alonetone radio: Popular
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took it down to make a few changes. here it is all done now. Verses added and all tweaks done, recorded using ableton and the guitar is tuned to double dropped D
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hey mister rosary beads you were right i did write an indie ballad about her! only at the time i'd been listening to very/too much leonard cohen and this bleak piece of miserable shit came out but it has a singalong chorus!!!!!!!
and i played…
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I like the way this turned out. Psychedelic rock type of deal, at least that's what I was aiming for.
The drums at the end have a bit of a rhythm problem, I know. I messed something up with my metronome (my studio is my bedroom, very low-grade…
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Went through seven revisions; the last two were both complete overhauls. This grew out of a theory assignment from fall 07 and was finished in August 09, making it the piece I worked on most from the album.
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A redux of one of the first pieces I ever made. The bassline is close to a bass loop that came with Fruity Loops v2.7. Everything has at least a bit of distortion on it.
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Composed in two chunks in August 07 and October 08. This was part of my senior recital at Oberlin in April 2009.
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Grew out of Unity; uses the same two main synths. Kept on going and going.
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January 08, all at once, to prepare for a concert I gave at Olin College.
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Composed all in one sitting at about 4am in January 08 when I was feeling particularly horrible about a breakup. This one has a video I filmed (mostly on the campus of George Mason University in Fairfax, VA) while walking a few miles at night…
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Grew out of Love Me; uses the same synth patches and f/x for the most part. It's mastered through the Blood Overdrive plug-in in FL Studio.
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A music theory assignment on collections and modal changes.
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Uses the synth and delay path from Magnanimous.
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This is brand spankin' new. Now, I forget to bring my audio-interface to practice with me last night, so we just set up a room mic. It's a seriously dirty dirty mix. But, I think it's the heaviest song we've written so far, and I can't wait to…
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Musical Grappa: the waste and dregs left from the production of vino, scraped up, fermented, put in a pretty bottle and given a new, shiny label and name.
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About my distaste for all the war mongers trying to rule the world.
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Noodling around on my guitar one day, I started thinking about the role of my mother in my musical life. To the family, she brought music. She tried the piano lessons, didn't work. But she didn't give up. When school presented the opportunity…
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Just a simple loop, something I made a few years ago that I never quite finished.
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A nice little orchestrated piece I composed. Taken from the unreleased album, "The Eargasmic Orchestra".
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First recording of a new idea... hopefully it will grow into something more. I just stuck the mic in the air and started going - so, sorry the sound quality is sub par.
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old recording done in London band I used to drum for.
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As much as I love this song, I'm not sure if the style of music suits my voice. Feedback very welcome! Sorry for the poor quality, funds have prevented me from buying any proper recording equipment for now.
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Once again, another outtake from my album, "27b/6". At the time when I was working on the album, I was unsatisfied with this track... so I left it off the album. Now, however, I actually kinda like it...
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music and lyric by Bryan Baker. Guitars, electric piano, bass, percussion, drums, vocals by Bryan Baker.
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music by Bryan Baker & Joe Maki. Piano, guitars, bass, percussion, vocals by Bryan Baker.
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music by Bryan Baker & Joe Maki. Electric piano, guitars, bass, percussion, vocals by Bryan Baker.
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music and lyric by Bryan Baker. Guitars, piano, bass, Farfisa organ, drums, vocals by Bryan Baker.
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music and lyric by Bryan Baker. Guitars, bass, drums, vocals by Bryan Baker.
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music and lyric by Bryan Baker. Guitars, piano, bass, vocals by Bryan Baker.
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music and lyric by Bryan Baker. Piano, guitars, bass, drums, vocals by Bryan Baker.
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music and lyric by Bryan Baker. Guitars, bass, piano, drums, vocals by Bryan Baker.
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music by Bryan Baker. Guitars, bass, synthesizer by Bryan Baker. Percussion loops by Chris Phinney via the Tapegerm Collective @ tapegerm.com.
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music by Bryan Baker & Wayne Baker. Piano, guitars, bass, drums, vocals by Bryan Baker.
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music by Bryan Baker & Joe Maki. Rhythm guitar, electric piano, synth strings, percussion, drums, vocals by Bryan Baker. Lead guitars, bass by Joe Maki.
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This is an alternate version of my song, "All The Same". I've uploaded the original version awhile ago. You can listen to that one too, if you want.
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North Shore of Oahu, spectacular views, open space and starry nights
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My composition and Jack's (johnson) on my new custom Gwaltney acoustic www.gwaltneyguitars.com to highlight the bass response!
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Decided to finally upload this, warts and all.
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Jamming with myself on a rainy day. Never know what's going to happen with these ones. One take each track, when it's all over, hit save.
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This song gives name to my music project. It stands for Inner Myths.
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Rough, some mistakes, just a quick demo of a new song featuring 2 guitar tracks, a click track, and nothing else. Still cool though, I think.
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Don't take it personally if you don't enjoy this song. This is a lot of experimental stuff. It's rough at times, but give it a chance!
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Session with the fuzz machine (http://bit.ly/4UeKtw) in self oszillating mode and a yamaha dd-100 delay.
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This one speaks for itself ... just a wish for a simple life ... in peace
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first session with new roland sp-555 and korg kaoss pad 3
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Song I wrote about 12 years ago. It took a death in the family to get it recorded and give it new life. All instrumentation, vocals and editing performed by me.
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Kristina Murashov singing in Russian Vifleyemskaya Zvezda (Christmas Song).
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A Guitar track about a Bay in Crete that I Spent a lot of time at During My Honeymoon.....
Just used to sit back and watch the waves...
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Jonathan Thomas looks at Esther 5-7 and opens up the doctrine of Providence.
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This is the advet which was recently banned by the Advertising Standard's Authority after complaints it reinforced negative racial stereotypes. What do you reckon?
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This is my first recording with my new stratocaster.
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Part two of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!
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Part three of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!
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Part eight of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!
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Part nine of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!
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An experiment in augmentation. Turns out when you spend a few hours on a recording project, and then not like the direction that it is taking, it becomes interesting what you can do to change it and grow into something different.
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The name has no meaning. Not sure if the song does either. Other than creating a running rhythm for someone else's enjoyment. There is really not any type of hook in the song either, so if you are listening for that, well, don't try.
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A short trip into the world of darkness and noise.
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This vacuous stint has no message to give, nor does it have a story. It is merely here to entertain you.
But it is good to know that all of that hard work has finally paid off.
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Yet another single take song, where the record button was hit and things happened. As you can probably tell, this song has extremely high commercial potential. Note: listen for the key change in the coda.
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The title also denotes the key. But not only that, but all instruments are playing the note, D, and nothing else. Yet another experiment without a conclusion.
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Eerie dub inspired by Terminator, enjoy this hybrid ride between Dubstep and Breaks!
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Dubstep + Shirley Manson's sultry vocals, yes please!
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