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I would like to thank my long time friend Burnell Yow! for his fine flute playing from one of his Native American flutes.Check out www.ravenswingstudio.com.
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Jungle asian..maybe latin touch..thai?
Jungle dreams?
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Featuring the great guitar playing of Mr Rob Tate
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An adaptation of a traditional, with words by Robert Burns.
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Live on the spot collaboration @ Downhouse Lounge (02/19/2012)
Gian-Carla Tisera - vocals www.giancarlatisera.com
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a young space whale is looking for its mother....its swimming in the vicinity of the moon Europa...it calls for her..and calls..and calls...the mother hears the call and answers back...they rendezvous at Europa
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This song is about the RPM Challenge; having 28 days (yes, I cheated, this year we get 29) to write and record a 10 song album. The illustrious Ghost Tea (http://soundcloud.com/ghosttea) added some rhymes to make it extra special!
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General party rock anthem, with some golden era rock influences. experimenting with distorted synths instead of distorted guitars.
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Times might be tough but you're not a quitter!!!
Written and performed by me, John Eimen.
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Featuring Norm Harris on Percussion
http://alonetone.com/norm
Norm is playing his piece:
"Groove For All Hallows"
http://alonetone.com/norm/tracks/groove-for-all-hallows
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rpm 2012 #4
in the rush to complete 35 minutes of music by midnight tomorrow, delirium sets in
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What I got to do to make you love me?
What I got to do to make you care?
What do I do when lightning strikes me?
And I wake to find that you're not there?
What I got to do to make you want me?
What I got to do to be heard?
What do I say when…
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K.G. made gold with this one. words are oh so good. J.H. broke away from his bass and added a very nice banjo part. i did a little clapton bending . i think this is a magical moment for our band. we all came together at the end and did it! i hope…
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this was one of our first takes of the month. still in search of a mix at this point in the month. my personal low point because i forgot my lyric notes and really cut my words short and didnt sing or deliver well. i highly believe in moving on…
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i tell K.G. that this one is like the allman brothers and bruce springsteen doing a tune together. another kick ass K.G. tune. we played this thing alot and nailed this take live!
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releasing my inner ozzy and tony iommi. had lots of fun with this one. started as a little middle of jam practice thing at the end of january. boy it took off. the whole band live on this one! this song is dedicated to Moschell, who motivated…
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K.G. had a moody theme going on some of his tunes this year. love his words. this song is very easy on my ears. hope you agree.
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words by The Goods,E.G. & K.G. . music by me M.F. . our preferred rpm track . this song is about a coward and what he has coming, based on an assault of one of our loved ones. you can hear the anger. that is cool!
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this is our drummers(P.L.M) debut song with us and what a cool rocker it is. it was inspired by another musician that moved away and changed his name. i got to add a queens of the stone age/radio head type lead guitar part. what a treat!
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this song is about my inner voice letting me down. i think i shorted it a verse or two. kinda hamming it up on vocals. a bit rag tag, but fun.
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K.G. wanted to write a "good times" song and i think he hit this one out of the park. here in indy the highway does a big loop around the city. add some fun and music and that equals a rockin' good time.
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This started out as an idea for a Big Freedia remix, and I did still make it into one afterwards. All of those crazy fills were edited together via ACID Pro, and other than the rhythm track the instrumentation consists of a distorted harmonica…
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I wanted to rap over this, but got stuck when writing lyrics - I have vague plans to make an album or EP consisting of old instrumentals with new rhymes over them, so maybe the rap version will be ready for that.
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One of a few tracks where I made use of a toy plastic guitar neck that emits a laser which you "strum" to play chords... So in all seriousness, I can say that I played air guitar on this album.
