A second experiment with my new Rytme sequencer. This time Rytme is being fed into Logic to a track containing Kore 2 which is, in turn, hosting Kontakt 3 and the lovely Guzheng from Soniccouture (I bought the instrument before the new year but…
your tracks are cool. good sounds and production. i'm wondering if you could add dynamic control to your programming giving more volume shape/build to your tracks.
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
In a very good way this conjures up mid fifties Japanese short films. A bulldozer dragging a reluctant refrigerator through the dump. Seagulls argue over someone's sandwich and a young boy rides his bicycle as if he were on a magical horse. (all shot in grainy black and white on somebody's Mom's super-eight.
Thanks Mr. Bagszins
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
Being as I am in something of a musical trough of despair (it's not as much fun as it sounds) right now I thought I'd try messing with my TMA-2 Reaktor instrument and try and coax some better results from it.
From a promising beginning TMA…
well, highly experimental, no doubt about that; and it does carry some underlaying structure. not quite steady though, but it is there, yes. - and overall, it has a very interesting contemporary flavor..
I think I may have gone too far!
I've been working on the Reichenbach signal chain to include filtering, distortion, EQ, and a resonator. I've also switched out the delay and gone hog wild with modulation.
This piece shows how way out the…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
nicely disturbing; maybe a tad too linear here and there, but that's certainly due to the formula. - i wonder if this could work with superformula and if so, what would be the output..
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@MannequinRaces: Reaktor is still a great tool for experimenting with sound design and, as a bonus, you get a fantastic range of great instruments and effects. It does require some effort to learn and the program has some issues but it's totally worth it.
Thanks for your suggestions about creating space. You're right in that I just went for the first fast panning preset I liked and it is kind of monotonous after a while.
When I was working mostly in Logic I used to automate volume a lot which can also create space. But this is something I don't find as natural in Ableton. I think it's a consequence of the Session/Arrangement dichotomy that I'm not as happy with yet.
I'm working on something new & again using TMA-2 as one of my sources. I'll see if I can do a better job with it.
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
(Drool) Okay, I've always known that I've wanted to give Reaktor a shot but now I really want to try it out! Great stuff. I have no idea how to ad more space in something like this but I like it the way it is. My only suggestion to try out sometime is to vary the panning. Seems like the panning (ping pong effect) is pretty consistent. I would try varying it more (like faster panning for a bit, then slower, etc..). Anyways cool stuff!
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
RE
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
so long as it isn't our brainwaves! hehe. I'm lookig forward to hearing, and seeing what else you do with this
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
I thought it might be interesting to post the source material I used in the track [IX](http://alonetone.com/sandbags/tracks/ix-2). This is the file generated by my TMA-2 instrument that I processed to make IX.
If you're into this sort of noisy…
A late night meditation.
Here's the process:
Started just auditioning sounds in my Live library. When I do this, I play some random chords or two note intervals; often not looking at my hands or the keyboard. That's the spark. Here I started…
Kirk I've really enjoyed going through your ambient stuff (and also your bluesy stuff!) I can decide between this one and Ambient experiment 2. They're both delicious.
Saw an add on TV for something called "Drag Me To Hell". Dunno what it is with horror films, but apparently scary music is on my mind. Thanks for helping exorcise it.
The guitar part, btw, is e-bow plus slide so any tonality is an accident.
Here I attempt to articulate a few distinct feelings of the home, or the affect of cultivating one's own space, or not.
Instrumentation: house keys, pots and pans, long bamboo flute, synth, drum programming, voice(s), and didgeridoo (a real…
Sometimes magic happens. Sometimes it even happens to me.
Open D tuning (low to high D A D G A D). Just a practice session where I had the guts to press record.
No drugs. Just beer with dinner. Maybe they put something in the creme brule…
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
Took sandbags' [Rytme Shifter 1](http://alonetone.com/sandbags/tracks/rytme-shifter-1) and added my special brand of guitar incompetence.
I bought myself an E-Bow this week and this track was just perfect for playing around. After a day of wankery…
This is a short teaser of my Electro-like remix that I entered into a contest organized by the Dutch radio station SlamFM.
I haven't uploaded the full thing because I don't want to get into copyright issues, so if you like the sound of the beat…
Logic's noise gate and vocal transformer are my new best friends. I really enjoyed messing with them and thought I'd have another go.
