A second experiment with my new Rytme sequencer. This time Rytme is being fed into Logic to a track containing Kore 2 which is, in turn, hosting Kontakt 3 and the lovely Guzheng from Soniccouture (I bought the instrument before the new year but…
your tracks are cool. good sounds and production. i'm wondering if you could add dynamic control to your programming giving more volume shape/build to your tracks.
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
In a very good way this conjures up mid fifties Japanese short films. A bulldozer dragging a reluctant refrigerator through the dump. Seagulls argue over someone's sandwich and a young boy rides his bicycle as if he were on a magical horse. (all shot in grainy black and white on somebody's Mom's super-eight.
Thanks Mr. Bagszins
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
well, highly experimental, no doubt about that; and it does carry some underlaying structure. not quite steady though, but it is there, yes. - and overall, it has a very interesting contemporary flavor..
I think I may have gone too far!
I've been working on the Reichenbach signal chain to include filtering, distortion, EQ, and a resonator. I've also switched out the delay and gone hog wild with modulation.
This piece shows how way out the…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
nicely disturbing; maybe a tad too linear here and there, but that's certainly due to the formula. - i wonder if this could work with superformula and if so, what would be the output..
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@MannequinRaces: Reaktor is still a great tool for experimenting with sound design and, as a bonus, you get a fantastic range of great instruments and effects. It does require some effort to learn and the program has some issues but it's totally worth it.
Thanks for your suggestions about creating space. You're right in that I just went for the first fast panning preset I liked and it is kind of monotonous after a while.
When I was working mostly in Logic I used to automate volume a lot which can also create space. But this is something I don't find as natural in Ableton. I think it's a consequence of the Session/Arrangement dichotomy that I'm not as happy with yet.
I'm working on something new & again using TMA-2 as one of my sources. I'll see if I can do a better job with it.
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
(Drool) Okay, I've always known that I've wanted to give Reaktor a shot but now I really want to try it out! Great stuff. I have no idea how to ad more space in something like this but I like it the way it is. My only suggestion to try out sometime is to vary the panning. Seems like the panning (ping pong effect) is pretty consistent. I would try varying it more (like faster panning for a bit, then slower, etc..). Anyways cool stuff!
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
RE
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
so long as it isn't our brainwaves! hehe. I'm lookig forward to hearing, and seeing what else you do with this
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
Some experimentation that started with sandbags saying that he was looking for a wood sound. I responded with marimba plus monster reverb... and I quickly noodled together an ambient thing.
I wondered aloud whether I was done or should continue…
Let us celebrate our failures and our successes!
I submit my failure here for consideration.
I actually want to do something more with this just because it's a lot darker than I usually write. Unfortunately, it never turned into something musical…
Alright, so it turns out that I lied.
THIS song is actually #60 of 2009. I forgot about how I turned the instrumental "lucid traum" into the spoken word 'drama' "wake me up" for a class project.
(http://yelyah.com/music/song/lucid-traum…
Yeah, so I finally consolidated my music collection over from my other mac and found my grand total for 2009.
This is my 60th track of 2009.
I wrote my first track for a MIDI class in the fall of 1999 (did I mention I'm a 10th year sophomore…
Started off with me just goofing around with Battery and a couple of other NI things (which are new to me) and grew into this...
It may still have places to go.
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
Episode One:
Sandbags allowed me to use his mad rhythms- see here for an explanation: http://alonetone.com/sandbags/tracks/my-name-is-harry-palmer Sudara lent me some samples of him playing chords from his new autoharp, an ebow against piano…
Awesome, awesome, awesome.
In the days since I uploaded it I have come to a much greater appreciation of old Harry but you take it to another level.
I especially love the way you've blended the resonant sweeps with the harps.
Looking forward to future episodes!
So I still hate Ableton Live with a passion for anything piano related. But things seem to go better if I head straight to arrangement view once I'm out of the improvising stage and do my recording there, rather than trying to think that session…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Took a few hours to make. For example a lot of fades are hand drawn automation and the whole thing is 540 bars long so that took a while even though I can copy & paste automation data in Logic.
The 05:00 mark I went a bit mad with the filter resonance. I have a version where I clean that up a little and it sounds better I think. I might replace the online version.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Well you know on further listening I do find things to like in this. I'm inclined to give the process another go (maybe with a slightly shorter time frame) and think more about structure.
Thanks again for your comments folks.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Hi Kirk.
Thanks... I do have a crazy selection of effects these days which is responsible for a lot of the sonic mangling I can do. Over the next year or so I'd like to get more selective and more competent about the results :)
I also think Yelyah's onto something. This might actually be a "track" if it had more structure. As it is the micro-structure created by automation isn't enough.
Lots of things to work on!
Thanks again.
m/
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Yelyah, thank you for the encouraging words.
You're right that I have a pretty unsophisticated approach to what a "song" is. It's a facet I've begun to notice in everything I have done so far, that it is structurally uninteresting.
Guess I need to figure out how to take the next step!
Thanks again.
m/
One of four tracks I did for the August 2009 24 hour challenge. This was the first track I did, when I was still fresh.
