours watching them flying.
Music: Diego Cardenas (somno project)
Featuring Norm Harris on Percussion!
i hope you like it...
I plugged my Fender Mustang directly into the Zoom H2 and monitored with head phones while sitting on my bed and played around. This is a compressed version of one of the things I did. I've been pretty sick the past few days but I needed to…
From an old song of mine.
Wanted it raw so stuck with the One Guitar one voice thing.
All in all a Two track production (Excluding the drum track.)...
Edit----
Now added to by bourne
This is a recording of Norm and me playing together a few months ago. I didnt have any percussion instruments so Norm was on a Roland electric trap set and I had a cello. I looped some of the stuff we did that night, and retrofitted the rest…
Good dog. Bad Dog. It's all the same. Poor Daisy. Sometimes when the opportunity presents itself, you just have to run far away, through out the night.
Great vox on this one and the change of perspective -from the narrator's to Daisy's- is very clever. But the double entendre that this piece drips with is the part I like the very best.
These are facinating! More information, please? Origin? History? Translation? Production details? What is that predominant percussion sound? Almost sounds like a bellows...
Well, this may be the final tweaking of this nice little sing along song...
I sent this fun little sing along off to Jim of MTC fame, and once again he has outdone himself... And I can't thank him and his wife (who appears covertly) enough…
This is what happens when I come back to a track that started being put together in a commercial radio station production studio back in about '92/'93 (post liquid-lunch "creative" time). The rhythm loops were layered then the crunch guitar (courtesy…
This is a musical setting of Bruce Andrew’s poem “jjj†from his book “Moebius†thanks to PennSound archive.
To create the music I hijacked Norm Harris’ Y Class Steam Locomotive Bell sample and his percussion piece Ilesa and added…
The contrast of this aging "summer boy" and his outdoors-loving daughter who is more than happy to run out into the cold.
Late December
Late December
The nights get so long
Turning embers
In the dark before dawn
Late December
For…
Comments on Norm's stuff
Another early prezzie to myself........
it won't be long I'm getting in early to the good stuff.........
grooovin :)
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
Sebs a bit out of sorts today but this seemed to calm him down nicely.....thanks
Ah, my comment got wiped out! It was along the lines of "Cool" and "Awesome!" Like the photo too!
Still puttin' out the mighty beats I see!! Love it, bro!
excellent
ah, the Ambrosian chant. I see why you named it for him now, I think.
Re: The glass dust .... That is because you Are naughty Norm! Bee :)
Oh Norm, Ha ha! I do love you!
nice beat i loved it
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Norm, that was Fantastic!!
I like the goove here bro! The lyrics help bring out the count I'm Percussion illiterate
Good jammin harp and guitar. Now let's hear that 23 edo version :)
I let my heart to trouble me 'cause of this groove My heart is in worry 'cause I'm from this world So~ ^_^
@Shirt: Ha! Well, probably not all of them.
I bet all those 'Mishna', 'Gmarah' Rabbi's are enjoying your grooves. Very subtle and moving...like it!
@Jarvis: I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Comments made by Norm
Excellent!
Have a great time. Have a G&T for me!
Sounds like a mariachi band has recently been through your Guitar Center...
Awesome! I'd love to see you guys perform in the desert sometime... a perfect back-drop for this sort of music and hunting for allicantos.
Ahh. This evolves nicely. I love the cello action. Totally pro.
Great space you have created here! Just right for a high soaring Condor. You did a beautiful job with this -superb mixing. I love it! Many thanks!
I still love this one...
I can hear you recovering!
Menacing!
Very effective! Nice guitar work and drum work here.
Excellent. I think you nailed it with this one: one guitar, one voice works very well here.
Good dog. Bad Dog. It's all the same. Poor Daisy. Sometimes when the opportunity presents itself, you just have to run far away, through out the night. Great vox on this one and the change of perspective -from the narrator's to Daisy's- is very clever. But the double entendre that this piece drips with is the part I like the very best.
These are facinating! More information, please? Origin? History? Translation? Production details? What is that predominant percussion sound? Almost sounds like a bellows...
Go team go! I'm singing it with you!
Excellent work here. Meritous of many more listens IMHO.
Great percussion!
Very enjoyable. Thanks!
Sounds great nearly 20 years later!
So how does the harmonic series filter work? Does it just allow one to hear the lowest A, E and next to the lowest B? Wild stuff!
She's going to treasure this someday...