I've always quite liked pulsing ambient and it seemed to come naturally. This time we have Rytme playing Kore…
Logic's noise gate and vocal transformer are my new best friends. I really enjoyed messing with them and thought I'd have another go.
I've always quite liked pulsing ambient and it seemed to come naturally. This time we have Rytme playing Kore…
Sister Savage has a little star in this track!
Melody based on 'ah! vous dirai-je, Maman,' by Mozart.. the original composer. I think it's the first and second variation of 12, but that was like 15 years ago that I learned the piece so I have…
Comments on Mr Sandbags's stuff
your tracks are cool. good sounds and production. i'm wondering if you could add dynamic control to your programming giving more volume shape/build to your tracks.
In a very good way this conjures up mid fifties Japanese short films. A bulldozer dragging a reluctant refrigerator through the dump. Seagulls argue over someone's sandwich and a young boy rides his bicycle as if he were on a magical horse. (all shot in grainy black and white on somebody's Mom's super-eight. Thanks Mr. Bagszins
great work sandbags,
very extraterrestrial! nice work.
I think you got something to work with here. It put me in a trance. Day dreaming sort of thing. Cool sounds Mr. Bags.
well, highly experimental, no doubt about that; and it does carry some underlaying structure. not quite steady though, but it is there, yes. - and overall, it has a very interesting contemporary flavor..
oldie but goodie.
nicely disturbing; maybe a tad too linear here and there, but that's certainly due to the formula. - i wonder if this could work with superformula and if so, what would be the output..
well trying to write my own song
sounds awesome in the 'phones.
@MannequinRaces: Reaktor is still a great tool for experimenting with sound design and, as a bonus, you get a fantastic range of great instruments and effects. It does require some effort to learn and the program has some issues but it's totally worth it. Thanks for your suggestions about creating space. You're right in that I just went for the first fast panning preset I liked and it is kind of monotonous after a while. When I was working mostly in Logic I used to automate volume a lot which can also create space. But this is something I don't find as natural in Ableton. I think it's a consequence of the Session/Arrangement dichotomy that I'm not as happy with yet. I'm working on something new & again using TMA-2 as one of my sources. I'll see if I can do a better job with it.
Once again, killer stuff. Love what you're doing here.
This is heaven. I love shit like this!
(Drool) Okay, I've always known that I've wanted to give Reaktor a shot but now I really want to try it out! Great stuff. I have no idea how to ad more space in something like this but I like it the way it is. My only suggestion to try out sometime is to vary the panning. Seems like the panning (ping pong effect) is pretty consistent. I would try varying it more (like faster panning for a bit, then slower, etc..). Anyways cool stuff!
RE The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it. so long as it isn't our brainwaves! hehe. I'm lookig forward to hearing, and seeing what else you do with this
I prefer the source....but this is interesting as well.
I knew he was sending images into our heads wildgeas. hehe. I'll have to listen to the other tracks you did with this one sandbags.
Spacey man. Your buggin' me out. There's something crawling on me. It has teeth.
Thanks for your comment on Sunday Looping mate. You have a great weekend. Cheers.
This is cool too. Hmmm. Eenie-meanie...
Comments made by Mr Sandbags
Like it.
Beautiful!
Oh I *like* this! Correction... I *lurve* this!
Can't figure out how I didn't favourite this one first time around, it's lovely!
Kirk I've really enjoyed going through your ambient stuff (and also your bluesy stuff!) I can decide between this one and Ambient experiment 2. They're both delicious.
I think that e-bow may have pushed you over the edge :)
This is brilliant! :)
Lovely sound Glu, quite transporting.
I love the sound you've created here.
Sweet sound.
Really enjoyed this track.
A man of many talents! Beautiful playing.
I enjoyed all 5 very much. I'm looking forward to what you do next.
Bring on the Trombones! Love it :)
Lovely atmospheric track.
Very very cool, i love it!
The remix is an awesome track ... I definitely encourage anyone to go listen to the full thing!
Must have made some snafu when I bounced it first time around, should be okay now.
Hrmm... where did my reverb tail get to...
Glu you're very kind but I'm just busking here ;-) Be very glad for you to use anything of mine in your tracks. In fact it would be awesome!