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I was sorta trying to write a Mclusky song here - I wasn't exactly successful, but it was fun to try. All of the lyrics are sentences from the 37th page of different books I had lying around: See if you recognize anything from your favorite novel…
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A harmonica improv, slowed down, played backwards and multi-tracked - I was thinking of something like My Bloody Valentine's "Touched". This and the next three song titles are all anagrams for the same phrase, but I'm going to be mysterious and…
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While adding effects to a song, I accidentally put distortion on a leftover silent recording. I kind of liked the hum that resulted and made the rhythm track out of that.
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A couple of the stranger sections of this song resulted from accidentally pasting multiple parts to the wrong tracks (and thus giving them entirely different effects than intended). I often try to embrace "mistakes" as just weird new directions…
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I came up with "Robot Pizza Militia" because I just wanted a title with the initials RPM, but oddly it did end up fitting the song.
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I always like making these short little mood pieces. The instrumentation consisted of a beer bottle and a little bit of good ol' Powersockey, the cheap battery operated keyboard.
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The backing track is mainly the "Chanticleer Hegemony" beat in reverse at a slower tempo and pitch-shifted samples of my earlier track "Harm". The lyrics are taken verbatim from a note that once landed in my driveway one windy day. The ending…
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I sometimes use a random phrase generator to get song ideas. This time I got "fellow ghost".
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This is the first track from Sarah Brown's self-titled EP.
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This is the second track from Sarah Brown's self-titled EP.
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This is the third track from Sarah Brown's self-titled EP. For the full version, please visit the online store at www.sarahbrownweb.com.
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This is the fourth track from Sarah Brown's self-titled EP. For the full version please visit the online store at www.sarahbrownweb.com
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
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i'll take bizarre transitions for $500 alex
this musical faux pas is best executed when doing an all nighter to finish RPM
what is mood whiplash alex
rpm 2012 #5
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Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
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This one's about friend who was a heroin addict - and a camping trip. That's my memory of it. Written in 1999.
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Not sure if can call myself young now, but I could when I wrote this!
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This one is about new years eve 1998/1999, which was spend at a hippie festival called "confest".
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A love song - not much else to say about this one.
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Sort of depressing this one, it's written about my best friends (former) girlfriend who sadly took her own life in 1999.
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Words by Brent Kinder, Music by Jana Persson
Additional musicians:
Janne Hedlund - drums
Hank Johnzon - banjo
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Words and Music by Jana Persson
Additional musicians:
Janne Hedlund - drums
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Words and Music by Jana Persson
Additional musicians:
Janne Hedlund - drums
Hank Johnzon - banjo, gut string guitar
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Words by Will Gough, Music by Jana Persson
Additional musicians:
Janne Hedlund - drums
Hank Johnzon - pedal steel guitar, electric guitar
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Words and Music by Jana Persson
Additional musicians:
Janne Hedlund - drums
Johan Dereborn - bass guitar
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Words by Brent Kinder, Music By Jana Persson
Additional musicians:
Janne Hedlund - drums
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Words by Will Gough and Jana Persson, Music by Jana Persson
Additional musicians:
Janne Hedlund - drums
Hank Johnzon - guitar solo
Johan Dereborn - bass guitar
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Words by Will Gough, Music by Jana Persson
Additional Musicians:
Janne Hedlund - drums
Hank Johnzon - pedal steel guitar
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Words by Brent Kinder and Jana Persson, Music by Jana Persson
Additional musicians:
Janne Hedlund - drums, backing vocals
Hank Johnzon - lap steel, additional electric guitar
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Words and Music by Jana Persson
Additional musicians:
Janne Hedlund - drums
Hank Johnzon - pedal steel guitar
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My last rpm song - based on the police log in a local paper. The writer must have been feeling poetic - more than half of these are word for word and the rest were slightly changed to fit the rhyming scheme.
My incomparable musicians:
Dobro…
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Named by a friend, there is a little island that appears and disappears with the tide. We go there sometimes in the Great Bay in New Hampshire.
Bob Kordas on dobro.
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from my 2009 album, 'Texoskeleton...'
This song says as much as I dare to mention in a tune...