I'd wanted to play around with Guitar Rig 3 since getting it at the weekend. The guitars are ableton loops mangled with guitar…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Bethan you're very kind to even attempt to listen to this!
The kick drum that runs through the track is the source of most of the sounds, just mangled, tortured, and beat into shapes & frequencies kick drums were never meant to reach.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Comments on Mr Sandbags's stuff
your tracks are cool. good sounds and production. i'm wondering if you could add dynamic control to your programming giving more volume shape/build to your tracks.
In a very good way this conjures up mid fifties Japanese short films. A bulldozer dragging a reluctant refrigerator through the dump. Seagulls argue over someone's sandwich and a young boy rides his bicycle as if he were on a magical horse. (all shot in grainy black and white on somebody's Mom's super-eight. Thanks Mr. Bagszins
great work sandbags,
very extraterrestrial! nice work.
I think you got something to work with here. It put me in a trance. Day dreaming sort of thing. Cool sounds Mr. Bags.
well, highly experimental, no doubt about that; and it does carry some underlaying structure. not quite steady though, but it is there, yes. - and overall, it has a very interesting contemporary flavor..
oldie but goodie.
nicely disturbing; maybe a tad too linear here and there, but that's certainly due to the formula. - i wonder if this could work with superformula and if so, what would be the output..
well trying to write my own song
sounds awesome in the 'phones.
@MannequinRaces: Reaktor is still a great tool for experimenting with sound design and, as a bonus, you get a fantastic range of great instruments and effects. It does require some effort to learn and the program has some issues but it's totally worth it. Thanks for your suggestions about creating space. You're right in that I just went for the first fast panning preset I liked and it is kind of monotonous after a while. When I was working mostly in Logic I used to automate volume a lot which can also create space. But this is something I don't find as natural in Ableton. I think it's a consequence of the Session/Arrangement dichotomy that I'm not as happy with yet. I'm working on something new & again using TMA-2 as one of my sources. I'll see if I can do a better job with it.
Once again, killer stuff. Love what you're doing here.
This is heaven. I love shit like this!
(Drool) Okay, I've always known that I've wanted to give Reaktor a shot but now I really want to try it out! Great stuff. I have no idea how to ad more space in something like this but I like it the way it is. My only suggestion to try out sometime is to vary the panning. Seems like the panning (ping pong effect) is pretty consistent. I would try varying it more (like faster panning for a bit, then slower, etc..). Anyways cool stuff!
RE The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it. so long as it isn't our brainwaves! hehe. I'm lookig forward to hearing, and seeing what else you do with this
I prefer the source....but this is interesting as well.
I knew he was sending images into our heads wildgeas. hehe. I'll have to listen to the other tracks you did with this one sandbags.
Spacey man. Your buggin' me out. There's something crawling on me. It has teeth.
Thanks for your comment on Sunday Looping mate. You have a great weekend. Cheers.
This is cool too. Hmmm. Eenie-meanie...
Comments made by Mr Sandbags
Well glu nicked all the good stuff with the hint of jazz and Lost Highways references. I can't compete with that! But I enjoyed it none the less :)
Has a certain rawness and grittiness that reminds me of Bukowski's poetry.
Has a melancholy quality to it that I like. What sort of piano is that?
Love this track, more please!
Very nice.
Lovely swirly textures, we like :)
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
Thanks for the kind words folks, much appreciated :)
Love the dark, metallic, and lost textures you got going on here.
Awesome, awesome, awesome. In the days since I uploaded it I have come to a much greater appreciation of old Harry but you take it to another level. I especially love the way you've blended the resonant sweeps with the harps. Looking forward to future episodes!
This is perfect Sunday morning music, ethereal, floaty, lovely.
No Logic 9 yet (only a matter of time though I think) but I liked this very much.
Took a few hours to make. For example a lot of fades are hand drawn automation and the whole thing is 540 bars long so that took a while even though I can copy & paste automation data in Logic. The 05:00 mark I went a bit mad with the filter resonance. I have a version where I clean that up a little and it sounds better I think. I might replace the online version.
Well you know on further listening I do find things to like in this. I'm inclined to give the process another go (maybe with a slightly shorter time frame) and think more about structure. Thanks again for your comments folks.
Hi Kirk. Thanks... I do have a crazy selection of effects these days which is responsible for a lot of the sonic mangling I can do. Over the next year or so I'd like to get more selective and more competent about the results :) I also think Yelyah's onto something. This might actually be a "track" if it had more structure. As it is the micro-structure created by automation isn't enough. Lots of things to work on! Thanks again. m/
Yelyah, thank you for the encouraging words. You're right that I have a pretty unsophisticated approach to what a "song" is. It's a facet I've begun to notice in everything I have done so far, that it is structurally uninteresting. Guess I need to figure out how to take the next step! Thanks again. m/
After several listens my only regret is that I can only favourite this track once :)
Bethan you're very kind to even attempt to listen to this! The kick drum that runs through the track is the source of most of the sounds, just mangled, tortured, and beat into shapes & frequencies kick drums were never meant to reach.
What can I say? This is beautiful and I think I shall listen to the whole thing all over again :)
I'm at 15:00 and it's been great so far.