Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
Thanks guys.
Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-)
Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster.
CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad).
Johnny: Thanks man. More to come.
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
I was just telling my son about your original program a while ago. I showed him the video you made for this. It's a GREAT example of how science and creativity work together. I think you are stumbling onto things that you aren't aware of...not talking about the goofy black hole idea. :)
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
Your technical and creative skills came together amazingly well in this one. As for the noise, I did the calulations and I have come to the conclusion that the reason you have all the noise is that the frequencies being generated are opening tiny holes between us and a quantum neighbor. The holes are slowly leaking energy from the other dimension into ours. This leaked energy is entering our brains as well. Your quantum self knew you were going to do this in our dimension. So he created a program that he is injecting into the hole...and bit by bit..he is reprogramming our brains. So..
THANKS ALOT!! lol But seriously. This is well beyond interesting! Just hope the andromeda strain isn't coming true...
Speaking of life in other places...didn't they find life on mars similar to pond scum??
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
May I ask what type of equations you used?? What kind of particles? Is the box supposed to be like a vacuum as it is in space? It would be interesting to know how many collisions are occuring. And..do you think you could do this with REAL particles? You would probably have to utilize the MADD device. Magnetic Anomoly Detector. It can detect disturbances in the magetic field of Earth. Dist. as small as a school of fish swimming in the ocean. Thanks for sharing...this triggers ones imagination for sure. And it's sounds alot more interesing than sci-fi from the 70's.
Have you checked out that software which allows you to hear what certain molecules sound like? Everything emits sound... on second though, maybe you should be careful..you may be calling meet-eating aliens to our planet. hehe I'f also like to see what the brain looks like when listening to this.
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through.
I was…
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Woot! I am in a long (but spray on) dress, reclining seductively atop the piano. I have forgotten the lyrics, but it matters not because I have the BEST shoes, and your playing is fabulous! Kudos! And "More!"
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Dig this! Keep on posting these, because this is inspiring.
Maybe I'm nuts, but it almost makes me think that maybe those of us on alonetone who are trying to improve on the piano could form a group for mutual encouragement purposes, and post what we're practicing.
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Part of a sound walk that takes place through the Station North district of Baltimore. This piece is the last segment of the walk.
Live 8, Logic, field recordings, clay flute, and samples from Tennyson's "Bugle Song".
4 stereo guitar tracks played out one at a time.
Another late night - early morning recording.
I like to keep a positive attitude about the things that haunt me, but sometimes dreams change course unexpectedly, and the worms creep in.
24-hour album.
This album is a collage of several disconnected pieces recorded & mixed over 18 hours or so.
I've left it as a single long track, but here's a sort of navigational guide if you want to skip around:
0:00 - 1:30 = Living…
24-hour album.
This album is a collage of several disconnected pieces recorded & mixed over 18 hours or so.
I've left it as a single long track, but here's a sort of navigational guide if you want to skip around:
0:00 - 1:30 = Living…
Half way through and, so far, this has been quite a trip. I love how you have blended ambience and anti-ambience without a huge explosion! It's quite freaky to be surrounded by heavy grinding guitars and know that, just moments ago, I was bathing in a smooth still pond.
i remember the exact moment my tears fell...
this song was written for my dad...it sums up the loss i feel...i dealt with my emotions in the only way i know how...
I frequently go on training skates on a beach front trail. The parking lot is just off of a major highway bridge (the Burlington Skyway for those that know it). It's always an interesting sound there...
I recently acquired got a little Pocketrax…
Well... what do you say?
I think you have made something very beautiful and involving. I love the way that, at the beginning (especially but also, to a degree, throughout the piece), the whole thing moves as if riding waves.
The sounds are interesting but seem to blend quite seamlessly, I think the arrangement is very good. I particularly like the use of resonation, I think it creates a great ambience towards the end of the track.
I really wasn't ready for it to end.
A typical folk song.
Written and recorded in about an hour for the 24 hour album (attempted on March 13th). Excuse roughness and vocal glitches, it was 2am and this was my first full take.
Thanks to montgomeru for his chord suggestions…
Kind of a chillout, lullaby type tune.
—
Notes:
I think the shaker comes in too strong. I think the intro goes on for probably 1 or 2 more phrases than it should.
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
So I just figured out that the EXS24 sampler instrument in Logic Pro (the DAW I use) can also import SoundFont2 files, which I happened to have a bunch of from a previous life as a Cakewalk user. All the tracks in this tune were played using old…
Well i gues i was just sitting bored at home in new years even and i came up with the hook , then just worked on it on and off, and ended up with this.
Hope you enjoy it :)
Very much. I'd say time well spent. The percussion has a really crisp snap to it that I love (wish I could figure that trick out myself) and everything layers well and sounds great. Kudos!
