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TRACK 8-Revenge---Sanity now a faint memory, he can no longer make the distinction between right and wrong. The only way to stop the chaos that now consumes his mind is vengeance!
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TRACK 7-Sudden Death---(instrumental) The sound of the utter chaos that can no longer be filtered from his thought process.
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TRACK 6-Ferocity in man---- His realization that society is filled with contradictions. Emotionally conflicted by rage, apprehension, narcissism and despair. People in general now are seen as parasites that need to be eliminated.
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TRACK 4-Shivers---- His young mind now haunted by these atrocities. The effects of mans inhumanity to man on his psyche creates further disillusionment with reality.
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TRACK 3-Human dilemma--- He now knows the cold hard truth, that the outside world is often cruel and narcissistic. That society would rather follow a superficial pop-culture mentality instead of protecting the innocent or seeking individual enlightenment…
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This was the first track i demo'd for this year's RPM but i just got round to tidying it up and adding the third verse. A bit of a feel good record!
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TRACK 2-Jesus Seed----Robbed of his innocence by a pedophilic priest (which becomes the singular cause of the fractures now developing in his mind) separates him from a future and from happiness.
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TRACK 1-Dueling realities----To protect what once was his true identity, the conscience has split the personality. Leaving him disorientated, powerless, isolated and paranoid.
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From the Love Light Shine Project.
Ross Reitzammer:flute
Kavin:guitar
Dennis Coble:bass
Mick Fleetwood drum loops
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"bouncing pianos" - energetic piano/bass/drums tune
Notes:
This tune was totally brought to you by technology.
The variant in the piano chords came from quantizing some sloppy timing that led to some happy accidents.
The main piano line came…
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“my jetpack” a floaty, atmospheric type piece.
Notes:
I’m not thrilled with the strings (the part that only shows up once in the piece). I need to blend them more. They’re too abrupt.
I think the “percussion” may get too loud towards the end…
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One of my favorite and most interesting songs I've ever written. The last have of the song is exclusively synths, and one of the first times that I did not write it on guitar.
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Track 12 from "They Are Killers" ... originally to be #11, but I decided this was a better one to go out on.
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Track 11... I have to stop writing parts that I can't cleanly play.
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Dang, everyone except Rob (and Laura) (and me) liked the previous version! (Cupid's Own Knife)
Only i did this with the lyrics so maybe one can be a bonus track ...
aargghh ... why didn't i write a *different* song?
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A Halloween collab we did last fall that I thought was pretty cool. Designed to scare old ladies and make babies cry :) I love the way the song peters off in the end.
All tracks recorded with the Boss Micro BR, mixed with Audacity and mastered…
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Written and Recorded: Feb 24-25, 2010
Details: Lap Steel (FCFFCF), Epiphone Les Paul (FBbEbAbCF), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.
Just never got this one sounding like I envisioned it…
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Trying the distorted/clean guitar pairing... track 10 from "They Are Killers"
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Lyrics @ http://wave.transmit-music.com/softlikeyou.html
Wave 2010 (RPM)
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lullaby featuring piano (but of course!)
Notes:
Today I learned how to add an insert effect to the master channel. The song was way quiet so it got boosted via a limiter. Hurray.
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