What a really unique and different take on the Zelda theme. At first I was skeptical, but after a little bit of listening to it, I grew on it. Very good work guys. Muy Bueno.
Lyrics:
Skip ahead to her in pants,
watch her dance in the living room
in front of all the other dinner guests.
She thumbs her nose at simulacra,
but someone must play Cleopatra
in the PTA's yearly drama fest.
Her husband broke his body…
Random thoughts on your album.
1. For a while I kept reading the title of this album/song as "tunesight" and I thought "that sounds like it might be full of synths and drum machines", and I didn't listen to it for a while, sort of because I was busy but also sort of because of the title, which wasn't actually its title.
2. When I picture you making music I picture you in a room with at least one whole side and maybe part of the ceiling made of window, with sun pouring in, but somehow there isn't glare anywhere and you don't have to wear sunglasses inside, because, seriously. Anyway, my point is that this room is warm, and not because the heater is on. And you pull down a trusty sun-faded uke from the wall and start playing into an invisible microphone connected to an invisible MacBook running Linux. Or maybe BSD. NetBSD. *Invisible* NetBSD.
3. So it's natural, then, that you're in LA. Is it cheating to do a February music challenge in LA?
as to be expected, this album is perfect and beautiful. great sunday brunch backgroud ear candy. this song could not have been a better choice for a closer.
Lyrics:
Skip ahead to her in pants,
watch her dance in the living room
in front of all the other dinner guests.
She thumbs her nose at simulacra,
but someone must play Cleopatra
in the PTA's yearly drama fest.
Her husband broke his body…
Lyrics:
Skip ahead to her in pants,
watch her dance in the living room
in front of all the other dinner guests.
She thumbs her nose at simulacra,
but someone must play Cleopatra
in the PTA's yearly drama fest.
Her husband broke his body…
Final version
An unaccompanied song about bedtime. Not a lullaby though. Oh no!
What does anyone think of the 'cat's moustache' line - it seems like that's a make or break call right there and i like it when i read it but it's hard to sing without…
Another example of your perfect vocal performance for the material. Another gem off this album (well, the whole thing is quite a gem, but that's another story).
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Final version
Guitar, mandolin and voice.
this doesn't fit with my rpm project AT ALL so i may not use it but i like the way it came out. I recorded the music for Bethan Mathis' RPM project but she didn't have time to use it (her album is…
Lyrics:
Skip ahead to her in pants,
watch her dance in the living room
in front of all the other dinner guests.
She thumbs her nose at simulacra,
but someone must play Cleopatra
in the PTA's yearly drama fest.
Her husband broke his body…
Final version
One of my heroes. Willie McTell was blind from birth and travelled all over the south in the thirties at a time when many people would never go more than 20 miles from their home.
Plus nobody sings the blues quite like him…
With all these recordings, this year's RPM even more than last, you are aiming straight at a deep love and appreciation I have for the music of this period. Usually when people go for this sound, it comes across to me as either having a gross modern sheen to it that makes me want to vomit, or they're being overly reverential, killing the great old tunes in the process.
How you manage to straddle that divide and produce something that apes the genre without feeling like a copy while also not feeling the need to force it somewhere it doesn't need to be...is beyond me, and I'm all the more amazed for that. I wish I could come close to this sort of music-making fidelity.
Needless to say (?) I adore this track, absolutely adore it.
Final version of this tune - voice and guitar, banjoe accompaniment
i'm still getting used to this new mic and finding my voice sounds different with or i'm singing differently because of it. So .. feedback appreciated, and if you like it…
Final version
it needs a fiddle but it has a mandolin, a chicken banjo and some excellent backing vocalists
my third demo for RPM 2011
The cat's in the window and
the rabbit's in the hutch
goat's in the meadow just
a-chewin on the…
Another one for the RPM2011 pile. Vocals are a bit shonky so apologies for that. If you don't like the start I would give the ending a try. If you don't like that either, I'm sorry to have wasted your time. The subject matter's self-explanatory…
3rd one for RPM2011. This is an 'oh you'll never get to heaven' type affair inspired by a beer my mate introduced me too. The song is basically about drinking yourself to death and having one up on the healthy brigade having made a rather spectacular…
Final version
RPM 2011 - my first track recorded and the opening track for the CD
A kind of Old Time gospel number, which, if you listen to those pre-war guitar playing preachers, are virtually indistinguishable from blues. Except for the lyrics…
This song should be on the radio. I mean that in the best way possible, as if this song alone could fix all the ills that plague that wasteland.
Did I mention that I love it?
Comments on Rob and Laura's stuff
Hey is there lyrics for this? I wanna translate, unfortunately my spanish is bad. Great rendition again, love your guy's voices.
What a really unique and different take on the Zelda theme. At first I was skeptical, but after a little bit of listening to it, I grew on it. Very good work guys. Muy Bueno.
Amazing <3
great voice and song
Excellent...
Top track dig it.
love it
This is awesome, You've got a great voice
Excellent little song......
Very nice song.
Random thoughts on your album. 1. For a while I kept reading the title of this album/song as "tunesight" and I thought "that sounds like it might be full of synths and drum machines", and I didn't listen to it for a while, sort of because I was busy but also sort of because of the title, which wasn't actually its title. 2. When I picture you making music I picture you in a room with at least one whole side and maybe part of the ceiling made of window, with sun pouring in, but somehow there isn't glare anywhere and you don't have to wear sunglasses inside, because, seriously. Anyway, my point is that this room is warm, and not because the heater is on. And you pull down a trusty sun-faded uke from the wall and start playing into an invisible microphone connected to an invisible MacBook running Linux. Or maybe BSD. NetBSD. *Invisible* NetBSD. 3. So it's natural, then, that you're in LA. Is it cheating to do a February music challenge in LA?
as to be expected, this album is perfect and beautiful. great sunday brunch backgroud ear candy. this song could not have been a better choice for a closer.
full of style. great vocal. what a sweet treat.
very nice song. Deliciously well played
nice little piece,,,the guitar coming in about 0:58 or so,is a nice touch
I love the tempo/time signature changes here - the twists and turns really hold one's interest.
very nice!
Whistling is so underrated ...........
such a lush sound from that guitar! Sumptuous.
Nice harmony's guys , great song , great listen
Comments made by Rob and Laura
Another example of your perfect vocal performance for the material. Another gem off this album (well, the whole thing is quite a gem, but that's another story).
Great work on the album. It took me places that I didn't expect, and which I greatly enjoyed being taken to. Serious congratulations are in order.
terrific!
Beautiful.
Now with lyrics.
With all these recordings, this year's RPM even more than last, you are aiming straight at a deep love and appreciation I have for the music of this period. Usually when people go for this sound, it comes across to me as either having a gross modern sheen to it that makes me want to vomit, or they're being overly reverential, killing the great old tunes in the process. How you manage to straddle that divide and produce something that apes the genre without feeling like a copy while also not feeling the need to force it somewhere it doesn't need to be...is beyond me, and I'm all the more amazed for that. I wish I could come close to this sort of music-making fidelity. Needless to say (?) I adore this track, absolutely adore it.
Thanks for implying my taste is impeccable!
Super nice.
Ha! No surprise that it's wonderful.
Great song!
Special, indeed. What a great song. Love the changes, and the overall vibe. Great stuff.
whoah, so nice.
great stuff!
Love both of these.
Amazing!
This is so lovely!
Great.
Love it.
You capture the feeling of some of the great folkways recordings. I'm really loving this.
This song should be on the radio. I mean that in the best way possible, as if this song alone could fix all the ills that plague that wasteland. Did I mention that I love it?