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this song is unusually long for us..we didn't want to cut any of it though. It is an adventurous title..inspired by true life dreams..kickin her leg in her sleep like an electro-shock patient..there is some shadowy sampling..maybe a few recognizable…
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Fly Ladys 'Crushin' (feat Pozessed)
Produced By Bradley Logan
Lyrics By Bradley Logan
Lyrics By Corey Larson
Recorded March 27th 2010
Mixed And Mastered At Belowzero Studios
copyright 2010
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upon the ground
The two of them were seated, holding hand in hand,
Other couples passed and smiled, they had their futures planned
Differences forgotten, their love could conquer all
The life they’d live would shine a light, they knew they…
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This is my acoustic version of How Many Licks by Lil Kim.
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Somewhat of an older track of mine, and maybe the first thing I did where I really thought I was onto something good.
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I might go back and do an expanded version of this someday. Despite the title, I think it works nicely as an ambient piece.
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Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.
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Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.
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Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.
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Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.
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I was pretty much trying to be The Field with this one.
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Jesus looks at why the Jews and Pilate rejected Jesus as King
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burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…
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All sounds on this were originally played on a cheap battery operated keyboard.
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I was thinking about unlikely superpowers one day for some reason, and just came up with this weird little story that I then decided to set to music. One Kilometer Per Year was almost this album's title.
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More ambient music based around my cheap battery operated keyboard. I was trying for the sort of song that might turn up in an enchanted forest in an 8-bit RPG.
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The good ol' battery operated keyboard again, this time with some whistling.
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This song is mainly toy accordion, so I couldn't resist the pun.
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I personally wasn't that happy with how this turned out, but to me when it comes to RPM albums there should be no such thing as outtakes.
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This is supposed to be sort of annoying, I swear.
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If you've ever played the pretty good but questionably translated X-Men arcade game, you should recognize this title.
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Like "Neon Orange Dinosaur" this is a track that I think would make a pretty good hip-hop beat.
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A pretty little ambient loop I might go back and expand into something else someday.
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One of a few songs on the album where the percussion is a loop of myself hitting my computer desk with my hands. I think I got a nice hypnotic vibe going with this one.
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One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.
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I'll admit I completely ripped off the rhythm of "Closer" by NIN here.
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HE'S RIGHT BEHIND YOU. We thought this instrumental was just dying to be in a horror flick. The producers went with DMX instead. Really? up in here?
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dont worry..its not your speakers..its the ultra intense vocals in this hot song.
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after a short intro this instrumental takes off on a cross country jog to get to the other side
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A piece written for Silesian Rostrum of Composers.
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A piece written to commemorate second anniversary of passing away pope John Paul II - Karol Wojtyla.
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"'Deixo' is is verb used in classical Greek to connote both a logical proof and a stylish display of oratory in the presentation of that proof. In our years of working together, Jessica has often requested for a viola sonata, and as I settled…
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Another live improv.
Listen as I start out with a semi-interesting left hand pattern that I totally can’t maintain independently and end up resorting to patterns I already know.
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pure draft, but I don't have time to re-record it
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I came up with lyrics for the backing track that ended up as Reset Your Head Again, but since I had grown to dislike that backingtrack I decided to just play the song with guitar and voice.
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There's several things I tried out that worked really well here; the popcorn-synthsound from the Dark Energy, the speeding up at the end, the minimalistic hiphopbeat. The lyrics are a bit too bla-di-bla for my taste but whatever...
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I wanted to end this years record with a tune I could easily fall asleep to and I asked Peter Dematté to play sax over two alternating guitarchords I recorded. I really love what he came up with and have tried to built it into a stressfree track…
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by coheed n cambria .. got inspired my friend erinmarie .. www.alonetone.com/erinmarie
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Le grand conundrum. How do you simultaneously improv a melody in your right hand while trying to teach your left hand a new harmonic pattern that it doth not know?
I look at people like Gabriela Montero and wonder how on earth did they ever get…
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Verse 1
Dozing in and out of consciousness
the blade falls from her hand.
Her clock will cease to tick,
then everything will be fine.
Chorus 1
It’s all good now, it’s all fine.
It’s all good now, it’s okay.