I came up with the initial rhythmic riff on my bass, then looped it to create the basis for this track. Then, I layered another "lead" bass track on top of that, added some percussion, and finally topped it off with an electric piano-ish sound…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Thanks again for all the kind words. I think the next piece will be very largely based on vocals, if I can get some more female voices to balance things out!
Comments on Mr Sandbags's stuff
Very interesting! The BBC called, they want their Radiophonic Workshop back :-)
Thanks guys. Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-) Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster. CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad). Johnny: Thanks man. More to come.
I was just telling my son about your original program a while ago. I showed him the video you made for this. It's a GREAT example of how science and creativity work together. I think you are stumbling onto things that you aren't aware of...not talking about the goofy black hole idea. :)
I can't imagine, I'm back to check this thing out again. This is awesome to watch.
Your technical and creative skills came together amazingly well in this one. As for the noise, I did the calulations and I have come to the conclusion that the reason you have all the noise is that the frequencies being generated are opening tiny holes between us and a quantum neighbor. The holes are slowly leaking energy from the other dimension into ours. This leaked energy is entering our brains as well. Your quantum self knew you were going to do this in our dimension. So he created a program that he is injecting into the hole...and bit by bit..he is reprogramming our brains. So.. THANKS ALOT!! lol But seriously. This is well beyond interesting! Just hope the andromeda strain isn't coming true... Speaking of life in other places...didn't they find life on mars similar to pond scum??
May I ask what type of equations you used?? What kind of particles? Is the box supposed to be like a vacuum as it is in space? It would be interesting to know how many collisions are occuring. And..do you think you could do this with REAL particles? You would probably have to utilize the MADD device. Magnetic Anomoly Detector. It can detect disturbances in the magetic field of Earth. Dist. as small as a school of fish swimming in the ocean. Thanks for sharing...this triggers ones imagination for sure. And it's sounds alot more interesing than sci-fi from the 70's. Have you checked out that software which allows you to hear what certain molecules sound like? Everything emits sound... on second though, maybe you should be careful..you may be calling meet-eating aliens to our planet. hehe I'f also like to see what the brain looks like when listening to this.
Cool vid mate and a very cool experiment. Great sounds.
On a more serious note, that's some experiment in sound. The video is wild!
is that you Dave?
Where are you?
I am so first
keeping it nice and creepy. i like.
Beautiful. I love the sense of texture, and what sit in my ear as illusions of different physical spaces, of varying shape and size - wonderful.
Pretty Cool!
great song, love the intro and the crunchy keys
Woot! I am in a long (but spray on) dress, reclining seductively atop the piano. I have forgotten the lyrics, but it matters not because I have the BEST shoes, and your playing is fabulous! Kudos! And "More!"
Very nice, sir! Worth the hard work.
Dig this! Keep on posting these, because this is inspiring. Maybe I'm nuts, but it almost makes me think that maybe those of us on alonetone who are trying to improve on the piano could form a group for mutual encouragement purposes, and post what we're practicing.
Great jo mate excellent
Anybody that feels that "it's too late" to learn an instrument only needs to look (and listen) here. You should be proud.
Comments made by Mr Sandbags
Awesome piece you've made here. So much in it but all blended superbly. I especially love the voices towards the end.
Oh yeah, liked this a lot.
Really enjoyed this piece.
Well you were wondering yesterday how it would come together and I can tell you, it came together great! An amazing effort, bravo!
Half way through and, so far, this has been quite a trip. I love how you have blended ambience and anti-ambience without a huge explosion! It's quite freaky to be surrounded by heavy grinding guitars and know that, just moments ago, I was bathing in a smooth still pond.
Beautiful playing and something reminiscent of Glu about the birdsong & engine noise which works really well here. Kudos!
Full of desolation and dark overtones. Beautiful.
Well... what do you say? I think you have made something very beautiful and involving. I love the way that, at the beginning (especially but also, to a degree, throughout the piece), the whole thing moves as if riding waves. The sounds are interesting but seem to blend quite seamlessly, I think the arrangement is very good. I particularly like the use of resonation, I think it creates a great ambience towards the end of the track. I really wasn't ready for it to end.
You may be surprised to hear it, but I really like this one!
Beautiful.
Strange and understated, I really love this.
Cool sound. More gritty bass which we like :)
Very much. I'd say time well spent. The percussion has a really crisp snap to it that I love (wish I could figure that trick out myself) and everything layers well and sounds great. Kudos!
Like this one a lot, it's got a haunting quality to it.
You asked for criticism but I can't give you any. I can only echo dAb and Sister's comments; this is great.
Thanks again for all the kind words. I think the next piece will be very largely based on vocals, if I can get some more female voices to balance things out!
Love your sound.
You're having wayyyy too much fun here :)
I think the two of you should be congratulated, then taken into care :)
Ah the infamous!