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Tess Savage - composition, synth, strings, voice
Mr Sandbags - beats & reichatron samples
Deep in the night
I remember
Euphoria
(Savage 2012)
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Messing around with a Korg. Part of my outer-space theme - the Apollo program ended with Apollo 17...imagine if they had 51 missions! Also, a subtle link to Area 51.
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We were running out of time during the RPM Challenge 2012, so Tess applied a shedload of effects to Matt's piano motif from "Breaking Arrows".
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A rubbish track by Tess got the Sandbags treatment here - the results only hold shades of the original. And it's just as well.
Includes 91dreamloop.wav by NoiseCollector
Sandbags - composition, production, special effects
Tess - original…
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Based on a trip to Italy while reading Neil Gaiman's Sandman series...my drummer(s) bailed on me at the last minute..so no drums here...boo hoo but maybe in the future
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This is an out take reversed. We liked it.
(Savage & Mower 2012)
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Home-Made Rock n Roll
( t boudreau)
I want to tell ya about my baby
She does a little kitchen dance
She turns up my heat
And grease's down my sheets
And she can rattle my pots n pans
She can start with a slow simmer
And turn it up…
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Onward
(c maiorano)
The message they send us
Conform or be tortured
If it's left up to us
We can only do wrong
But we'll trust in our fortunes
Progress moves onward
Straight ahead
Immortally strong
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Michael and Theodore
(C Maiorano)
Remembering things we did, hell we were just kids
The best was yet to come, thinking back makes me feel numb
Why?
Broken homes made us family, we shared our drink merrily
Dealt with things our own way…
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Just Passin’ Thru
(t boudreau)
Take whatever you want from me (babe)
Take all that you need
I need to lighten my load lately
To a certain degree
Tokens only are slowing me down
There’s a lot of luggage in life
Chatter scattered across…
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Gone To Stay
(C Maiorano)
Here at the crossroads, with no ideas
River of time flows, year after year
We change as the wind blows, storm drawing near
The light of our life glows, then disappears
We wrestle with reason, struggle with fear…
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rpm 2012 #9
so short! if you're rushing a project, I recommend not choosing five part wind ensembles
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High 'n Mighty
(t boudreau)
Well look who made it halfway
I truly must be blessed
I made a few mistakes and caught a couple of breaks I guess
And I always do it my way
I make it up as I go along
I think I earned some slack to take a…
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Frankenstein Sound Lab pays homage to the Shangri-Las. After a fashion.
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rpm 2012 #10
I decided that after that last one I had earned a drone
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Feels like a lifetime ago that I wrote this back in 2002; sometimes it's good to remember .
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I never managed to get this one to work before.
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Just a mellow one to round things off. Thanks for listening.
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Best thing I've ever written. I still have no idea what it means.
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A song about a rather unsavory character. Fathers, lock up your daughters!
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Completed 1 minute to midnight on February 29th 2012. RPM, we are win!
Sandbags took some of Savage's homemade stems and grew this in the closing hours of the RPM Challenge.
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Another strictly me-and-an-acoustic track. Mostly about a kind-of-unstable girl I knew way back before I knew better.
Now I know better! Good closer.
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each time I’d look at you
I was looking for a breakthrough
some emptied sigh, some reasons why
everything I’d left behind
reckless provisions for some blooming vine
followed me, in the back of my mind
forgive me, mother for the lamb…
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Don't refrain
Have no regrets
You've made your choice
On how it ends
And this is what you want to say
time to explain away to friends
Our time is up
For what we have
For what we do
It’s blind to blind
We’ll have to bear
Our testimony has to withstand…
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It's over baby it's over
It's too late to explain
Before we Blow up again
Oh we thought that We were so much better
than those People with their Problems
why Couldn't they just Solve them
So why Are we the Ones that get those stares…
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Step away step away
Don't you dare
That's your pedestal
Don't you care about falling from grace?
When we first met
You sent me straight to the top without caring
I didn’t care either I was so proud I'd say with a shout
I'll take you all on
So…
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