Fade
Verse 2
Every sound becomes…
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I continue to struggle with hand independence. I tried to teach myself the left hand pattern that starts the song, so that I could riff against it. But no. Just couldn’t get it. So I decided to switch to block chords for the actual melody improvisation…
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A change up for me in that there’s no damper pedal on this one.
Have I mentioned how bloody difficult it is to operate a damper pedal whilst sitting on a balance ball? Don’t try this at home folks!
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Another live improv. All black keys. Gotta love ‘em.
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One movement from the project done with Zofia Dowgiallo. She did most of the job - played (improvised) music. I had only provided the computer part of the project. :-)
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Just something written while I was bored. I tend to do this alot when I am bored. I should probably get rid of that minute of silence at the end...sorry about that.
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This is my venture into the rap scene. I like the music, but never liked most of the lyrics for alot of rap.
If someone would like to they could send me a sample with their own lyrics for this particular beat and we could have a small collab…
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Jonathan Thomas looks at Jesus' fifth cry from the cross 'I am thirsty'.
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its the way..keep the load light..your step has got a sway..
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Publicado sin animo de lucro y como documento historico. www.carranga.org
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First movement of "Movement" for orchestra and tape - my MA final work. The piece hasn't premiered yet, so only this part is available (tape solo).
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this is a differnetly balanced v of the hway song
not very interesting huh
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yelyah - "solo piano 20100402"
60% deliberate + 40% improv = 100% imperfect playing
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What's strange to me is that sometimes when I play back these live improvs, I hear a lot more mistakes than I remember actually making.
And it's quite possible that it's not in my head.
I already noticed that my digital piano treats really quiet…
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I never did get the backwards piano crescendo quite how I wanted it. I guess it would be one big argument for working with it as an audio file, rather than an NNXT set to play a sample backwards.
Also, the timing at the end feels screwy. My guess…
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i have one of these in my kitchen..its a big flat plastic fork..with 'muffin splitter' embossed in metallic gold on the glossy white handle..its also a coiny name fer a buttflossin brief..and a very original instrumental..
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yeah thatll totally become the right beat if you just keep playing it..
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celebrity molded and silkscreened popsicle memorabilia
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a duel between a sloppy guitarist and a precision drum emulator.
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tinklestrings are..simple..bright..beautiful..deep at depths..light at heart..tinklestrings tickle tinkle..like the palate cleanser of any alt-rock album..tinklestrings..
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this instrumental features a guest cellphone player..im not talking about an ericson no, im talkin one of those half g rainbow bricks they pimp software fo'
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no story behind this...just experimented and this song appeared...
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My second attempt at writing a piece for solo piano. Quite obviously the inspiration were Philip Glass Steve Reich and Terry Riley.
I hope you like it.
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read 'a creature in pain' in the middle of a sentence and ideas started flowing through my veins...i am probably the 'creature'...this song has more layers than i've felt comfortable using before...but it just flowed for me...as usual i put all…
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A delusional "wife" calls to get advice from Dr. Laura. Another illustration of how an ignorant spouse cannot make a marriage work because of stubbornness and immaturity.
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She has been singing Mai Chi Ni Ni Ni Ni for years, to distinguish herself from her mentor. She busted out the old version with the "Ti" in Costa this winter.
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Great one for getting la Purga going. This one is more upbeat and less twilight-zoney than usual.
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Traditional Peruvian waltz by Cesar Miro.
Letra original
Todos vuelven a la tierra en que nacieron,
al embrujo incomparable de su sol,
todos vuelven al rincón donde vivieron,
donde acaso floreció más de un amor.
Bajo el árbol solitario…
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KNEE MAIL IS A GREAT INSPERATIONAL AND UPLIFTING CHRISTIAN ROCK TUNE. THIS POTENTIAL HIT SONG WON A GOLD AUDDY AWARD AT uPLAYA.COM. IT ALSO HAS A 5 STAR RATING AY www.christiansongwriting.com.
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FAST LANE GIVES YOU A TOUCH OF THE BEATLES. IT TAKES TO BACK TO THE 60'S BUT WITH TODAY'S ROCK!
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first time to mix music!
try to put different type of music together, as much as language as possible.
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An audio collage sound project for EMAC, Electronic Media and Culture, specifically for guest professor and soundmaestro Erik Spangler.
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