alonetone radio: Popular

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Reefwalker's avatar
A million guitars and he wants to play the Cello. :) Live guitar, live cello, last summer's crickets. pardon mistakes... cello; Dylan Harris (10)
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Permanent Tourist's avatar
This song is pretty much how I feel on most days . . . UPDATED AUDIO: 1-21-12 LYRICS: Make waves to amplify the sound Send in the tide Breath aches as the breaker breaks I need a bride Anointed knight bringing the fight to…
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Lalo Oceja's avatar
This is my first attempt of making a piano concerto, this is the first movement.. please excuse all the mistakes
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skiks/bruce hamilton's avatar
full title: "input output smoothnews standstill on frog pond" ImprovFriday (8/27/10) mashup featuring Jeff Fairbanks (US), Jukka-Pekka Kervinen (Finland), Todd Lainhart (US), Steve Moyes (UK), & me w/the psychedelic vocals & bass.
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Mr Sandbags's avatar
Okay this is one for the serious noise freaks only. This is three instances of Loop Shifter that I played in real time using my Novation Launchpad. Turns out the launchpad makes a great keyboard for loop shifter, better than a real keyboard…
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Terrapin's avatar
I wrote this today in a new creative process, writing a poem first, then a lead part and ending with an accompaniment. It's definitely a different sound: I was experimenting. Some of my other influences came through on this one. Also, I paraphrased…
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dougsparling's avatar
Guitars, mandolin, penny whistle: Doug Sparling Composer: Doug Sparling Recorded: 2006 From an out of print, self-released CD I put out in 2006 (titled "The Old Stone Bridge" - not the same one as the Old Stone Bridge tracks I've released…
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Keith Landry's avatar
Another song from the archive... Written about a friend who somehow seemed to come out of her general sad manner... Thoughts go back to a lunar eclipse when the girl I was standing next to to watch it (way back in college) disappeared from sight…
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vaisvil's avatar
Time to upload an oldie from February - see the video Stratocastor copy from a kit with lace pickups x 5 through guitar rig 4 against Norm Harris' Illesa in the Pantry!
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kavin.'s avatar
An improvisation on the resonator, played lap style. Tuning CGCEBE
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Ethan Osborne's avatar
(Bowers, Rainbowtruth) from the LP "Over the Counter and Through the Woods" circa 1997. Barnett: Lead vocal/guitar Osborne: Drums/backing vocal Bowers: Bass/spoken vocal Duff: Guitar One of my favorites. Don't be fooled, the sampled snare…
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vaisvil's avatar
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself. Details are available here: http://chrisvaisvil.com/?p=68 The full quality 230 meg video is available here: http://clones.soonlabel…
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Wildgeas Music's avatar
This is one of my first alonetone collaborations written by Louis Smit. Everyone should go listen to some of his tunes. Louis is a very original and talented folk style acoustic guitarist- singer - songwriter. You can hear him here. http://alonetone…
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kavin.'s avatar
Been carrying this around since 1982, finally recorded it. Composed when we were expecting our first child, hence the anxiety.
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Colin Garvey's avatar
Sometimes a song just turns up out of the blue.
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Norm's avatar
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with. When I first heard…
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sacreduproar888's avatar
If we want to commune with the world the way the Goddess does, we’ve got to be Pantheosexuals . . . We've got to be experts in the art of Polymorphous Perverse Omnidirectional Goddess Diddling. Anything less is a lie, an obscene limitation…
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launched's avatar
I recorded this one to a dimming flashlight on the 25th after a windstorm took out my power. I couldn't see the lyrics anymore so I ad libbed and hummed the rest out. My recording device is battery operated, which is cool. This predicament…
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minus the hat's avatar
White walls, bare wooden floors.
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am/fm dreams's avatar
Album: The End of Happy Endings Year: 2010 (RPM) Written by: Damian Lethbridge
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