a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums! and a few effects just for the thrill Contributors: Din who composed the drum track despite incredible odds against that ever occurring since…

My girlfriend was born in the Middle East, that's why I've come to listen a lot to Arab, Persian, Turkish, and Tuareg music. I improvised this song within a few early morning hours after coming home from a concert by the incredible Tuareg rock…

2 x Mustang, 1 x Vox, Mood MKii

Written with thoughts for Nodar Kumaritashvili who died at the 2010 Olympics. It was a one in a million chance...

We play even number of games of backgammon and sometimes it ends in a...

This is a musical setting of Bruce Andrew’s poem “jjj” from his book “Moebius” thanks to PennSound archive. To create the music I hijacked Norm Harris’ Y Class Steam Locomotive Bell sample and his percussion piece Ilesa and added…

from the album the Vulnerary Songs hard to not crawl up under a pile of rocks and die scrapping by on next to nothing swallow my pride protect and survive magazine it’s not loaded hope I get out alive all I seek what I got coming nobody has…

see the video

Ad libitum live recording.

Check out the quasi-reggae breakdown right in the middle. The chorus is in 7/8 with the exception of the last measure, which is 8/8. Mike does the backup vox.

“It’s My Life” was written and recorded on February 24-25, for the 2024 RPM Challenge. "It's My Life" written by W. Ng.

Lyrics by angie fights crime

I heard Fort Bigwater by Wildgeas Music this afternoon and it struck a chord and some lyrics came to mind...so here they are...Thanks Wildgeas for letting play.........

This is fresh out of the oven and not perfectly shaped but I wanted to share it straight away.

There's a lot going on here, in the middle section I used what's known as a Shepard Risset Tone. This is a sound that appears to constantly rise in pitch. If you were to loop the sound, it would never stop rising! I don't understand the match…

This is a composition from July's '96, and it could be said that it belongs to a period in which i was listening to, and composing, in a kind of 'baroque' style, very influenced by J. S. Bach. I hope you like and/or enjoy it.