Aerosmith / Rolling Stones type rocker.

In remembrance of Paul Hey, a lovable and dedicated alcoholic.

Six light years from home, remembering Earth...

2008. Unfinished but I still like it, hang with it it grows, a bit. deep swelling house.

sort of a work in progress inspired by the music of Juana Molina. Looking for a vocalist to add something. I've got some ideas but not the correct sort of voice.

The first bioelectrophilia track since returning to the US. This song was made with only 2 saki monkey vocalizations. Note the beginning of the song which demonstrates how one vocalization was turned into part of the percussion.

Got into a bit of a mess recently and, well, this is me not doing anything about it (except sitting here and recording this, eh). I really need an acoustic with pickups.

lyrics by my good friend Mike Adams.

This song is not really about anything other than the fact that now I'm finally in the music arena and I'm not going anywhere.

This song is for fans who like fast rapping and tight beats.

This is a segment that's going into my piece "The Interview: When Words Fail". It's created entirely from a one second sample of a nervous swallow followed by a mouth click extracted from an interview. Overtones were manipulated to create the…

latin loop I made for a friend on her birthday

The first song I wrote.

I have had an itinerant life and most of the friends I've made are scattered to the winds. Or rather I am.

This song is romantic and sensual. It is written about the moon and is a love song of my wife and the silver magic of the moon. 12 strings weave their way through flutes and the kind of vocal you could make children with.

This is a kind of Greek tragedy folk tune. It takes the listener on some dark journey of murder, betrayal, and secret plans.

This song is about feeling on the fringe of anything, feeling shunned by people and '' the system''...... Its a song for freaks about freaks, written by a freak. Check out the crazy flute solo towards the end of the song.

This song is emotional and vibe-drenched. Reverse guitars, flutes, dulcimer, harmonium and panpipes make an interesting mix for this song. The vocal could almost make you cry.

You can hear the jack hammer in the back ground. I lived on the first floor, that's up stairs which one day my house mates and I came home to find missing about 4 or 5 key middle steps. The land lord was converting the ground floor into a supermarket…

I've loved this song by SP from the first moment I heard it. Slow descent to darkness. I really need to learn how to record/master tracks properly!

It's a snippet. Perhaps later on I'll finish it.

I love SWR, and enjoyed this song of theirs so much that I did a cover. :)

A further march down the road in acl's evolution - and one of the many directions we've been dying to get to... it's, ummm, water-y. (And this song is especially dedicated to J Wentz.)

A little more acl-style Baroque 'N Roll. (Actually, it's more like Renaissance 'N Roll - but that just not as catchy...)

A year ago the Public Radio Exchange hosted a "Public Radio Talent Quest" inviting 2-minute entries from across the country from folks who wanted to be the next great public radio host. Thousands entered. Three won. I created this commemorative…

trying to do a different beggining, and I like to make a turning point in a song.

Bainsey to the fore. A more backing heavy mix.

The title comes from reading "The Willows in Winter" to my son Maurice, which is the sequel to "The Wind in The Willows" and thinking of Toad and the sort of idyllic natural landscape. While messing around in Logic, I ended up creating a "Drag…

This is the first cover song I've ever really recorded in my 15 years of playing and recording. The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…

si

I recorded this short solo vocal with a minidisc recorder while up in a tree. This is a one-take, one-track recording (with lots of delay added, to be sure). The bird you hear was actually accompanying me at the time. A later, expanded version…

A meditative space for guitar, harp, vibraphone, english horn, french horn, viola, cello, and double bass, from my large work "Mandala of the Four Directions" (2004).

I like endings very much...